Brahms Horn Trio

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • LeMartinPecheur
    Full Member
    • Apr 2007
    • 4717

    #16
    Originally posted by jayne lee wilson View Post


    I keep hitting the Escape key, but I'm still here!

    Comment

    • vinteuil
      Full Member
      • Nov 2010
      • 12846

      #17
      .


      ... very much my favourite -



      A natural horn from 1845 and an 1875 Bösendorfer, and sublime playing



      ( I see that CallMePaul got in well ahead of me, at #3 above... )

      Comment

      • Bryn
        Banned
        • Mar 2007
        • 24688

        #18
        Originally posted by CallMePaul View Post
        Teunis van der Zwart (Natural Horn), Isabelle Faust (Violin, played using gut strings), Alexander Melnikov (Boesendorfer Piano of 1875). This is as near as we can get to hearing the trio as written for by Brahms and to my ear finer than any version on modern instruments. Harmonia Mundi Musique d'Abord HMA 1951981.
        Duly ordered in its lower priced re-issue format. This release had quite escaped my attention.

        Last edited by Bryn; 14-07-16, 10:14.

        Comment

        • Tony Halstead
          Full Member
          • Nov 2010
          • 1717

          #19
          Originally posted by richardfinegold View Post
          Bloom was the first horn for Philadelphia. That sounds tempting but I didn't see that listed in Amazon
          Myron Bloom was actually 1st horn of the Cleveland Orchestra during much of the Szell era. I know this for sure since I occasionally studied with him after he left Cleveland and played for Barenboim with L'Orchestre de Paris during the late 1970s-1980s.
          The Philadelphia Orchestra's 1st horn was Mason Jones.

          Comment

          • Hornspieler
            Late Member
            • Sep 2012
            • 1847

            #20
            Originally posted by Tony View Post
            Myron Bloom was actually 1st horn of the Cleveland Orchestra during much of the Szell era. I know this for sure since I occasionally studied with him after he left Cleveland and played for Barenboim with L'Orchestre de Paris during the late 1970s-1980s.
            The Philadelphia Orchestra's 1st horn was Mason Jones.
            Absolutely correct - as always, Tony

            Georg Szell was known as "The Iceberg" There is a story that on one occasion he failed to appear at a rehearsal session. The orchestra's manager appeared and announced:

            "I have just been informed that Mr Szell is unwell and will not be appearing today. He has developed a bout of influenza and I am told that his temperature has risen as high as fifteen degrees!"

            Comment

            • richardfinegold
              Full Member
              • Sep 2012
              • 7673

              #21
              Originally posted by Tony View Post
              Myron Bloom was actually 1st horn of the Cleveland Orchestra during much of the Szell era. I know this for sure since I occasionally studied with him after he left Cleveland and played for Barenboim with L'Orchestre de Paris during the late 1970s-1980s. We
              The Philadelphia Orchestra's 1st horn was Mason Jones.
              You are of course correct. I have a recording of him soloing in R. Strauss Horn Concerto, with Don Quixote as a coupling

              Comment

              • richardfinegold
                Full Member
                • Sep 2012
                • 7673

                #22
                Originally posted by jayne lee wilson View Post
                Why not widen your ears with one of these...(including an SACD, just for you...)



                The BRIDGE disc was top rec for the BaL for the Brahms Trio in 2007...
                Thanks JLW that album is on Spotify. I like the Brahms but it's the Ligeti that drew my attention last night...I will order the SACD

                Comment

                • richardfinegold
                  Full Member
                  • Sep 2012
                  • 7673

                  #23
                  Originally posted by richardfinegold View Post
                  Thanks JLW that album is on Spotify. I like the Brahms but it's the Ligeti that drew my attention last night...I will order the SACD
                  Upon further review...the Brahms is beautifully played, but a bit to 'autumnal' for my taste. I don't think Brahms meant it to be so world weary, as his late Chamber Music and Piano Music could be.
                  The Ligeti is fascinating

                  Comment

                  • ferneyhoughgeliebte
                    Gone fishin'
                    • Sep 2011
                    • 30163

                    #24
                    Originally posted by richardfinegold View Post
                    Upon further review...the Brahms is beautifully played, but a bit to 'autumnal' for my taste. I don't think Brahms meant it to be so world weary, as his late Chamber Music and Piano Music could be.
                    Certainly not "world weary", but there is a elegaic core (ho-ho) to the work, written in response to the death of his mother, and as a gesture of reconciliation with his father (IIRC - there had been some cooling of relations between father and son when "difficulties" arose his parents' marriage, for which the composer had blamed his father). The rare ensemble consists of the three instruments that Brahms had been taught to play by his father (who played them as required in amateur groups) - partly why the "Waldhorn" is specified on the manuscript, rather than just "horn".
                    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                    Comment

                    • visualnickmos
                      Full Member
                      • Nov 2010
                      • 3610

                      #25
                      Originally posted by richardfinegold View Post
                      Upon further review...the Brahms is beautifully played, but a bit to 'autumnal' for my taste. I don't think Brahms meant it to be so world weary, as his late Chamber Music and Piano Music could be.
                      The Ligeti is fascinating
                      Go for the version on Sony: Bloom, Serkin, Tree. You will not regret it, I promise.....

                      Comment

                      • LeMartinPecheur
                        Full Member
                        • Apr 2007
                        • 4717

                        #26
                        Originally posted by ferneyhoughgeliebte View Post
                        Certainly not "world weary", but there is a elegaic core (ho-ho) to the work, written in response to the death of his mother, and as a gesture of reconciliation with his father (IIRC - there had been some cooling of relations between father and son when "difficulties" arose his parents' marriage, for which the composer had blamed his father). The rare ensemble consists of the three instruments that Brahms had been taught to play by his father (who played them as required in amateur groups) - partly why the "Waldhorn" is specified on the manuscript, rather than just "horn".
                        A few years ago horn player Stephen Stirling gave a very interesting talk on the work, before a magnificent performance.

                        I'd never understood why two grief-stricken slow movements alternated with much more cheery allegros. But apparently a standard German 'prescription' for grief and depression was to go hunting, hence all those view-halloo horn-calls. There are folk song quotations in the 3rd mov't which also point up the grief aspect, in particular a dialect one called "Heitschi Bumbeitschi schlaf lange', in which a boy laments his dead mother. [QED?]
                        I keep hitting the Escape key, but I'm still here!

                        Comment

                        • ferneyhoughgeliebte
                          Gone fishin'
                          • Sep 2011
                          • 30163

                          #27
                          Originally posted by LeMartinPecheur View Post
                          I'd never understood why two grief-stricken slow movements alternated with much more cheery allegros. But apparently a standard German 'prescription' for grief and depression was to go hunting, hence all those view-halloo horn-calls. There are folk song quotations in the 3rd mov't which also point up the grief aspect, in particular a dialect one called "Heitschi Bumbeitschi schlaf lange', in which a boy laments his dead mother. [QED?]
                          - and the Slow-Fast-Slow-Fast pattern (as Wiki reminds us ) is that of the Baroque Sonata a Chiesa, although they usually ended with a fast movement immovably in the minor. The first movement is the only example in all Brahms's four-movement works, not to be based in "Sonata Form"/on the Sonata Principle.
                          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                          Comment

                          • Stanfordian
                            Full Member
                            • Dec 2010
                            • 9315

                            #28
                            Originally posted by jayne lee wilson View Post
                            Why not widen your ears with one of these...(including an SACD, just for you...)



                            The BRIDGE disc was top rec for the BaL for the Brahms Trio in 2007...
                            Yes, the Brahms and the Ligeti trios are often coupled and I can understand why. This reminds me that in 2014 at the Philharmonie, Berlin I heard the Ligeti Hamburg Concerto for solo horn and chamber orchestra with 4 obbligato natural horns played the Konzerthausorchester under Iván Fischer. I was captivated!

                            Comment

                            • jayne lee wilson
                              Banned
                              • Jul 2011
                              • 10711

                              #29
                              Originally posted by Stanfordian View Post
                              Yes, the Brahms and the Ligeti trios are often coupled and I can understand why. This reminds me that in 2014 at the Philharmonie, Berlin I heard the Ligeti Hamburg Concerto for solo horn and chamber orchestra with 4 obbligato natural horns played the Konzerthausorchester under Iván Fischer. I was captivated!
                              Wonderful piece isn't it? And still just the one Teldec recording AFAIK, Volume 4 of the Ligeti Project, in the boxset or singly 2ndhand....
                              Thanks for reminding me, I'll try to hear it later....

                              Comment

                              • EdgeleyRob
                                Guest
                                • Nov 2010
                                • 12180

                                #30
                                Originally posted by ferneyhoughgeliebte View Post
                                - and the Slow-Fast-Slow-Fast pattern (as Wiki reminds us ) is that of the Baroque Sonata a Chiesa, although they usually ended with a fast movement immovably in the minor. The first movement is the only example in all Brahms's four-movement works, not to be based in "Sonata Form"/on the Sonata Principle.
                                Would today's All of Bach be an example ferney ?

                                Comment

                                Working...
                                X