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Now it's which one!!! For me that would be no.10. It has the most original textures and form, owes least to previous concepts of material and pianism, and has the most startlingly ecstatic mode of expression.
One has to nail ahinton down - hence the one stipulation!
10 is in there!
Last edited by Beef Oven!; 25-05-17, 15:41.
Reason: too many nails
The absolutely essential ones for me are 7 and 10. I don't know the first five so well.
For some reason I've never got on with 7. Or Scriabin's sonatas in general, although when I want to listen to one of them, No. 10 usually hits the spot.
And some for the guilty pleasures column: Scarlatti played on piano, Godowsky's studies on Chopin etudes, Bach/Busoni arrangements in general, the Dutilleux Piano Sonata, Robert Fuchs's first piano sonata, Grieg's Lyric Pieces, and the Berlioz/Liszt Symphonie Fantastique
Benjamin Dale - Piano Sonata in D-minor Mark Bebbington, piano. (Qobuz download)
Frank Bridge - Piano Sonata. Mark Bebbington, piano. (Qobuz download)
Now
Kaikhosru Sorabji - Opus Clavicembalisticum. Geoffrey Douglas Madge, piano. (Qobuz download)
Edit: Regarding the solo piano piece Opus Clavicembalisticum - as this little ditty is a mere four hours long, I shall be limiting myself to the first disc, as I want to listen to some John Ireland solo piano works.
Benjamin Dale - Piano Sonata in D-minor Mark Bebbington, piano. (Qobuz download)
Frank Bridge - Piano Sonata. Mark Bebbington, piano. (Qobuz download)
Now
Kaikhosru Sorabji - Opus Clavicembalisticum. Geoffrey Douglas Madge, piano. (Qobuz download)
Edit: Regarding the solo piano piece Opus Clavicembalisticum - as this little ditty is a mere four hours long, I shall be limiting myself to the first disc, as I want to listen to some John Ireland solo piano works.
Hiya Beefy,
The Frank Bridge piano pieces, including the sonata, are rare treasures and greatly underrated. I've often played the works as a 'blind listening quiz' to friends who in addition to being impressed are always puzzled by the identity of the composer.
Best of all in my view are Bridge's set of string quartets.
As ever, the right performance makes all the difference. Two recent Schumann performances on R3 missed the heart of the pieces imv - Alexeev chugging through the first of the Bunte Blatter live and a recorded performance of the Prophet Bird that showed no grasp of the crisp, sharp, slightly unsettling quality of the piano writing - heard on Sunday morning from a recent recording. Neither are substantial pieces but hear (for example) Richter play them and marvel at RS's genius.
The Frank Bridge piano pieces, including the sonata, are rare treasures and greatly underrated. I've often played the works as a 'blind listening quiz' to friends who in addition to being impressed are always puzzled by the identity of the composer.
Best of all in my view are Bridge's set of string quartets.
Played string quartets 2 & 4 yesterday. IMO, his Piano Trio #2 is his best work.
I'm not surprised about your blind listening quiz. The piece is very modern and even when I'm listening to it, I'm surprised that it is Frank Bridge. Britten was lucky!
Usually Ravel, which is perhaps why I am responding so well to this new CD of piano music recommended to me by December's Gramophone. Some very intoxicating sounds... https://www.gramophone.co.uk/review/halo
Usually Ravel, which is perhaps why I am responding so well to this new CD of piano music recommended to me by December's Gramophone. Some very intoxicating sounds... https://www.gramophone.co.uk/review/halo
I think I'll check that out, it looks interesting. I had my usual leaf through the month's digital Gramophone, but overlooked this. Need to pay more attention!
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