What Classical Music Are You listening to Now? III

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  • Bryn
    Banned
    • Mar 2007
    • 24688

    I really do not know. My guess is for somewhere between habit and a straight musical decision. It's not heavyweight Hollywood vibrato. Far more delicate and nuanced. I still think Morty might have preferred no vibrato, but then, his erstwhile muse, Karen Phillips, was wont to use a fair bit of vibrato when playing works he composed for her.

    Comment

    • edashtav
      Full Member
      • Jul 2012
      • 3416

      Originally posted by silvestrione View Post
      Ah! Different from Seascape and Harvest, then, which I have lined up to play from youtube (with Rattle/CBSO)? Will give it a try (especially at that price) . But I also have the Violin and Horn Concerto disc to play.
      Thanks for the tip-off, the LP was once a favourite recording. I may have bought the last, cheap copy!

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      • gradus
        Full Member
        • Nov 2010
        • 5526

        Originally posted by Dave2002 View Post
        Liszt: Mephisto Waltz No 1: S 514, Earl Wild

        One of the tracks on this weeks's free download from Classic Select World. Very good playing.
        I used to listen to this a lot - but not this version.
        Ever heard the ridiculously over the top Horowitz live performance?

        Comment

        • Stanfordian
          Full Member
          • Dec 2010
          • 9253

          Saint-Saëns – ‘Oeuvre Chorales’
          Messe de Requiem, Op. 54
          10 Part-songs
          Marie-Paule Dotti (soprano), Guillemette Laurens (mezzo-soprano),
          Luca Lombardo (tenor), Nicolas Testé (bass)
          Coro della Radio Svizzera, Lugano
          Orchestra della Svizzera Italiana / Diego Fasolis
          Recorded 2001, Cattedrale di San Lorenzo, Genoa (Requiem)
          & Auditorio Stelio Molo, Lugano, Switzerland (Partsongs)
          Chandos CD

          Maurice Emmanuel – ‘Chamber Music’
          Cello Sonata, Op. 2
          Sonata for flute, clarinet & piano, Op. 11
          Suite sur des airs populaires grecs, for violin & piano, Op. 10
          Bugle Sonata in B flat major, Op. 29
          String Quartet in B flat major, Op. 8
          Ensemble Stanislas
          Quatour Stanislas
          Recording 2009, Salle Poirel, Nancy
          Timpani CD

          Comment

          • AuntDaisy
            Host
            • Jun 2018
            • 1279

            Dietrich Fischer-Dieskau Mahler Lieder - EMI DFD "The Lieder Singer" box set (slowly working through it).
            Is it controversial to say I'm not enjoying the Mahler disk as much as the earlier ones? Give me Schubert every time.
            And, annoyingly, the promised PDF translations are missing from CD11 (I'll avoid an emoji, since I might use it incorrectly).

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            • Mario
              Full Member
              • Aug 2020
              • 536

              SCHUMANN R

              S No 01 in Bb Maj “Spring” Op 38
              BPO – Karajan H v (1971)

              Mario

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              • jayne lee wilson
                Banned
                • Jul 2011
                • 10711

                ...pre prom follow prom....

                Britta Bystrom Invisible Cities
                Malmo SO/Blendulf. Daphne CD.

                ​Hindemith Symphony: Mathis der Maler; Concerto for Trumpet and Bassoon.
                Sols/Dresden Philharmonic/Kegel. Berlin Classics/Brilliant Classics CDs.
                ​The BC/Edel sets have long been my favourite Hindemith recordings, with their wonderful full, textured echt-German strings, and recorded in the Lukaskirche...
                Brass and percussion glorious!

                Comment

                • Bryn
                  Banned
                  • Mar 2007
                  • 24688

                  Originally posted by jayne lee wilson View Post
                  ...pre prom follow prom....

                  Britta Bystrom Invisible Cities
                  Malmo SO/Blendulf. Daphne CD.

                  ​Hindemith Symphony: Mathis der Maler; Concerto for Trumpet and Bassoon.
                  Sols/Dresden Philharmonic/Kegel. Berlin Classics/Brilliant Classics CDs.
                  ​The BC/Edel sets have long been my favourite Hindemith recordings, with their wonderful full, textured echt-German strings, and recorded in the Lukaskirche...
                  Brass and percussion glorious!
                  Planning on streaming the Kubelik recording of Mathis der Maler (the opera) later. Also tempted by the Simone Young.

                  Comment

                  • BBMmk2
                    Late Member
                    • Nov 2010
                    • 20908

                    Mahler
                    Symphony No.4 in G major
                    Songs from ‘Des Knaben Wunderhorn’
                    Barbara Bonney (soprano)
                    Mathias Goerne (baritone)
                    Royal Concertgebouw Orchestra
                    Riccardo Chailly
                    Don’t cry for me
                    I go where music was born

                    J S Bach 1685-1750

                    Comment

                    • MickyD
                      Full Member
                      • Nov 2010
                      • 4679

                      Originally posted by Bryn View Post
                      I think that what there was, in terms of negative reviews of early Hanover Band recordings, was very much conditioned by antipathy towards Nimbus's recording ethos. Those Schumann recordings were, of course, not by Nimbus. I never had a problem with the Nimbus approach, however. I found the more blatant inclusion of the recording venues' acoustics entirely welcome.
                      Couldn't agree more!

                      Comment

                      • Stanfordian
                        Full Member
                        • Dec 2010
                        • 9253

                        Originally posted by MickyD View Post
                        Couldn't agree more!
                        I agree too about the sound quality. I have tended to avoid Nimbus, as do several friends.

                        Comment

                        • Stanfordian
                          Full Member
                          • Dec 2010
                          • 9253

                          Ravel
                          Daphnis et Chloé, ballet
                          London Symphony Chorus,
                          London Symphony Orchestra / André Previn
                          Recorded 1981, Abbey Road, London
                          EMI, reissued on Warner Classics

                          Natalie Dessay – Debussy – 'Clair de Lune'
                          19 Mélodies
                          Natalie Dessay (soprano)
                          Philippe Cassard (piano)
                          Recorded 2011 Salle Colonne, Paris
                          Virgin Classics

                          Comment

                          • BBMmk2
                            Late Member
                            • Nov 2010
                            • 20908

                            Originally posted by Stanfordian View Post
                            Ravel
                            Daphnis et Chloé, ballet
                            London Symphony Chorus,
                            London Symphony Orchestra / André Previn
                            Recorded 1981, Abbey Road, London
                            EMI, reissued on Warner Classics

                            [B]
                            I do rather like this Ravel/Orevin disc.

                            Carrying on with my theme this morning of recordings celebrating the artistry of Riccardo Chailly.

                            Brahms
                            Symphonies
                            Gewandhausorchester
                            Riccardo Chailly
                            Don’t cry for me
                            I go where music was born

                            J S Bach 1685-1750

                            Comment

                            • Mario
                              Full Member
                              • Aug 2020
                              • 536

                              Tavener J

                              The Protecting Veil
                              BBC S O – Isserlis S – Rozhdestvensky G

                              Mario

                              Comment

                              • Serial_Apologist
                                Full Member
                                • Dec 2010
                                • 36894

                                Alfredo Casella - Partita for Piano and Orchestra (1924/5)

                                🎶 SUBSCRIBE to my PATREON! → patreon.com/spscorevideos🎶 PAYPAL for free donations! → paypal.me/stepaparozziAlfredo Casella (1883-1947)Partita (1924-25)for ...


                                Redfaced admission of my love for this uplifting work. Composed in the new Neo-Classical manner first heard in the ballet music La Giara 3 years earlier, this work, brim-full of Lord Berners-like impudent warmth and optimism, could, with knowledge of its historical circumstances, almost be seen and heard as Il Duce's welcome to power piece. Most of Italy's leading composers of the generation up to Dallapiccola adopted either craven submission or accommodation to the Fascist régime, Casella being one, and I have always had mixed feelings about this work since first hearing it in the 1960s: I find its Neo-classicism (more Neo-Baroque) far more palatable than that of Stravinsky, and the major turn reminiscence of Mahler's Das Knaben Wunderhorn spirit midway through the middle movement does not suffer for it.

                                G.F. Malipiero was another who went out of his way to ingratiate himself with Mussolini - in his case unsuccessfully, which is perhaps one excuse I can give for offering here his Violin Concerto of 1932. Somehow the austere yet touching modal idiom evokes Italian landscapes, rather as does that of Vaughan Williams's near-contemporary work Job, and I can hear nothing "fascist" in its gentle evocativeness. The modulation just prior to the final rush to the finishing post is one to die for. Here it is linked with the VC of Casella, which I might give a listen later.

                                Last edited by Serial_Apologist; 13-08-21, 14:57.

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