What Classical Music Are You listening to Now? III

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  • Stanfordian
    Full Member
    • Dec 2010
    • 9282

    ‘Works for violin & piano by Dupuis, D’Indy & Bonnal’
    Albert Dupuis
    Violin Sonata
    Vincent d'Indy
    Andante, for violin & piano
    Violin Sonata
    Joseph-Ermend Bonnal
    Après la tourmente, Romance for violin & piano
    Gaëtane Prouvost (violin), Eliane Reyes (piano)
    Recorded 2018, Studio de Stephen Paulello, Villethierry, France
    En Phases, CD

    Comment

    • Bryn
      Banned
      • Mar 2007
      • 24688

      Originally posted by smittims View Post
      I was thinking of other works by Grieg. The Symphony was a disappointment, and there's a very dreary trio or quartet they used to play on Through the Night occasionally . Yes, Beethoven too was uneven, but I think that's because his best works are so good. I have a 35-minutes or so selection from 'Prometheus' (Eduard van Beinum) which is pleasant to hear occasionally. And 'Egmont' contains several short numbers recorded by Klemperer and Weingartner which are well-worth hearing.
      More recently, there's:



      Which is excellent.

      Comment

      • smittims
        Full Member
        • Aug 2022
        • 3693

        Thanks , Bryn. I imagine John Malkovitch would do that very well. I haven't forgotten his chilling Osmond in 'The Portrait of a Lady'.

        Comment

        • Barbirollians
          Full Member
          • Nov 2010
          • 11478

          Originally posted by smittims View Post
          Elgar: Violin Concerto. Alfredo Campoli, London Philharmonic Orchestra, Sir Adrian Boult. LXT 5014.

          The more I play this recording, the more I admire it, and it may end up being my favourite. It has a wonderful honesty and truth to it. There is a complete rapport between soloist and conductor, though I believe this was their only joint recording.
          There is also an outstanding recording of the Mendelssohn is there not ?

          Comment

          • smittims
            Full Member
            • Aug 2022
            • 3693

            Yes, thanks for reminding me. It was stereo , from 1958 (SXL 2026) coupled with the Bruch Scottish Rhapsody, as I discovered when I checked after posting! It is, I find, hazardous to clam 'first' , 'last' or 'only' in recording history!

            Comment

            • Stanfordian
              Full Member
              • Dec 2010
              • 9282

              Ekaterina Siurina – ‘Where is my Beloved?’
              Opera arias from Dvořák, Puccini, Cilea, Boito, Verdi & Tchaikovsky
              Ekaterina Siurina (soprano)
              Kaunas City Symphony Orchestra/Constantine Orbelian
              Recorded Live 2022 Philharmonic Hall, Kaunas, Lithuania
              Delos, new CD

              Comment

              • Dave2002
                Full Member
                • Dec 2010
                • 17932

                Ligeti :Musica Ricercata

                https://youtu.be/OfG8Y8qrtHs?si=2wWh_v31OexCPo1v



                Really enjoying this one.

                Where was the first performance and by whom?

                Comment

                • Mandryka
                  Full Member
                  • Feb 2021
                  • 1486

                  Nelson Freire, Schumann Fantasy, Toronto 1984 - definitely a hit, a very palpable hit.

                  Comment

                  • HighlandDougie
                    Full Member
                    • Nov 2010
                    • 3038

                    Originally posted by Dave2002 View Post
                    Ligeti :Musica Ricercata

                    https://youtu.be/OfG8Y8qrtHs?si=2wWh_v31OexCPo1v



                    Really enjoying this one.

                    Where was the first performance and by whom?
                    Although written in the early 1950s, the eleven pieces which make up 'Musica Ricercata' received their first public performance as an entity in 1969 in Sweden (according to Wikipedia). Six of them were arranged for wind quintet - Six Bagatelles - in the early 1950s. Ligeti had left Hungary in 1956, taking with him what are referred to as "bottom-drawer" manuscripts, including the eleven piano pieces. I'm not at all sure why it took so long for them to be performed as a complete cycle, given Ligeti's growing fames a composer in the 1960s - the performer was Liisa Pohjola. Perhaps Richard B might know more?

                    Comment

                    • RichardB
                      Banned
                      • Nov 2021
                      • 2170

                      Originally posted by HighlandDougie View Post
                      Perhaps Richard B might know more?
                      These "formalist" pieces couldn't be performed in postwar Hungary, and when in 1957 Ligeti escaped to Germany, he felt that they were too simplistic and not "avant-garde" enough in comparison to the new music by people like Stockhausen and Boulez that he encountered there. By 1969 he'd built up a sufficient body of work and reputation in the West to provide a context for what he called "prehistoric" Ligeti, and so allowed them to be performed and published.

                      Comment

                      • pastoralguy
                        Full Member
                        • Nov 2010
                        • 7669

                        Rachmaninov. Rhapsody on a Theme of Paganini.

                        Yuja Wang, piano. The Los Angles Philharmonic conducted by Gustavo Dudamel. DG.

                        I’ve listened to this marvellous recording many times at work whilst doing chores. My iPhone does sterling work so it’s taken me this long to actually play the cd. Sounds terrific on the big Hi-Fi but I’m quite surprised that the Rhapsody only has one track as opposed to the download that has each variation banded separately. All the other recordings I have of this work have either separate tracks or at least groupings of three or four variations. Most odd.

                        Comment

                        • smittims
                          Full Member
                          • Aug 2022
                          • 3693

                          I've always been puzzled by the diversity in the number of tracks on CDs. 'Job' on Everest is one track, of 44'39", but Brian's 25th symphony on Naxos, a work of 24 minutes, is divided into sixteen tracks. I suppose if they've got the technology they want to use it, but I've never wanted to play just one variation out of a set, whether it's Rachmaninov or Bach.

                          Comment

                          • Sir Velo
                            Full Member
                            • Oct 2012
                            • 3210

                            Originally posted by pastoralguy View Post
                            Rachmaninov. Rhapsody on a Theme of Paganini.

                            Yuja Wang, piano. The Los Angles Philharmonic conducted by Gustavo Dudamel. DG.

                            I’ve listened to this marvellous recording many times at work whilst doing chores. My iPhone does sterling work so it’s taken me this long to actually play the cd. Sounds terrific on the big Hi-Fi but I’m quite surprised that the Rhapsody only has one track as opposed to the download that has each variation banded separately. All the other recordings I have of this work have either separate tracks or at least groupings of three or four variations. Most odd.
                            Most odd. It's broken down into 25 separate tracks on Qobuz (ie by introduction and for each subsequent variation).

                            Comment

                            • Sir Velo
                              Full Member
                              • Oct 2012
                              • 3210

                              Originally posted by smittims View Post
                              I've always been puzzled by the diversity in the number of tracks on CDs. 'Job' on Everest is one track, of 44'39", but Brian's 25th symphony on Naxos, a work of 24 minutes, is divided into sixteen tracks. I suppose if they've got the technology they want to use it, but I've never wanted to play just one variation out of a set, whether it's Rachmaninov or Bach.
                              Of course, the beauty of streaming is that you can move the cursor to wherever you want to start listening with the duration clearly displayed. Handy for those occasions where listening is disrupted.

                              Comment

                              • RichardB
                                Banned
                                • Nov 2021
                                • 2170

                                I find it quite useful to have multisectional pieces divided into tracks, not because I want to listen to one variation in a series of them, but, especially in an unfamiliar composition, to have some idea of where we are in the sequence.

                                Comment

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