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Is there any truth in the story that Liszt named his pieces "Transcendental" because they were so technically demanding he was the only one able to perform them?
... no, he was in an anaesthetic stupor after tooth-extraction : trance en dental
Is there any truth in the story that Liszt named his pieces "Transcendental" because they were so technically demanding he was the only one able to perform them?
I don't know, but I'm quite sure that Alkan could have played them (not that I've any evidence that he actually did).
Is there any truth in the story that Liszt named his pieces "Transcendental" because they were so technically demanding he was the only one able to perform them?
Is there any truth in the story that Liszt named his pieces "Transcendental" because they were so technically demanding he was the only one able to perform them?
I don't think so—the Études d'execution transcendante d'après Paganini (early version of the Paganini Etudes) were dedicated to Clara Schumann as a wedding present. So probably she could play them, but since her relationship with Liszt became quite strained during the 1840s and she ceased to play any of his works in concert for the rest of her life, we obviously don't know for sure. And the Transcendental Etudes themselves were dedicated to Carl Czerny, Liszt's teacher and himself a virtuoso pianist (and prolific composer of etudes). "Transcendental" is probably meant as more of a direction for interpretation.
'Finger heroes' was one of Clara's epithets to describe the keyboard virtuosi of her time inc I believe Liszt.
I well remember the description of "Mister Fast Fingers" being applied to the jazz pianist Django Bates by a fellow jazz pianist - who had better remain nameless! - when he first came to prominence about 30 years ago!
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