Originally posted by Barbirollians
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Pieces Not Fit for Purpose
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Originally posted by Richard Barrett View PostIn the sage words of Isaac Newton, "if I have seen further, it is by standing on the shoulders of giants."
Originally posted by jean View PostYou were meant to!
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Originally posted by NatBalance View PostAnd I'm sorry if I offend Richard but gee whiz, I started laughing out loud when reading this
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Flosshilde View PostShouldn't that be parody?
Originally posted by Flosshilde View PostTo return to the topic (more or less), I think that BB's Sea inteludes are fit for all their purposes."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Flosshilde View PostTo return to the topic (more or less), I think that BB's Sea inteludes are fit for all their purposes.
Still can't think of another example of what I mean but I can think of one that is sort of what I mean but in a different way. The piece Colin Matthews composed for Pluto as an addition to Holst's Planets suite.
I think that did not fit the purpose in that it did not match Holst's style. A hell of a job to follow Neptune, in fact I would state an impossible job, therefore I certainly admire his attempt but I would have thought, being as was also an authority on Holst, that he would have been able to immitate his style better. It sounds more like, well, Scriabin perhaps. There are tinges of Holst like the use of the celesta, but not used like Holst would use it. A very good use of the wordless choir at the end and that does remind me of Holst but overall I think it's a great piece on its own but not a contender for Pluto as an addition to Holst's Planets suite.
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Originally posted by NatBalance View PostMost definitely.
Still can't think of another example of what I mean but I can think of one that is sort of what I mean but in a different way. The piece Colin Matthews composed for Pluto as an addition to Holst's Planets suite.
I think that did not fit the purpose in that it did not match Holst's style. A hell of a job to follow Neptune, in fact I would state an impossible job, therefore I certainly admire his attempt but I would have thought, being as was also an authority on Holst, that he would have been able to immitate his style better. It sounds more like, well, Scriabin perhaps. There are tinges of Holst like the use of the celesta, but not used like Holst would use it. A very good use of the wordless choir at the end and that does remind me of Holst but overall I think it's a great piece on its own but not a contender for Pluto as an addition to Holst's Planets suite.
A few years ago I directed a project where some teenage composers co-composed Earth because that IS the planet Holst missed out.
But I really don't understand what you are getting at, you seem (again!) to want music to be something other than what it is?
When I hear :La Mer I always think of Eastbourne
"Let sounds be themselves rather than vehicles for man-made theories or expression of human sentiments." (Cage)
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Originally posted by MrGongGong View PostSurely it doesn't fit because Pluto isn't a planet?
Originally posted by MrGongGong View PostBut I really don't understand what you are getting at, you seem (again!) to want music to be something other than what it is?
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Originally posted by NatBalance View PostNot sure that is relevant. It was considered a planet at the time and Holst based his music on the astrological meanings of the planets. All
but a piece of music inspired by a piece of music based on a load of made up stuff but isn't a pastiche of the piece of music based on a load of made up stuff isn't?
What porpoise?
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