I had the opportunity to ask Nicola Benedetti about her choice of the Szymanowski concerto for her finale YM performance, wondering if she'd met with resistance about playing a relatively esoteric work as opposed to, say, the Mendelssohn concerto. She replied that there had been a little bit of hinting that it might be better to play safe but the conductor and orchestra wholeheartedly supported her decision and did their very best to ensure a superb performance.
(I should say that this was a public Q&A session so I'm not breaking any confidences here!)
(I should say that this was a public Q&A session so I'm not breaking any confidences here!)
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