One of the great classical guitarists of the last century has died aged 92 - the Venezuelan Alirio Díaz.. A great life. I saw him in London just the once, in 1973. Astonishing technique - I was amazed by his huge hands. Here he is playing Antonio Lauro's Seis por Derecho.
RIP Alirio Díaz, 1923-2016
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Sad news.
I saw him give a recital at Bristol's Colston Hall in the late '60s/early '70s. Impressive technically but I thought it rather bland musically, perhaps it was too subtle for me.
Thanks for the link to the video. To be honest, if I had a choice between listening to it again or having canal root treatment it would be a toss up. It is the type of music and type of performance that I intensely dislike.Last edited by johnb; 06-07-16, 18:35.
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Originally posted by johnb View PostIt is the type of music and type of performance that I intensely dislike.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Richard Tarleton
Originally posted by french frank View PostNot the sort of comment one can take exception to, though I do feel otherwise: the style and straightforward virtuosity are - for me - quite engrossing. What does the title mean - is it a study for the right hand? Derecha is right hand, isn't it, not derecho? Or some other allusion?
John Williams says how he first met Alirio Diaz when he (JW) was a boy of 12 attending Segovia's summer school in Siena - Diaz helped with the teaching. He excelled at the classical as well as Latin American repertoire - I used to have LPs of his including his record of the Rodrigo and Giuliani concertos. Though I was (perhaps like John) struck by the facility and velocity of his playing more than the interpretative depth.
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Originally posted by Richard Tarleton View PostThe Seis was an ancient dance for 6 pairs of dancers on Corpus Christi day, which is transformed into Seis por derecho which is a joropo, one of the most popular Venezuelan dances, which in turn descended from the Spanish fandango. I hope that's all clear
Originally posted by Richard Tarleton View PostThough I was (perhaps like John) struck by the facility and velocity of his playing more than the interpretative depth.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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