Originally posted by FRJames
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John Eliot Gardiner - the pros and cons...
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Originally posted by kindofblue View Post
Fascinating, thanks for unearthing this. The prose in this article is incredible - 'sublime frenzy'?!
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I don’t think I’ve seen mention of this (apologies if this is old news):
"……In a new statement, he apologised for the "distress" he had caused.
"I am taking a step back.. to get the specialist help I recognise that I have needed for some time," he said....."
".....This will include "an extensive, tailored course of treatment and he asks for space and privacy while the programme is ongoing," they continued........"
https://www.bbc.co.uk/news/entertainment-arts-66673096
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Comparing Bryn's and Cockney Sparrow's ('JEG seeking specialist help') posts, the sociological change in attitudes is fascinating. It isn't just the court's decision on Toscanini, but the NYT reporting of the 'psychological irresponsibility' argument that is striking. Surely, for diverse reasons psychological irresponsibility might affect others and cause them to act in a similar uncontrolled/uncontrollable way, not just musical genius. What makes some actions legally 'pardonable' but not others? Autres temps, autres mœurs …It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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I can only assume there were enough people there who didn't want him back and he had to go. I know they use other conductors but JEG was the main draw and it will be interesting to see how things go in the future. It will also be interesting to see which orchestras have him back as a guest. He might be very contrite now, but wait until a horn player cracks a note and lets see how long this new touchy- feely JEG lasts.
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Originally posted by Darkbloom View PostI can only assume there were enough people there who didn't want him back and he had to go. I know they use other conductors but JEG was the main draw and it will be interesting to see how things go in the future. It will also be interesting to see which orchestras have him back as a guest. He might be very contrite now, but wait until a horn player cracks a note and lets see how long this new touchy- feely JEG lasts.
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Originally posted by richardfinegold View PostI thought he was canned when the incident happened. That was some limbo for him and the organization to be in for a year and doesn't seem to have benefited any one.
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A new generation of conductors is taking early music to fresh heights. Where the elder “maestri” were pioneers, researching, experimenting, learning on the job, sometimes triumphing and sometimes failing in their quest for so-called “authenticity” (which was then proven to be an unrealisable concept), conductors like Laurence Cummings, Rinaldo Alessandrini and Maxim Emelyanychev have been able to slot into the soundworld and infuse it with the deeper values of love, understanding, and warmth of personality that some of the 1980s zealots could occasionally miss.
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