What Classical Music Are You listening to Now? III

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  • Pianoman
    Full Member
    • Jan 2013
    • 524

    Originally posted by Brassbandmaestro View Post
    [

    Mike Oldfield
    Tubular Bells, Pts1 & 2.
    Tubular Brass, Sandy Smith.
    Hiya Brassy - I remember Sandy Smith as a student at Huddersfield - we all thought he was immensely talented as a player and arranger and would go far. He did indeed go on to good things, and his old mate Phil McCann is still there inspiring the next generation of brass players...!

    Comment

    • BBMmk2
      Late Member
      • Nov 2010
      • 20908

      Originally posted by Pianoman View Post
      Hiya Brassy - I remember Sandy Smith as a student at Huddersfield - we all thought he was immensely talented as a player and arranger and would go far. He did indeed go on to good things, and his old mate Phil McCann is still there inspiring the next generation of brass players...!
      There is talk of doing Pink Floyd's Dark Side of the Moon!
      Don’t cry for me
      I go where music was born

      J S Bach 1685-1750

      Comment

      • Stanfordian
        Full Member
        • Dec 2010
        • 9269

        Mozart
        ‘Così fan tutte’
        Miah Persson (Fiordiligi). Angela Brower (Dorabella), Adam Plachetka (Guglielmo), Rolando Villazón (Ferranado), Mojca Erdmann, (Depina), Alessandro Corbelli (Don Alfonso)
        Vocalensemble Rastatt
        Chamber Orchestra of Europe / Yannick Nézet-Séguin
        Recorded 2012 Baden-Baden Festival, Germany
        Deutsche Grammophon

        Comment

        • pastoralguy
          Full Member
          • Nov 2010
          • 7646

          Miah Persson. ...

          Comment

          • cloughie
            Full Member
            • Dec 2011
            • 22028

            Leibowitz - Schubert 9, Beethoven 9, Beethoven 3.

            Comment

            • jayne lee wilson
              Banned
              • Jul 2011
              • 10711

              Bruckner
              Symphony No.9 (Unfinished Version ed. Loewe 1903).
              Bavarian State O./Knappertsbusch. Rec. Live Munich 1958. Orfeo (Mono) CD 2002 (*note timing - 51'17)

              ​What stands out here (in a very flawed inauthentic revision(***), and an occasionally untidy delivery) is how distinct the three movements sound: the first is very light, swiftly flowing - but the climaxes have a shining clarity and splendour with brasses sharply defined, almost standing "proud" of the orchestra like a separate ensemble. The scherzo is one of extreme contrasts, with a warmly humane trio (less "otherworldly" than usual) framed by a scherzo whose savage accentuation is emphasised by additional timpani beneath the main theme producing a very violent attack on the listener; the trio arrives, much slower, to soothe. In the adagio you feel again the Schubertian lyrical flow, but now the textures are warmer & more rounded than in the 1st movement, until the great crisis - which is sadly undermined by the removal of that final agonised chord, replaced by a harmonically safer staccato. Then the coda itself has its tragic benevolence conventionalised by "soothing" additional harmonies accompanying the final chords.

              The notes regret the edition, and that Kna never recorded the original version, but make the point that perhaps only Kna could have created this "amalgam of the sound conceptions of Schubert and Wagner" in performances of Bruckner. I would add that the contrasting sound of each of the three movements is an instructive fascination in itself, a musical enlivening which you don't hear much of now, as most conductors will seek for unity of sound and interpretative conception.

              (***) Anyone who feels inclined to dismiss the importance of editions in Bruckner should take a listen to this one, if only to hear what damage was once done by attempts to defuse and domesticate such daring and original creations...)

              Comment

              • Stanfordian
                Full Member
                • Dec 2010
                • 9269

                Telemann
                'Sacred Music'
                Festive Cantatas
                Cantatas & Odes
                St. Matthew Passion
                Akademie für Alte Musik Berlin/René Jacobs
                Trompeten Consort Friedemann Immer
                Collegium vocale Siegen,
                Hannoversche Hofkapelle/Ulrich Stötzel
                Collegium Vocale des Bach-Chores Siegen
                Barock-Orchester La Stravaganza-Köln/Ulrich Stötzel
                No recording dates given
                Hanssler Classic (8CDs)

                Schoenberg
                Serenade Op. 24
                Twentieth Century Classics Ensemble/Robert Craft
                Recorded 1994, Master Sound Astoria Studios, New York
                Variations for Orchestra, Op. 31
                Philharmonia Orchestra/Robert Craft
                1998, Abbey Road Studio One, London.
                Naxos

                Comment

                • Bryn
                  Banned
                  • Mar 2007
                  • 24688

                  The Pilgrim's Progress (Adapted for radio by Edward Sackville West, with music by RVW for the 1943 radio production, and broadcast on Radio 3 in 1977).

                  Comment

                  • cloughie
                    Full Member
                    • Dec 2011
                    • 22028

                    Debussy L'apres-midi d'un faune, La mer, Images - arranged for 2 Pianos played by Chauzu and Armengaud

                    Comment

                    • jayne lee wilson
                      Banned
                      • Jul 2011
                      • 10711

                      Martinu Symphony No.1. Prague Radio SO/Vladimir Valek. Supraphon CDs rec.2006.
                      A real grower, this cycle. It can initially seem a touch low-key, very much a studio taping, but the often unusually slow tempi are offset by a striking buoyancy, soaring dynamics, cog-like rhythmic precision and great inner clarity. All 6 Symphonies were recorded in just two days. It's never routine, always fascinating sonically and interpretively. A true "version to live with". And currently my go-to.

                      Schumann Symphony No.1 "Spring". COE/Nézet-Séguin. DG CDs//24/96 rec. live 2012, Paris.
                      ...about which the same might be said! Took me a while but a real favourite now. I love the lightness, grace and fluidity of this set, topped off by brilliant brassy climaxes. And what lovely horns, especially in the finale's withdrawn pastoral interlude... A youthful Schumann.
                      If their new Mendelssohn Cycle has anything like the same qualities it should be special...

                      Comment

                      • Stanfordian
                        Full Member
                        • Dec 2010
                        • 9269

                        Antheil
                        Symphony No. 4 '1942'
                        Symphony No. 5 'Joyous'
                        'Over the Plains'
                        BBC Philharmonic/John Storgårds
                        Recorded 2015/16 MediaCityUK, Salford
                        Chandos

                        Grieg
                        String Quartet No. 1 in G minor, Op. 27
                        String Quartet No. 2 in F major (completed by Julius Röntgen)
                        Fugue in F minor for String Quartet
                        Andante con moto for Piano Trio
                        Raphael Quartet
                        Jet Roling (piano)
                        Recorded 1993, English Church, Begijnhof, Amsterdam
                        Regis

                        Comment

                        • BBMmk2
                          Late Member
                          • Nov 2010
                          • 20908

                          J S Bach Organ Works Vol.1
                          Toccata& Fugue in D minor, BWV 565;Pastorelle in F, BWV590;
                          Partite Diverse Sopra II Corale, "O Gott, du Frommer Gott, BWV767;
                          Fantasia in G major, BWV572; Prelude and Fugue in G minor, BWV535;
                          Canonic Variaitons on "Vom Himmel Hoch", BWV769
                          Prelude and Fugue in E minor , BWV 548.
                          Masaaki Suzuki, organ.

                          Volume 2 is out as well, hmmm, projected cycle. Possibly around 12 CDs?
                          Don’t cry for me
                          I go where music was born

                          J S Bach 1685-1750

                          Comment

                          • Pulcinella
                            Host
                            • Feb 2014
                            • 10442

                            Originally posted by Brassbandmaestro View Post
                            J S Bach Organ Works Vol.1
                            Toccata& Fugue in D minor, BWV 565;Pastorelle in F, BWV590;
                            Partite Diverse Sopra II Corale, "O Gott, du Frommer Gott, BWV767;
                            Fantasia in G major, BWV572; Prelude and Fugue in G minor, BWV535;
                            Canonic Variaitons on "Vom Himmel Hoch", BWV769
                            Prelude and Fugue in E minor , BWV 548.
                            Masaaki Suzuki, organ.

                            Volume 2 is out as well, hmmm, projected cycle. Possibly around 12 CDs?
                            Do you know Stravinsky's treatment of the Vom Himmel Hoch variations, BBM?
                            I found a version by googling: hope the link works!

                            Comment

                            • Petrushka
                              Full Member
                              • Nov 2010
                              • 12035

                              Wagner: Prelude and Liebestod (Tristan und Isolde)

                              [interval]

                              Bruckner: Symphony No 7 (1978 recording)

                              Concertgebouw Orchestra, Amsterdam
                              Bernard Haitink
                              "The sound is the handwriting of the conductor" - Bernard Haitink

                              Comment

                              • pastoralguy
                                Full Member
                                • Nov 2010
                                • 7646

                                Haydn. String Quartet Op. 54 No.1 in G.

                                The Fejes Quartet. (Members of the RSNO).

                                Very fine playing.

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