Originally posted by makropulos
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Who are the Division 2 composers from Russia and other parts of Eastern Europe?
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Originally posted by MrGongGong View PostHungary isn't in "Eastern" Europe
it's in Central Europe as my Hungarian colleagues are fond of reminding me
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I agree with that, in view of its distance from that arbitrary line that has been drawn to divide Eurasia into two.
Last edited by Eine Alpensinfonie; 11-02-17, 17:23.
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Originally posted by Lat-Literal View PostGubaidulina would surely also get ferney's vote on a different day.
Bbm and Alpie are quite right at pointing out my mischief-making (as I'd hoped would be clear from the little devil) - over the years, I have been frequently moved, excited, delighted and impressed by works by Shostakovich, Scriabin, Tchaikovsky, Prokofiev, Borodin and other Russian composers. But, with ears fresh from reminders of the B minor Mass in this morning's BaL Modest and Igor are the only Russians who astonish me as frequently as does JSB.
(But is there a danger that the Thread might simply become a "list" of Eastern European composers?)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostNah - but Ustvolskaya might.
Bbm and Alpie are quite right at pointing out my mischief-making (as I'd hoped would be clear from the little devil) - over the years, I have been frequently moved, excited, delighted and impressed by works by Shostakovich, Scriabin, Tchaikovsky, Prokofiev, Borodin and other Russian composers. But, with ears fresh from reminders of the B minor Mass in this morning's BaL Modest and Igor are the only Russians who astonish me as frequently as does JSB.
(But is there a danger that the Thread might simply become a "list" of Eastern European composers?)
There are the composers who few would question are the significant ones, whether they like them all or not. What of the rest? Is it easy to separate those who have really made their mark and those who are frankly obscure? That certainly doesn't mean to say that the obscure are the least attractive but it is about narrowing lists to acquire knowledge and be certain on bearings. With some geographical areas, all of this sort of thing is fairly obvious. I suggest that it is less so the further east one travels. And there is potential for a lot of discussion here. For example, there are umpteen Russian composers whose names begins with M. Some seem to be mentioned a huge amount but they are played very little.
Do composers whose star is rising - Kalinnikov etc - acquire additional substance with greater popularity or simply reside in the cultural area of "have recently become more popular?". Does Gliere's interest in ethnic folklore add to his substance in the 21st Century when considered alongside Bartok and others? "The Five" must count for something or does it in 2017? Do Cui and Balakirev offer much to modern audiences or seem less substantial because of their nationalism? Post war are the most significant composers outside Russia because they could often be voices against it? Not that political sensitivities are key here. I suspect though I will end up going to Suffolk Coastal's lists to draw up my B list.Last edited by Lat-Literal; 11-02-17, 20:15.
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Originally posted by Eine Alpensinfonie View Post...although, strictly speaking, Prokofiev wasn't Russian.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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