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Can I put in a pointer to the Drei Hymnen, Opus 71, which compared to the VLL are relatively unknown, and certainly less recorded: I have the Flott recording in its original coupling with Metamorphosen and Tod und Verklärung.
However, it was the "BBC Welsh" in those pre-Symphony Orchestra days. It's important to get all the other facts as accurate as possible when you're perpetrating a deception.
I wonder how many people have tried to order the CD. Practical Jokers what would you do with them.
I didn't know that Owen Arwel Hughes had such an early start to his conducting career (or, presumably, Clio Gould to hers as a violin soloist) either.
This forum is such a fount of information.
I didn't know that Owen Arwel Hughes had such an early start to his conducting career (or, presumably, Clio Gould to hers as a violin soloist) either
The latter is especially remarkable since she was only born in the late 1960s, long after Ms Bassey made this recording; playing as she supposedly did at least a dozen years before her mother became pregnant with her is an achievement that wholly overshadows even the apparent precocity of Owain Arwel Hughes. It's also rather a giveaway that Ms Bassey's "vulnerable fragility" and with "her fragrant voice seeming subdued as if in mourning, heightened by the silver toned violin solo of Clio Gould" overlook the fact that the violin solo concerned is actually in Beim Schlafengehen.
Perhaps the "reviewer" might have lent his review some credibility had he decided to contrive some kind of comparison with Marni Nixon singing Schönberg and Boulez (see http://www.marninixon.org/recordings.htm )...
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