Brahms Horn Trio
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Originally posted by CallMePaul View PostTeunis van der Zwart (Natural Horn), Isabelle Faust (Violin, played using gut strings), Alexander Melnikov (Boesendorfer Piano of 1875). This is as near as we can get to hearing the trio as written for by Brahms and to my ear finer than any version on modern instruments. Harmonia Mundi Musique d'Abord HMA 1951981.
Last edited by Bryn; 14-07-16, 10:14.
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Originally posted by richardfinegold View PostBloom was the first horn for Philadelphia. That sounds tempting but I didn't see that listed in Amazon
The Philadelphia Orchestra's 1st horn was Mason Jones.
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Originally posted by Tony View PostMyron Bloom was actually 1st horn of the Cleveland Orchestra during much of the Szell era. I know this for sure since I occasionally studied with him after he left Cleveland and played for Barenboim with L'Orchestre de Paris during the late 1970s-1980s.
The Philadelphia Orchestra's 1st horn was Mason Jones.
Georg Szell was known as "The Iceberg" There is a story that on one occasion he failed to appear at a rehearsal session. The orchestra's manager appeared and announced:
"I have just been informed that Mr Szell is unwell and will not be appearing today. He has developed a bout of influenza and I am told that his temperature has risen as high as fifteen degrees!"
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Originally posted by Tony View PostMyron Bloom was actually 1st horn of the Cleveland Orchestra during much of the Szell era. I know this for sure since I occasionally studied with him after he left Cleveland and played for Barenboim with L'Orchestre de Paris during the late 1970s-1980s. We
The Philadelphia Orchestra's 1st horn was Mason Jones.
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Originally posted by jayne lee wilson View Post
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Originally posted by richardfinegold View PostThanks JLW that album is on Spotify. I like the Brahms but it's the Ligeti that drew my attention last night...I will order the SACD
The Ligeti is fascinating
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Originally posted by richardfinegold View PostUpon further review...the Brahms is beautifully played, but a bit to 'autumnal' for my taste. I don't think Brahms meant it to be so world weary, as his late Chamber Music and Piano Music could be.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by richardfinegold View PostUpon further review...the Brahms is beautifully played, but a bit to 'autumnal' for my taste. I don't think Brahms meant it to be so world weary, as his late Chamber Music and Piano Music could be.
The Ligeti is fascinating
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Originally posted by ferneyhoughgeliebte View PostCertainly not "world weary", but there is a elegaic core (ho-ho) to the work, written in response to the death of his mother, and as a gesture of reconciliation with his father (IIRC - there had been some cooling of relations between father and son when "difficulties" arose his parents' marriage, for which the composer had blamed his father). The rare ensemble consists of the three instruments that Brahms had been taught to play by his father (who played them as required in amateur groups) - partly why the "Waldhorn" is specified on the manuscript, rather than just "horn".
I'd never understood why two grief-stricken slow movements alternated with much more cheery allegros. But apparently a standard German 'prescription' for grief and depression was to go hunting, hence all those view-halloo horn-calls. There are folk song quotations in the 3rd mov't which also point up the grief aspect, in particular a dialect one called "Heitschi Bumbeitschi schlaf lange', in which a boy laments his dead mother. [QED?]I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostI'd never understood why two grief-stricken slow movements alternated with much more cheery allegros. But apparently a standard German 'prescription' for grief and depression was to go hunting, hence all those view-halloo horn-calls. There are folk song quotations in the 3rd mov't which also point up the grief aspect, in particular a dialect one called "Heitschi Bumbeitschi schlaf lange', in which a boy laments his dead mother. [QED?][FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by jayne lee wilson View Post
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Originally posted by Stanfordian View PostYes, the Brahms and the Ligeti trios are often coupled and I can understand why. This reminds me that in 2014 at the Philharmonie, Berlin I heard the Ligeti Hamburg Concerto for solo horn and chamber orchestra with 4 obbligato natural horns played the Konzerthausorchester under Iván Fischer. I was captivated!
Thanks for reminding me, I'll try to hear it later....
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Originally posted by ferneyhoughgeliebte View Post- and the Slow-Fast-Slow-Fast pattern (as Wiki reminds us ) is that of the Baroque Sonata a Chiesa, although they usually ended with a fast movement immovably in the minor. The first movement is the only example in all Brahms's four-movement works, not to be based in "Sonata Form"/on the Sonata Principle.
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