Whose solo piano music floats your boat?

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  • Barbirollians
    Full Member
    • Nov 2010
    • 11673

    At the moment Schubert .

    Comment

    • Serial_Apologist
      Full Member
      • Dec 2010
      • 37639

      Originally posted by kea View Post
      For some reason I've never got on with 7. Or Scriabin's sonatas in general, although when I want to listen to one of them, No. 10 usually hits the spot.

      I am mildly obsessed with piano music—Beethoven, Schubert (period instruments close to essential though), Schumann (not bothered by most of the notes being in the middle of the keyboard as some are), Chopin, Fauré, Debussy from about 1905 on, Roslavets, Szymanowski (thinking particularly of Masques, Métopes, Sonata No. 3 and the Op. 50 Mazurkas), Stockhausen, Finnissy (English Country-Tunes is still a masterpiece but almost everything repays attention), Sciarrino, obviously Cage (Sonatas and Interludes, Etudes Boreales in particular). Also mentions for the Barraqué Sonata, the Well-Tuned Piano, Alvin Curran's Inner Cities, and Brahms Op. 118, when I'm in the mood for them.

      And some for the guilty pleasures column: Scarlatti played on piano, Godowsky's studies on Chopin etudes, Bach/Busoni arrangements in general, the Dutilleux Piano Sonata, Robert Fuchs's first piano sonata, Grieg's Lyric Pieces, and the Berlioz/Liszt Symphonie Fantastique
      Nobody seems to have mentioned Messiaen's Catalogues d'oiseaux, which for me are some of the most beautiful and evocative piano pieces ever composed, certainly of the 20th century. I think of them as Messiaen's closest tribute to Debussy's most radical impressionism, eg in the second book of Préludes, and by their source of inspiration as having "rescued" the composer's melodic inventiveness after the brief period of high abstraction represented by the Modes de valeurs et d'intensités and the Livre d'orgue, magificent and influential in their monumental austerity as those works had been.

      Comment

      • Richard Barrett
        Guest
        • Jan 2016
        • 6259

        Originally posted by Serial_Apologist View Post
        Nobody seems to have mentioned Messiaen's Catalogues d'oiseaux, which for me are some of the most beautiful and evocative piano pieces ever composed, certainly of the 20th century. I think of them as Messiaen's closest tribute to Debussy's most radical impressionism, eg in the second book of Préludes, and by their source of inspiration as having "rescued" the composer's melodic inventiveness after the brief period of high abstraction represented by the Mode de valeurs et d'intensités and the Livre d'orgue, magificent and influential in their monumental austerity as those works had been.
        The Catalogue was mentioned right back near the beginning of the thread, but I agree with you about those pieces. They constitute what I think is the most beautiful exploration of piano timbre in the second half of the 20th century. Although I don't think Messiaen's melodic inventiveness needed "rescuing" from anything; and indeed the Catalogue itself contains some fairly systematic passages. Every development in Messiaen's music was an addition to his "repertoire" rather than something he moved on from.

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        • EdgeleyRob
          Guest
          • Nov 2010
          • 12180

          Right now - Johann Friedrich Franz Burgmüller.

          Only because I can play (after a fashion)a couple of his 25 Easy and Progressive Studies, Op 100 after having a dabble at them today

          Comment

          • ferneyhoughgeliebte
            Gone fishin'
            • Sep 2011
            • 30163

            Originally posted by Beef Oven! View Post
            My Bunita Marcus is Stephane Ginsburgh. This music requires sooo much concentration!
            I co-recommend the double CD that Bryn mentions, BeefO: shorter pieces [than For Bunita Marcus] for two - four pianos, beautifully recorded (and a reminder to me of the Live performance of the work at the HCMF a couple of years ago to mark the release of the recording). About time I listened to them again.
            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

            Comment

            • gurnemanz
              Full Member
              • Nov 2010
              • 7382

              Bach JS, CPE, Beethoven (eg late Sonatas), Chopin (eg Valses, Mazurkas), Brahms (eg Fantasien), Debussy eg Uchida 12 Études), Fauré (eg Collard Nocturnes) Messiaen (Birds), Dutilleux, Grieg, Mozart, Granados, Albeniz, Haydn, Liszt, Busoni, Mendelssohn (eg Lieder ohne Worte), Mussorgsky, Rachmaninov, Ravel, Schubert, Satie, Ravel, Scarlatti, Schumann - all, Scriabin, Shostakovich, Tchaikovsky, Alkan, Mompou

              Comment

              • Bryn
                Banned
                • Mar 2007
                • 24688

                Originally posted by Beef Oven! View Post
                My Bunita Marcus is Stephane Ginsburgh. This music requires sooo much concentration!
                I don't feel Stephane Ginsburgh has quite the subtlety of touch the work demands. However, if one is prepared to make do with Amazon mp3 quality, they have it for the knock down price of 99p.

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  Originally posted by Bryn View Post
                  I don't feel Stephane Ginsburgh has quite the subtlety of touch the work demands. However, if one is prepared to make do with Amazon mp3 quality, they have it for the knock down price of 99p.
                  Blimey! That's a whopping price increase from the 69p I paid for it in 2011!

                  But, in the spirit of BaL, you're absolutely right that Ginsburgh doesn't match Tilbury's astonishing variety of timbres. Sadly, Tilbury's 4 CD set of the Feldman piano works isn't easily available - so (also in the spirit of many a recent BaL) the "top recommendation" isn't available in the shops. I like Ginsburgh; for four years, his was the only version of the work that I knew, and it drew me ever closer into Feldman's miraculous soundworld. And even with the 45% price hike, it's still an inexpensive way of hearing For Bunita Marcus.

                  I don't know any of the other five recordings currently listed on Amazon - I'm intrigued by Sabine Liebner's recording: all 1hr 28mins of it!
                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                  Comment

                  • ferneyhoughgeliebte
                    Gone fishin'
                    • Sep 2011
                    • 30163

                    Oops! For some reason I posted #128 in the belief that I was on the "Let's Have a Few Recordings BaL" Thread, Apollogetes!
                    Last edited by ferneyhoughgeliebte; 07-11-17, 11:56.
                    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                    Comment

                    • Bryn
                      Banned
                      • Mar 2007
                      • 24688

                      Originally posted by ferneyhoughgeliebte View Post
                      Oops! For some reason I posted #127 in the belief that I was on the "Let's Have a Few Recordings BaL" Thread, Apollogetes!
                      But you did not post #127, I did. Shocked to find that "All Piano" now commands £120 on discogs. I was fortunate enough not to have paid for my set, though I did previously purchase the earlier separate disc of just For Bunita Marcus. I also have a faulty pre-release copy of the Piano/Palais de Mari disc from the set. That was sent to me to see if I could rescue a faulty edit. Unfortunately, though I was able to identify the problem, there was insufficient material on the disc to resolve it. It seems the producer had temporarily fallen out with the recording engineer. They had to resolve their differences to get it re-edited for release.

                      Comment

                      • ferneyhoughgeliebte
                        Gone fishin'
                        • Sep 2011
                        • 30163

                        Originally posted by Bryn View Post
                        But you did not post #127, I did.
                        Oops x2.



                        (One of those mornings when I should just have stayed in bed and hidden under the duvet.)
                        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                        Comment

                        • Rosie55
                          Full Member
                          • Oct 2011
                          • 121

                          Originally posted by Beef Oven! View Post
                          I think I'll check that out, it looks interesting. I had my usual leaf through the month's digital Gramophone, but overlooked this. Need to pay more attention!
                          Some decent 1 min samples of each track on this site: https://www.prestoclassical.co.uk/cl...usic-for-piano

                          Comment

                          • Beef Oven!
                            Ex-member
                            • Sep 2013
                            • 18147

                            Originally posted by Rosie55 View Post
                            Some decent 1 min samples of each track on this site: https://www.prestoclassical.co.uk/cl...usic-for-piano
                            Thanks!

                            Comment

                            • BBMmk2
                              Late Member
                              • Nov 2010
                              • 20908

                              I heard one pf List's Transcendental Studies today, amd I am reminded that these are quite extraordinary, and his Anee de Pelerinage
                              Don’t cry for me
                              I go where music was born

                              J S Bach 1685-1750

                              Comment

                              • Serial_Apologist
                                Full Member
                                • Dec 2010
                                • 37639

                                Originally posted by Brassbandmaestro View Post
                                I heard one pf List's Transcendental Studies today, amd I am reminded that these are quite extraordinary, and his Anee de Pelerinage
                                Is there any truth in the story that Liszt named his pieces "Transcendental" because they were so technically demanding he was the only one able to perform them?

                                Comment

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