The Barbirolli Antartica is notable, and historic, for being done by the same artists who gave the premiere shortly before the sessions. I don't think Barbirolli returned to it much of at all later. Margaret Ritchie was a personal friend of the composer and of his first wife, and the recording is without the spoken verses which some conductors have included, though there is no indication in the score that they should be spoken in performance.
What Classical Music Are You listening to Now? III
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For the next few days, I’ll be ‘Celebrating the Artistry of James Levine’
First up
Saint-Saens
Symphony No.3 in C minor, Op.78
Paul Dukas
L’Aprenti Sorcier: Scherzo after a ballad by Goethe.
Simon Preston (organ)
Berliner Philharmoniker
James Levine
Holst
The Planets Suite, Op.32
Women of the CSO Chorus
Chicago Symphony Orchestra
James Levine
Prokofiev
Symphony No.5 in Bb, Op.100
Bartók
Music for Strings, Percussion & Celeste, Sz106
Chicago Symphony Orchestra
James Levine.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by BBMmk2 View PostFor the next few days, I’ll be ‘Celebrating the Artistry of James Levine’
First up
Saint-Saens
Symphony No.3 in C minor, Op.78
Paul Dukas
L’Aprenti Sorcier: Scherzo after a ballad by Goethe.
Simon Preston (organ)
Berliner Philharmoniker
James Levine
Holst
The Planets Suite, Op.32
Women of the CSO Chorus
Chicago Symphony Orchestra
James Levine
Prokofiev
Symphony No.5 in Bb, Op.100
Bartók
Music for Strings, Percussion & Celeste, Sz106
Chicago Symphony Orchestra
James Levine.
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Originally posted by Bryn View PostJust so long as it's only his musical artistry you are celebrating.
Carrying on with my theme Celebrating the Artistry of James Levine.
Stravinsky
Le Sacre du Printemps (rev.1947).
Metropolitan Opera Orchestra
James Levine
Ravel
Daphnis et Chloé
Tanglewood Festival Chorus
Boston Symphony Orchestra
James Levine.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Pierné – ‘La Musique de Chambre’ (vol. 1)
Pastorale, for woodwind quintet
(flute, oboe, clarinet, bassoon & cor anglais)
Canzonetta, for clarinet & piano, Op. 19
Sonata da camera, for flute, cello & piano, Op. 48
Prélude de concert sur un thème de Purcell, for bassoon & piano, Op. 53
Prelude & Fugue, for woodwind septet
(2 flutes, oboe, clarinet, 2 bassoons & cor anglais), Op. 40/1
Pièce, in G minor for oboe & piano, Op. 5
Pastorale variée, for wind septet
(flute, oboe, clarinet, trumpet, cor anglaise & 2 bassoons), Op. 30
Solo de concert, for bassoon & piano, Op. 35
La Danseuse espagnole, for violin & piano (1925)
Giration, ballet for piano & 10 instruments (1933)
Nuit divine, for violin, harmonium & narrator (c. 1902 / Poème d'Albert Samain)
Soloists of the Luxembourg Philharmonic Orchestra
Recorded 2005/06 Philharmonie, Luxembourg
Timpani (CD 1 of 2 vols)
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Hugh Wood: Symphony. A Youtube recording of the premiere, which I heard live at the time, and now think a better performance than I did before.
It's the BBC SO and Gennady Rozdhestvensky, who during his time with them was keen to do British music (e.g. Vaughan Williams; Sancta Civitas, a neglected work in those days) . When he went back to Russia he recorded all the VW symphonies.
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Originally posted by smittims View PostHugh Wood: Symphony. A Youtube recording of the premiere, which I heard live at the time, and now think a better performance than I did before.
It's the BBC SO and Gennady Rozdhestvensky, who during his time with them was keen to do British music (e.g. Vaughan Williams; Sancta Civitas, a neglected work in those days) . When he went back to Russia he recorded all the VW symphonies.
See Replay in Gramophone for 8/2014, Rob Cowan's detailed review.
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My favourite Hugh Wood piece is probably the Piano Concerto Op.31.... d'you know it?
Last edited by jayne lee wilson; 09-12-22, 18:21.
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A Handel theme for the next few days.
Georg Friderick Handel
Judas Maccabaeus
Ryland Davis Judas Maccabaeus
Felicity Palmer Israelitish Man
Janet Baker Israelitish Man
John Shirley-Quirk Simon
Christopher Keyte Eupholemus
Paul Esswood Messenger
Wandsworth School Boys’ Choir
English Chamber Orchestra
Sir Charles MackerrasDon’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by teamsaint View PostJust lining up a new CD of works by Kabelac titled “The Mystery of Time” from the Prague RSO.
Got a glowing review in Gramophone.
The title piece builds really nicely, and is very atmospheric.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostWell I thought this was an excellent listen. I would think that a lot of forumites would enjoy this, fans of , say, Martinu or Rubbra ought to find something to their liking.
The title piece builds really nicely, and is very atmospheric.
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Originally posted by RichardB View PostHmm. What about people who like Martinu but have no time for Rubbra? I guess they'll have to find out for themselves...
Though ts knows I like both Martinu and Rubbra, so perhaps was directing his comment to me.
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Originally posted by Pulcinella View PostThe resemblance to Rubbra I picked up, having just streamed this CD, was in the rather insistent use of timps: a Rubbra 'trademark' that I sometimes find hard to take.
Though ts knows I like both Martinu and Rubbra, so perhaps was directing his comment to me.
But liking either Rubbra or Martinu might do it. Or not. Who knows……I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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