What Classical Music Are You listening to Now? III

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  • DublinJimbo
    Full Member
    • Nov 2011
    • 1222

    Originally posted by BBMmk2 View Post
    First up today. Some people have been giving a lot of time to this new recording. I can see why!

    Einojuhani Rautavaara
    Symphony No.7,”Angel of Light”
    Flute Concerto, Op.63
    Petri Alanko(flute)
    Laities SO
    Osmo Vänskä
    I'm confused. Is this a new recording? If it's the Lahti SO you mean and the release also includes the Cantus arcticus, this came out in 1999.

    Comment

    • Stanfordian
      Full Member
      • Dec 2010
      • 9290

      Originally posted by DublinJimbo View Post
      I'm confused. Is this a new recording? If it's the Lahti SO you mean and the release also includes the Cantus arcticus, this came out in 1999.
      Yes, I too have had this recording since it's release in 1999. C/w Cantus arcticus.

      Comment

      • DublinJimbo
        Full Member
        • Nov 2011
        • 1222

        A terrific addition to the Weinberg discography —

        Weinberg 1945
        Piano Trio op. 24
        Cello Sonata No. 1 op. 21
        Two Songs Without Words for Violin and Piano
        Rhapsody on Moldavian Themes for Violin and Piano op. 47 no. 3

        Trio Khnopff

        Comment

        • Joseph K
          Banned
          • Oct 2017
          • 7765

          - Composer: Ludwig van Beethoven (17 December 1770 -- 26 March 1827) - Performers: David Oistrakh (violin), Lev Oborin (piano) - Year of recording: 1962 Sona...


          Beethoven - 'Kreutzer' sonata for violin and piano.

          Comment

          • frankbridge
            Full Member
            • Sep 2018
            • 108

            Now:

            Michael Torke

            Color Music

            Green/Purple/Esctatic Orange/Ash/Bright Blue Music

            Baltimore Symphony Orchestra

            David Zinman

            Decca Argo 433 071-2ZH

            Bizarre, but wonderful

            Comment

            • Stanfordian
              Full Member
              • Dec 2010
              • 9290

              ‘Visions’ – Véronique Gens
              Soprano arias by Saint-Saëns, Niedermeyer, Halévy, Godard, Février, David, Franck, Massenet, Bizet, Bruneau

              Véronique Gens (soprano)
              Münchner Rundfunkorchester / Hervé Niquet
              Recorded 2017 Bayerischer Rundfunk, Munich
              Alpha Classics

              Hans Werner Henze
              Symphony No. 3 for large orchestra
              Symphony No. 4 for large orchestra
              Symphony No. 5 for large orchestra
              Rundfunk-Sinfonieorchester Berlin / Marek Janowski
              Recorded 2010 Haus des Rundfunks, Rundfunk Berlin-Brandenburg, Berlin
              Wergo

              Comment

              • BBMmk2
                Late Member
                • Nov 2010
                • 20908

                Thank you Stan and DJ.

                Respighi
                Vetrate di Chiesa
                Brazilian Impressions
                Philharmonia Orchestra
                Geoffrey Simon.
                Don’t cry for me
                I go where music was born

                J S Bach 1685-1750

                Comment

                • BBMmk2
                  Late Member
                  • Nov 2010
                  • 20908

                  J S Bach
                  Goldberg Variations
                  Mahan Esfahni,Harpsichord.
                  Don’t cry for me
                  I go where music was born

                  J S Bach 1685-1750

                  Comment

                  • Petrushka
                    Full Member
                    • Nov 2010
                    • 12164

                    Beethoven: Piano Concerto No 4
                    Emanuel Ax (piano)

                    Bruckner: Symphony No 7

                    Wiener Philharmoniker
                    Bernard Haitink

                    Given at the Lucerne Festival, September 6 2019

                    "The sound is the handwriting of the conductor" - Bernard Haitink

                    Comment

                    • ferneyhoughgeliebte
                      Gone fishin'
                      • Sep 2011
                      • 30163

                      Tchaikovsky: The Maid of Orleans; Bolshoi/All-Union TV & Radio soloists, chorus, & orchestra/Rozhdestvensky.

                      Noisy piece.
                      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                      Comment

                      • pastoralguy
                        Full Member
                        • Nov 2010
                        • 7687

                        I'm doing a Side by side comparison of the Brahms Violin Sonatas.

                        Alina Ibragimova, violin and Cédric Tiberghian, piano. (Hyperion)

                        Tasmin Little, violin and Piers Lane, piano. (Chandos)

                        If I had to choose, I think I'd go for the Chandos disc. Much as I admire Ibragimova as an artist, I feel Little has a stronger grasp of the music's character. Coupled with the fact that her sound is very 'full fat' and the Chandos recording really reproduces this whilst allowing the piano to really come through.

                        A very pleasant way to spend a Sunday afternoon!

                        Comment

                        • Joseph K
                          Banned
                          • Oct 2017
                          • 7765

                          Disk 5 of the Schornsheim/Haydn keyboard sonatas.

                          No. 38 in F major is a particularly lovely thing (even amongst lovely things).

                          Comment

                          • jayne lee wilson
                            Banned
                            • Jul 2011
                            • 10711

                            BRUCKNER Symphony No. 1 (VIENNA 1891 revision). LUCERNE FO/ABBADO live KKL 2012.
                            Accentus 24/48 New Release, Qobuz Studio.

                            An 1891 Bruckner 1 so different as to be essentially hors concours; as if Abbado, so aware of his own mortality, needed to dwell the more lovingly on every lyrical episode among the brassier, more energetic splendours. In the finale especially there is a very wide rubato and tempo variabile, the music coming almost to a standstill at its midpoint. Nothing jars or feels unnatural though, and for me at least on this late, late Brucknerian occasion, it works.

                            With its layering in of detail and regularised rhythms, this Vienna version of Bruckner’s 1st (one of my least favourite editions of any Bruckner Symphony) still sounds fussy and often (literally) overwritten to me; early Bruckner in the style of late Bruckner and to neither’s advantage. (The passage from the 1st movement’s recap to its end sounds almost grotesque; the freshness, continuity and spontaneity of the Linz is lost).

                            But this is a special document of a special occasion and at least some of the time, one suspends textual disbelief in the beauty and intensity of the moment.
                            Last edited by jayne lee wilson; 08-09-19, 17:04.

                            Comment

                            • pastoralguy
                              Full Member
                              • Nov 2010
                              • 7687

                              J.S. Bach. Concertos for violin, violin & oboe and the 'Double Concerto'

                              Oscar Shumsky, violin with The Scottish Chamber Orchestra and Robin Miller, oboe and John Tunnell, violin.

                              Nimbus.

                              Comment

                              • Bryn
                                Banned
                                • Mar 2007
                                • 24688

                                Prompted by a mention in another thread, La Monte Young: The Well-Tuned Piano:

                                Comment

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