What Classical Music Are You listening to Now? III

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  • Cockney Sparrow
    Full Member
    • Jan 2014
    • 2243

    Originally posted by visualnickmos View Post
    Love the cover design/artwork. That alone would tempt me. I'm pretty sure that subliminally, the artwork/imagery/desgn/typography/visual presentation, or whatever you want to call it DOES have an effect.

    I've never felt quite the same about bottled "London Pride" since they dropped the embossed bottle and gilt/embossed label (but not the price) - shallow, I know. Still my favourite beer - though Hervietoun "Bitter and Twisted" (never had anything embossed) is almost identical in taste as far as I'm concerned.

    Comment

    • silvestrione
      Full Member
      • Jan 2011
      • 1632

      'Pictures From An Exhibition', Mussorgsky, played by Sviatoslav Richter, the Sofia recital.

      I'm not sure I have properly listened to this work before. I grew up with Silvestri's sensational performances of the Ravel orchestration, in Bournemouth.

      Richter makes it a huge drama that seems to encompass -- well, just about everything! The 'Catacombs' moment takes you somewhere staggering, terrifying. But there's also the delicacy of the hatching chicks. Colour, vitality, energy. But the brash or complacent energy has a dark shadow or underside. And the superhuman assertion of the Kiev hymn breaks off, to be somewhere so quiet and telling, before the bells burst out.

      Comment

      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        Originally posted by silvestrione View Post
        'Pictures From An Exhibition', Mussorgsky, played by Sviatoslav Richter, the Sofia recital.

        I'm not sure I have properly listened to this work before. I grew up with Silvestri's sensational performances of the Ravel orchestration, in Bournemouth.

        Richter makes it a huge drama that seems to encompass -- well, just about everything! The 'Catacombs' moment takes you somewhere staggering, terrifying. But there's also the delicacy of the hatching chicks. Colour, vitality, energy. But the brash or complacent energy has a dark shadow or underside. And the superhuman assertion of the Kiev hymn breaks off, to be somewhere so quiet and telling, before the bells burst out.
        I quite like Ashkenazy, in this work. Georg Szell and The Cleveland Orchestra, for Ravel’s.

        Handel Complete Orchestral Recirdings
        CD 1

        Water Music Suites, HW 348, 349 & 350
        CD2
        Music for The Royal Fireworks, HWV351
        Concerti a due cori HWV 333 & 334
        Oboe Concerti HWV 301, 302a & 287
        CD3
        Concerti Grossi, Op.3
        The English Concert
        Trevor Pinnock.
        Last edited by BBMmk2; 10-10-20, 08:26.
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

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        • Stanfordian
          Full Member
          • Dec 2010
          • 9251

          Samuel Ramey - 'Operatic Arias'
          Opera Arias by Verdi, Rossini, Berlioz, Meyerbeer, Donizetti

          Samuel Ramey (bass)
          Münchner Rundfunkorchester / Jacques Delacôte
          Recorded 1988 Studio 1, Bayerischen Rundfunk, Munich
          EMI

          Saint-Saëns - ‘Chamber Music’
          Piano Quartet, Op. 41
          Barcarolle, Op. 108
          Piano Quintet, Op. 14
          Cristina Ortiz (piano)
          Fine Arts Quartet
          Recorded 2012 Performing Arts Centre, Purchase College, State University of New York, Purchase NY
          Naxos

          Comment

          • DoctorT

            Beethoven
            Sonatas for piano and violin
            Isabelle Faust and Alexander Melnikov
            Who could resist the Spring Sonata, even in autumn?
            Last edited by Guest; 09-10-20, 17:27. Reason: Predictive text

            Comment

            • Serial_Apologist
              Full Member
              • Dec 2010
              • 36871

              Originally posted by Cockney Sparrow View Post
              I've never felt quite the same about bottled "London Pride" since they dropped the embossed bottle and gilt/embossed label (but not the price) - shallow, I know. Still my favourite beer - though Hervietoun "Bitter and Twisted" (never had anything embossed) is almost identical in taste as far as I'm concerned.
              Whereas I was thinking: what old-fashioned artwork for such modern music!

              Comment

              • visualnickmos
                Full Member
                • Nov 2010
                • 3607

                Originally posted by silvestrione View Post
                'Pictures From An Exhibition', Mussorgsky, played by Sviatoslav Richter, the Sofia recital.

                I'm not sure I have properly listened to this work before. I grew up with Silvestri's sensational performances of the Ravel orchestration, in Bournemouth.

                Richter makes it a huge drama that seems to encompass -- well, just about everything! The 'Catacombs' moment takes you somewhere staggering, terrifying. But there's also the delicacy of the hatching chicks. Colour, vitality, energy. But the brash or complacent energy has a dark shadow or underside. And the superhuman assertion of the Kiev hymn breaks off, to be somewhere so quiet and telling, before the bells burst out.
                What's the sound quality like? I gather it's 1958 recording from the behind the old Iron Curtain..... is it OK?

                Comment

                • silvestrione
                  Full Member
                  • Jan 2011
                  • 1632

                  Originally posted by visualnickmos View Post
                  What's the sound quality like? I gather it's 1958 recording from the behind the old Iron Curtain..... is it OK?
                  The sound quality, and the quality of the piano at times, are in the 'they just have to be tolerated' category! Not too bad. All I can say is, there are plenty of 'live' Richter recordings with worse...

                  Comment

                  • Joseph K
                    Banned
                    • Oct 2017
                    • 7765

                    Comment

                    • teamsaint
                      Full Member
                      • Nov 2010
                      • 25104

                      Dvorak . Te Deum.

                      Czech PO, Hrusa, released this year.
                      I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                      I am not a number, I am a free man.

                      Comment

                      • Pulcinella
                        Host
                        • Feb 2014
                        • 10286

                        Originally posted by teamsaint View Post
                        Dvorak . Te Deum.

                        Czech PO, Hrusa, released this year.

                        Let us know what you think.
                        The recording that I have is a cheap Koch International version, coupled with the Stabat Mater, conducted by Alexander Rahbari (so ripe for reissue on Naxos, I would think).
                        Blackwell's in Oxford got a job lot for the choir when we sang it many years ago.

                        Last edited by Pulcinella; 10-10-20, 19:37. Reason: Link to CD added.

                        Comment

                        • jayne lee wilson
                          Banned
                          • Jul 2011
                          • 10711

                          Originally posted by teamsaint View Post
                          Dvorak . Te Deum.

                          Czech PO, Hrusa, released this year.
                          I had the Requiem off of this album soaring around the house a lot earlier this year... I'd leave it running to greet me after my walks.....wonderful music, wonderful recording.....

                          Comment

                          • teamsaint
                            Full Member
                            • Nov 2010
                            • 25104

                            Originally posted by jayne lee wilson View Post
                            I had the Requiem off of this album soaring around the house a lot earlier this year... I'd leave it running to greet me after my walks.....wonderful music, wonderful recording.....
                            I thought the TD was a decent performance on first listen, though I didn’t really know the work.
                            Not well acquainted with the Requiem either, so that obviously deserves a spin or two at least.
                            Might leave it running for when I get in from a Sunday morning run. that and a big coffee should do nicely
                            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                            I am not a number, I am a free man.

                            Comment

                            • BBMmk2
                              Late Member
                              • Nov 2010
                              • 20908

                              Yesterday’s listening

                              Scriabin
                              Poème d’lextase, Op.54
                              Piano Concerto in F# minor, Op.20
                              Prométhée - Le Poème de Feu, Op.60
                              Anatol Ugorsky(Piano)
                              Chicago Symphony Orchestra
                              Pierre Boulez

                              Mahler
                              Das Klagende Lied
                              Dorothea Röschmann(soprano)
                              Anna Larsson(contralto)
                              John Botha(tenor)
                              Jörn H. Andressen(bass)
                              Wiener Staatsoper
                              Wiener Philharmoniker

                              Symphony No.4
                              Julianne Banse (soprano)
                              Cleveland Orchestra

                              Pierre Boulez.
                              Don’t cry for me
                              I go where music was born

                              J S Bach 1685-1750

                              Comment

                              • Pulcinella
                                Host
                                • Feb 2014
                                • 10286

                                With score:
                                Finzi
                                Till Earth outwears, Op 19a
                                I said to Love, Op 19b
                                Martyn Hill (19a), Stephen Varcoe (19b), Clifford Benson

                                Then, in preparation for BaL, 24 October 2020, a BBC MM CD:
                                Pergolesi: Stabat mater (New College, Oxford/AAM/Higginbottom
                                c/w
                                Domenico Scarlatti: Stabat mater (BBC Singers/instrumentalists/Christophers)

                                Oh dear! Probably not the best idea to use all the New College choristers.

                                Now:
                                Gorecki
                                Beatus vir
                                Symphony 2 (Copernican)
                                Polish NRSO/Wit

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