What Classical Music Are You listening to Now? III

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  • Petrushka
    Full Member
    • Nov 2010
    • 12116

    Originally posted by Brassbandmaestro View Post
    Hiya Stan! I heard an extract on Record Review yesterday. Sounds very tempting!

    Debussy
    Nocturnes
    Ravel
    Daphnis et Chloe suite no.2; Pavane pour infant defunte;
    Scriabin
    Poeme de l'Extase.
    Berliner Philharmoniker, Claudio Abbado.
    That's not the one with the Boston Symphony Orchestra is it?

    Coincidentally, this morning:

    Schubert: Symphony No 8
    Mozart: Symphony No 41

    Boston Symphony Orchestra
    Eugen Jochum

    What a fine orchestra this was at this period though unfortunately having the uninspiring Ozawa at the helm.
    "The sound is the handwriting of the conductor" - Bernard Haitink

    Comment

    • HighlandDougie
      Full Member
      • Nov 2010
      • 3038

      Originally posted by mahlerei View Post
      Gustav Mahler
      Symphony No. 5
      Gürzenich-Orchester Köln/François-Xavier Roth
      Harmonia Mundi
      Same here. Despite the slight studio-bound quality of the recording acoustic (WDR Cologne), which I've probably only noticed as I've been o'ding on Dausgaard/Nielsen in the Seattle concert hall acoustic, fine recording - deep bass, wide dynamic range - which shows to good advantage in its 24/44 download form.

      F-X Roth can do little wrong in my eyes, whether with Les Siècles or in late romantic repertoire - his Mahler 1st with the SWR Orchestra is my go-to version of that symphony - so I was predisposed to like this 5th. Which I do - to use a favourite neologism, "bigly". No messing about in the final movement à la Lenny - just letting the music speak for itself.

      Comment

      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        Originally posted by Brassbandmaestro View Post
        Hiya Stan! I heard an extract on Record Review yesterday. Sounds very tempting!

        Debussy
        Nocturnes
        Ravel
        Daphnis et Chloe suite no.2; Pavane pour infant defunte;
        Scriabin
        Poeme de l'Extase.
        Boston SO, Claudio Abbado.
        Orchestra corrected. Thank you Pet!

        Shostakovich
        Symphony No.7 in C major, op.60, "Leningrad"
        Mariinsky Orchestra, Valery Gergiev.
        Last edited by BBMmk2; 26-11-17, 17:05.
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

        Comment

        • ferneyhoughgeliebte
          Gone fishin'
          • Sep 2011
          • 30163

          Originally posted by Brassbandmaestro View Post
          Hiya Stan! I heard an extract on Record Review yesterday. Sounds very tempting!
          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

          Comment

          • Stanfordian
            Full Member
            • Dec 2010
            • 9284

            Originally posted by Petrushka View Post
            That's not the one with the Boston Symphony Orchestra is it?

            Coincidentally, this morning:

            Schubert: Symphony No 8
            Mozart: Symphony No 41

            Boston Symphony Orchestra
            Eugen Jochum

            What a fine orchestra this was at this period though unfortunately having the uninspiring Ozawa at the helm.

            Hiya Petrushka,

            My mistake of course I mean Abbado with the Boston Symphony Orchestra not Berliner Philharmoniker.

            Comment

            • DublinJimbo
              Full Member
              • Nov 2011
              • 1222

              Originally posted by HighlandDougie View Post
              I've been o'ding on Dausgaard/Nielsen in the Seattle concert hall acoustic, fine recording - deep bass, wide dynamic range - which shows to good advantage in its 24/44 download form.
              Oh yes, that Dausgaard/Nielsen release is top drawer.

              F-X Roth can do little wrong in my eyes, whether with Les Siècles or in late romantic repertoire - his Mahler 1st with the SWR Orchestra is my go-to version of that symphony - so I was predisposed to like this 5th. Which I do - to use a favourite neologism, "bigly". No messing about in the final movement à la Lenny - just letting the music speak for itself.
              I too am a fan of F-X Roth, though I must admit to some disappointment with his Daphnis et Chloé. This I put down to its being a studio recording, lacking the visceral excitement of his Les Siècles Live series.

              EDIT: Ah, but no — I see now from the recording credits that Daphnis was in fact recorded live. (Strangely, though, no less than six venues are mentioned, so the recorded 'performance' isn't really a performance at all.)
              Last edited by DublinJimbo; 26-11-17, 18:28.

              Comment

              • HighlandDougie
                Full Member
                • Nov 2010
                • 3038

                Originally posted by DublinJimbo View Post

                EDIT: Ah, but no — I see now from the recording credits that Daphnis was in fact recorded live. (Strangely, though, no less than six venues are mentioned, so the recorded 'performance' isn't really a performance at all.)
                From the acoustics, I would surmise that the base recording was made in the Philharmonie de Paris, with patches from the other locations. The Philharmonie has quite challenging acoustics. TS, I know, was disappointed whereas I thought that Daniel Harding and the Orchestre de Paris sounded pretty good in Mahler's 5th, but with the proviso that DH (or someone else in the orchestra) had gone to great trouble to place the different sections in the hall. It looked very odd at the time but worked very well. The recent Y N-S Mendelssohn cycle is another P de P recording which is - mostly - pretty successful.

                Glad that you share my enthusiasm for the Dausgaard Nielsen - I suspect that Primephonic might be wondering at the surge in interest from the UK and Ireland.

                Me:

                Martinu: Symphony No 4 H.305

                Czech Philharmonic Orchestra/Wolfgang Sawallisch (recorded 16 October 1975)

                Ah, the joys of fine Czech recordings from the Dvorák Hall of the Rudolfinum in Prague - and wonderful playing from the Czech PO. Sawallisch a fine Martinu interpreter. I think that this is another box where thanks are due to Bryn for highlighting its existence.

                Comment

                • teamsaint
                  Full Member
                  • Nov 2010
                  • 25166

                  Mozart Piano Quartets K 478 and K 493.
                  Van Oort/Roelofs/Verhagen/Ter Linden.

                  Probably the first time I have heard these performed with a fortepiano,and for my money this is a fine disc, with performances that really allow so much to pour out of the score.
                  I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                  I am not a number, I am a free man.

                  Comment

                  • Richard Barrett
                    Guest
                    • Jan 2016
                    • 6259

                    As I've mentioned a few times, I've just spent two weeks in the USA, which means of course spending a lot more time driving a car than I generally do. I decided to sample the classical radio stations while sitting in traffic jams on the so-called freeways. Public classical radio stations are, as I'd expected, closer in concept to Classic FM (but without the ads!) than R3, presented as de-stressing therapy and therefore involving nothing whatsoever to frighten the horses, although I did make one rather surprising discovery, the final two movements of a late 19th century symphony I didn't recognise although there was a Slavic flavour to it, and superlatively played (especially the horns), which (after listening to the last few minutes in a parking lot) I found to be Dvořák's 7th Symphony, which I guess I'd never heard before, with the Philadelphia Orchestra under Sawallisch. What a superb performance.

                    Comment

                    • Petrushka
                      Full Member
                      • Nov 2010
                      • 12116

                      Sibelius: Symphonies No 3 & 4

                      Helsinki Philharmonic Orchestra
                      Paavo Berglund
                      "The sound is the handwriting of the conductor" - Bernard Haitink

                      Comment

                      • Stanfordian
                        Full Member
                        • Dec 2010
                        • 9284

                        Hindemith
                        Symphonic Metamorphosis of Themes by Carlo Maria von Weber
                        Concert Music for string orchestra and brass instruments
                        Violin Concerto
                        Midori (violin)
                        NDR Symphony Orchestra/Christoph Eschenbach
                        Recorded live 2011 (Concert Music) & 2012 (Violin Concerto, Symphonic Metamorphosis), Laeiszhalle, Hamburg
                        Ondine

                        Beethoven

                        String Quartet in A major, Op. 18/5 ‘Lobkowitz’
                        String Quartet in B flat major, Op. 18/6 ‘Lobkowitz’
                        Quatuor Mosaïques
                        Recorded 1994 Grafenegg Schloss ‘Alte Reitschule’, Austria
                        Naïve
                        Last edited by Stanfordian; 27-11-17, 13:09.

                        Comment

                        • BBMmk2
                          Late Member
                          • Nov 2010
                          • 20908

                          Originally posted by Richard Barrett View Post
                          As I've mentioned a few times, I've just spent two weeks in the USA, which means of course spending a lot more time driving a car than I generally do. I decided to sample the classical radio stations while sitting in traffic jams on the so-called freeways. Public classical radio stations are, as I'd expected, closer in concept to Classic FM (but without the ads!) than R3, presented as de-stressing therapy and therefore involving nothing whatsoever to frighten the horses, although I did make one rather surprising discovery, the final two movements of a late 19th century symphony I didn't recognise although there was a Slavic flavour to it, and superlatively played (especially the horns), which (after listening to the last few minutes in a parking lot) I found to be Dvořák's 7th Symphony, which I guess I'd never heard before, with the Philadelphia Orchestra under Sawallisch. What a superb performance.
                          Rafael Kubelik was a great Dvorak interpreter as was Istvan Kertesz, Jiri Behlolavek and latterly Mariss Jansons.
                          Don’t cry for me
                          I go where music was born

                          J S Bach 1685-1750

                          Comment

                          • mahlerei
                            Full Member
                            • Jun 2015
                            • 357

                            Ottorino RESPIGHI
                            Trittico Botticelliano (Botticelli Triptych)
                            Il tramonto (The Sunset)
                            Vetrate di chiesa (Church Windows)
                            Anna Caterina Antonacci (soprano)
                            Orchestre Philharmonique Royal de Liège/John Neschling
                            BIS

                            Comment

                            • BBMmk2
                              Late Member
                              • Nov 2010
                              • 20908

                              Shostakovich
                              The Execution of Stepan Razin;
                              The Sun Shines over our Motherland, Op.90;
                              Cantata, The song of the Forests, Op.81.
                              Estonian concert Choir, Estonian NSO, Paavo jarvi.

                              Prokoviev
                              Cantata on the 20th Anniversary of the October Revolution, Op.74/
                              Ernst Senf Chor, Berlin, Staatskapelle Weimar,
                              Luftwaffermisikkorps Erhut,
                              Kiril Karabits.

                              Sibelius
                              Symphonty No.4 in A minor, Op.63;
                              Phjola's Daughter, Op.49
                              LSO, Sir Colin Davis.
                              Don’t cry for me
                              I go where music was born

                              J S Bach 1685-1750

                              Comment

                              • Bryn
                                Banned
                                • Mar 2007
                                • 24688

                                Having listened to/watched A Flower; 51'15.657"; Music for Two (By One); The Wonderful Widow of Eighteen Springs and Connecting Egypt to Madison through Columbus Ohio, Cage and the History of the American Labor[sic] Movement, I am now watching the 'bonus' video interview on:

                                Comment

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