Originally posted by BBMmk2
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What Classical Music Are You listening to Now? III
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‘Visions’ – Véronique Gens
Soprano arias by Saint-Saëns, Niedermeyer, Halévy, Godard, Février, David, Franck, Massenet, Bizet, Bruneau
Véronique Gens (soprano)
Münchner Rundfunkorchester / Hervé Niquet
Recorded 2017 Bayerischer Rundfunk, Munich
Alpha Classics
Hans Werner Henze
Symphony No. 3 for large orchestra
Symphony No. 4 for large orchestra
Symphony No. 5 for large orchestra
Rundfunk-Sinfonieorchester Berlin / Marek Janowski
Recorded 2010 Haus des Rundfunks, Rundfunk Berlin-Brandenburg, Berlin
Wergo
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I'm doing a Side by side comparison of the Brahms Violin Sonatas.
Alina Ibragimova, violin and Cédric Tiberghian, piano. (Hyperion)
Tasmin Little, violin and Piers Lane, piano. (Chandos)
If I had to choose, I think I'd go for the Chandos disc. Much as I admire Ibragimova as an artist, I feel Little has a stronger grasp of the music's character. Coupled with the fact that her sound is very 'full fat' and the Chandos recording really reproduces this whilst allowing the piano to really come through.
A very pleasant way to spend a Sunday afternoon!
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BRUCKNER Symphony No. 1 (VIENNA 1891 revision). LUCERNE FO/ABBADO live KKL 2012.
Accentus 24/48 New Release, Qobuz Studio.
An 1891 Bruckner 1 so different as to be essentially hors concours; as if Abbado, so aware of his own mortality, needed to dwell the more lovingly on every lyrical episode among the brassier, more energetic splendours. In the finale especially there is a very wide rubato and tempo variabile, the music coming almost to a standstill at its midpoint. Nothing jars or feels unnatural though, and for me at least on this late, late Brucknerian occasion, it works.
With its layering in of detail and regularised rhythms, this Vienna version of Bruckner’s 1st (one of my least favourite editions of any Bruckner Symphony) still sounds fussy and often (literally) overwritten to me; early Bruckner in the style of late Bruckner and to neither’s advantage. (The passage from the 1st movement’s recap to its end sounds almost grotesque; the freshness, continuity and spontaneity of the Linz is lost).
But this is a special document of a special occasion and at least some of the time, one suspends textual disbelief in the beauty and intensity of the moment.Last edited by jayne lee wilson; 08-09-19, 17:04.
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