Probably the Birtwistle Mask of Orpheus, 12/4/96 it says on the MA-90s....and Gawain around the same time. As Bryn implies, much of the rarest repertoire was superseded by CD releases of broadly or exactly the same performances. I recall fondly encountering much unusual Russian/North European rep through tapings of R3's early 1990s Symphonic Steppes season, including Gubaidulina, Schnittke, Korndorf and above all Lepo Sumera's stunning 3rd Symphony. The tapes now rest in peace in that wellknown contemporary music venue, The Cupboard Under The Stairs.
The Denon DRM-700 Deck must be in the loft, oft serviced but finally - unserviceable.
The twin disaffections of cassette deck foibles and late-1990s FM dynamic compression curbed my enthusiasm, which malady gradually proved terminal. When it was still worth buying a DAT recorder, I couldn't afford one; and the purist, classical fantasy of FM to Open Reel remained just that for similar reasons.
I think the most valuable thing off-air recording taught me was - music! The search for unknown music, or obsession with taping better or different performances of so-called "core repertoire", helped me toward a familiarity with several centuries' worth of chamber & orchestral music that no other approach could have matched - at least, without much greater financial outlay.
But I remember noticing, a little sadly, as the 1990s progressed, that CD releases were leaving Radio 3's coverage of such things far behind....
The Denon DRM-700 Deck must be in the loft, oft serviced but finally - unserviceable.
The twin disaffections of cassette deck foibles and late-1990s FM dynamic compression curbed my enthusiasm, which malady gradually proved terminal. When it was still worth buying a DAT recorder, I couldn't afford one; and the purist, classical fantasy of FM to Open Reel remained just that for similar reasons.
I think the most valuable thing off-air recording taught me was - music! The search for unknown music, or obsession with taping better or different performances of so-called "core repertoire", helped me toward a familiarity with several centuries' worth of chamber & orchestral music that no other approach could have matched - at least, without much greater financial outlay.
But I remember noticing, a little sadly, as the 1990s progressed, that CD releases were leaving Radio 3's coverage of such things far behind....
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