What Classical Music Are You listening to Now? III

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  • smittims
    Full Member
    • Aug 2022
    • 3741

    Beethoven Violin Concerto. Isaac Stern, New York Philharmonic, Barenboim.

    Interesting to hear, in a recording made as late as 1975, the solo violin still miked prominently forward as in 78 days.

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    • Mandryka
      Full Member
      • Feb 2021
      • 1494

      Originally posted by RichardB View Post
      I managed to find time to listen to a bit of it today and found it very beautiful as expected. If I'd heard it without knowing what it was, I would have immediately guessed Josquin. Is there some subtle difference in style between him and Obrecht? - because if there is I haven't detected it. Not that there's anything wrong with that of course.
      If you can get hold of Rob Wegman’s book on Obrecht there’s a lot of discussion about this. He says that in the “mature period”, which basically starts with Missa Fortuna Desperata, Obrecht very much found his own voice. Missa Maria Zart is from that mature period. I’ll try to have a look at the details when I get back home next week - and David Fallows may have things to say too in his book on Josquin.

      I’ll report my informal, not very well thought about, impression: I feel that Josquin is more expressive and less earthy than Obrecht. But I only know the masses of both composers through recorded and concert performance, and the performances of Obrecht are much more limited than Josquin’s.


      Another thing I’d say about Missa Maria Zart in particular. It is enormous, much more so than anything I’m aware of by Josquin. In concert (I heard Cappella Pratensis about five years ago) it can appear sprawling. I’ve never had that feeling in a Josquin mass.
      Last edited by Mandryka; 15-04-23, 11:03.

      Comment

      • Stanfordian
        Full Member
        • Dec 2010
        • 9286

        Entre Nous – Celebrating Offenbach – Excerpts from the forgotten operas
        Geneviève de Brabant, La Jolie Parfumeuse, Le Pont des soupirs,
        Les Braconniers, Les Deux Pêcheurs ou Le Lever du soleil,
        Monsieur et Madame Denis, La Diva, Les Bergers
        Le Voyage dans la lune, La Rose de Saint-Flour, L’Île de Tulipatan,
        La Boulangère a des écus, Une Nuit blanche, Il Signor Fagotto, La Créole,
        Maître Péronilla, Le Fifre enchanté ou Le Soldat magician
        Le Château à Toto, Le Roi Carotte, Vert-Vert, Boule de neige, Belle Lurette
        Soloists: Jennifer Larmore, Alastair Miles, Yvonne Kenny, Mark Stone,
        Diana Montague, Laura Claycomb, Elizabeth Vidal, Colin Lee, Loïc Félix,
        Mark Wilde, Cassandre Berthon, Mark le Brocq, Alexandra Sherman, Andre Cognet
        Geoffrey Mitchell Choir,
        London Philharmonic Orchestra / David Parry
        Recorded 2006 Henry Wood Hall, London
        Opera Rara Classics part of 7 CD set ‘Celebrating Offenbach’
        (originally released in 2007 on Opera Rara ORR243)

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        • Joseph K
          Banned
          • Oct 2017
          • 7765

          Just listened/followed:

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          • Serial_Apologist
            Full Member
            • Dec 2010
            • 37297

            I still have my LP of Daphnis by Ansermet with the Suisse Romande, bought back in the 1970s - at over an hour in all, one of the longest LPs in my collection.

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            • smittims
              Full Member
              • Aug 2022
              • 3741

              Did you know it had been re-released by Decca in 'new vinyl'? I have it in an Eloquence CD, though the given timing is 55'10". I'm not sure I don't prefer it to the legendary LSO/Monteux.

              Comment

              • Bryn
                Banned
                • Mar 2007
                • 24688

                Originally posted by Serial_Apologist View Post
                I still have my LP of Daphnis by Ansermet with the Suisse Romande, bought back in the 1970s - at over an hour in all, one of the longest LPs in my collection.
                So you never got the Mitropoulos Manler 8 on a single LP, then:

                Comment

                • Petrushka
                  Full Member
                  • Nov 2010
                  • 12137

                  Originally posted by Bryn View Post
                  So you never got the Mitropoulos Manler 8 on a single LP, then:

                  This surely can't be for real.

                  Is it the live performance given in Salzburg on August 28 1960 that appeared on an Orfeo CD? The 'Vienna Festival Orchestra' is obviously the VPO but the soloists are not named on that LP reverse sleeve that you show so difficult to tell. That performance clocks in at 80' 56'' and seems an utter impossibility for it to have been squeezed on to one LP considering the sheer volume of much of the music. Where did the side change come?

                  EDIT: I can just make out from the image that the recording appears to come from a 1960 Vienna Festival performance but the VPO concert archive gives no mention of such a performance, listing only the Salzburg one already mentioned.
                  Last edited by Petrushka; 16-04-23, 09:40.
                  "The sound is the handwriting of the conductor" - Bernard Haitink

                  Comment

                  • Pulcinella
                    Host
                    • Feb 2014
                    • 10667

                    Originally posted by Petrushka View Post
                    This surely can't be for real.

                    Is it the live performance given in Salzburg on August 28 1960 that appeared on an Orfeo CD? The 'Vienna Festival Orchestra' is obviously the VPO but the soloists are not named on that LP reverse sleeve that you show so difficult to tell. That performance clocks in at 80' 56'' and seems an utter impossibility for it to have been squeezed on to one LP considering the sheer volume of much of the music. Where did the side change come?

                    EDIT: I can just make out from the image that the recording appears to come from a 1960 Vienna Festival performance but the VPO concert archive gives no mention of such a performance, listing only the Salzburg one already mentioned.
                    Looks like it's this:



                    Two Everest LPs that somehow became one in a 1978 release!

                    Side break shown here:

                    Comment

                    • Petrushka
                      Full Member
                      • Nov 2010
                      • 12137

                      Many thanks for that. The information there does confirm that it is indeed the Salzburg performance. It still seems impossible to get it on one LP at around 40'' a side. The 1999 Orfeo issue on my shelves is actually on 2 CDs (!) and have to say that the sound, even though digitally remastered, calls for a great deal of tolerance so dare not imagine what the LP must sound like.
                      "The sound is the handwriting of the conductor" - Bernard Haitink

                      Comment

                      • Bryn
                        Banned
                        • Mar 2007
                        • 24688

                        Originally posted by Petrushka View Post
                        This surely can't be for real.

                        Is it the live performance given in Salzburg on August 28 1960 that appeared on an Orfeo CD? The 'Vienna Festival Orchestra' is obviously the VPO but the soloists are not named on that LP reverse sleeve that you show so difficult to tell. That performance clocks in at 80' 56'' and seems an utter impossibility for it to have been squeezed on to one LP considering the sheer volume of much of the music. Where did the side change come?

                        EDIT: I can just make out from the image that the recording appears to come from a 1960 Vienna Festival performance but the VPO concert archive gives no mention of such a performance, listing only the Salzburg one already mentioned.
                        I may still have the Everest in the loft. The sound was at a very low level, to cram it on a single disc, and the audio quality was pretty execrable. I bought it in a sale at, I think Farringdon Records. At one point the sound of what appears to be church bells breaks through. There is no mention of the specific soloists anywhere on either sleeve or disc label:

                        Comment

                        • Petrushka
                          Full Member
                          • Nov 2010
                          • 12137

                          Originally posted by Bryn View Post
                          I may still have the Everest in the loft. The sound was at a very low level, to cram it on a single disc, and the audio quality was pretty execrable. I bought it in a sale at, I think Farringdon Records. At one point the sound of what appears to be church bells breaks through. There is no mention of the specific soloists anywhere on either sleeve or disc label:

                          If you want a historic Mahler 8 I can recommend a NYPO/Stokowski live performance from 1951 which is in far better sound. I have it in the NYPO 'Gustav Mahler Radio Broadcasts' box but think it's available on various labels.
                          "The sound is the handwriting of the conductor" - Bernard Haitink

                          Comment

                          • Bryn
                            Banned
                            • Mar 2007
                            • 24688

                            Janacek: Sting Quartet No. 2 'Intimate Letters' in the Mandelring reconstruction of the version with viola d'amore.

                            Comment

                            • Bryn
                              Banned
                              • Mar 2007
                              • 24688

                              Originally posted by Petrushka View Post
                              If you want a historic Mahler 8 I can recommend a NYPO/Stokowski live performance from 1951 which is in far better sound. I have it in the NYPO 'Gustav Mahler Radio Broadcasts' box but think it's available on various labels.


                              (https://www.youtube.com/watch?v=X8HOUmyY56c)

                              Comment

                              • Pulcinella
                                Host
                                • Feb 2014
                                • 10667

                                Rubbra

                                The complete chamber music and songs with harp
                                c/w Berkeley and Howells
                                ASV, now Lyrita
                                Rubbra: The Complete Chamber Music & Songs With Harp. Lyrita: SRCD353. Buy CD or download online. Tracey Chadwell (soprano), Danielle Perrett (harp) & Timothy Gill (cello)


                                Songs by Edmund Rubbra
                                Chandos
                                The Jade Mountain – Songs by Edmund Rubbra. Chandos: CHAN20182. Buy CD or download online. Claire Barnett-Jones, Iain Burnside (piano), Marcus Farnsworth (baritone), Lucy Crowe (soprano), Timothy Ridout (viola), Catrin Finch (harp)

                                (New release: four stars for performance and five for recording in May 2023's issue of BBC MM.)

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