Originally posted by jean
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BBC Young Musician 2016
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Originally posted by jean View PostShe isn't doing that though, is she? She's talking to Guardian readers.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Yes, I realised it was a follow-up to something, but I hadn't seen this.
...I love all forms of music; but why is it that classical is so restricted to a tiny elite? It has an energy and depth that people of all backgrounds can get into...
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.I love all forms of music; but why is it that classical is so restricted to a tiny elite? It has an energy and depth that people of all backgrounds can get into...
Originally posted by jean View PostI accept that we've established that we mustn't talk about depth and complexity; is it all right to talk about energy and depth - so long as you don't make any explicit comparisons between classical music and music that might contain a bit less of those qualities?
The phrase "a subtext of glee at the notion that a privileged class is getting its comeuppance" rang a bell. Like 6 Music listeners talking about the 'grumpy old Radio 3 listeners' having one of their presenters doing the Breakfast stint.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by jean View Post
I accept that we've established that we mustn't talk about depth and complexity;
Here's some
and here's some more
Full-length concert: http://www.digitalconcerthall.com/concert/16884/?a=youtube&c=trueMagnus Lindberg: "Kraft" for clarinet, percussion, piano, cello and orc...
and some more
Giovanni Pierluigi da Palestrina (Palestrina, 1525 - Roma, 1594),Missa Papae Marcelli.The Tallis Scholars, Peter Phillips, director.The Palestrina 400 Collec...
and some more
(1986) for shakuhachi, bass recorder and viola (Yoshikazu Iwamoto, shakuhachi / Alex Robertson, viola / Bill Lyons, bass recorder)http://www.frankdenyer.eu/h...
and have a listen to this
Jonathan Harvey (1939-2012): Speakings, for large Orchestra and electronics (2007/2008).I.II.III.BBC Scottish Symphony Orchestra diretta da Ilan VolkovCover ...
and there's some here
and here
Conlon Nancarrow, Study for Player Piano No. 21 (Canon X). Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows ...
it seems to be all over the place IMV
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Originally posted by MrGongGong View PostOf course you can
Here's some
and here's some more
Full-length concert: http://www.digitalconcerthall.com/concert/16884/?a=youtube&c=trueMagnus Lindberg: "Kraft" for clarinet, percussion, piano, cello and orc...
and some more
Giovanni Pierluigi da Palestrina (Palestrina, 1525 - Roma, 1594),Missa Papae Marcelli.The Tallis Scholars, Peter Phillips, director.The Palestrina 400 Collec...
and some more
(1986) for shakuhachi, bass recorder and viola (Yoshikazu Iwamoto, shakuhachi / Alex Robertson, viola / Bill Lyons, bass recorder)http://www.frankdenyer.eu/h...
and have a listen to this
Jonathan Harvey (1939-2012): Speakings, for large Orchestra and electronics (2007/2008).I.II.III.BBC Scottish Symphony Orchestra diretta da Ilan VolkovCover ...
and there's some here
and here
Conlon Nancarrow, Study for Player Piano No. 21 (Canon X). Aufgenommen mit dem Ampico Bösendorfer Flügel von Jürgen Hocker, der nach den Wünschen Nancarrows ...
it seems to be all over the place IMV
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Originally posted by jean View PostYes, I realised it was a follow-up to something, but I hadn't seen this.
I accept that we've established that we mustn't talk about depth and complexity; is it all right to talk about energy and depth - so long as you don't make any explicit comparisons between classical music and music that might contain a bit less of those qualities?Originally posted by Tapiola View PostSo why are the majority of your examples WCM?
To show how "depth" and "complexity" aren't confined to genre, location or historical period.
It would be very easy for me to find loads of examples that were completely off the radar of most "classical music" folks/
Do you want some more?
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Originally posted by MrGongGong View PostHow long have you got?
To show how "depth" and "complexity" aren't confined to genre, location or historical period.
It would be very easy for me to find loads of examples that were completely off the radar of most "classical music" folks/
Do you want some more?
You must be just so great in real life, though, knowin' all that off the radar stuff...
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Originally posted by Tapiola View PostSo why are the majority of your examples WCM?
and the majority aren't really WCM
Frank Denyer's music isn't
North Indian Classical Music isn't
Gamelan isn't
You could call Nancarrow WCM but that's debatable, I would say it isn't really what Susan Tomes means by "Classical Music"
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Originally posted by MrGongGong View PostI just had another look at the ones I posted
and the majority aren't really WCM
Frank Denyer's music isn't
North Indian Classical Music isn't
Gamelan isn't
You could call Nancarrow WCM but that's debatable, I would say it isn't really what Susan Tomes means by "Classical Music"
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Originally posted by Tapiola View PostHow would you know what Susan Tomes means?
Originally posted by jean View PostWe haven't really identified what other musics we, and Susan Tomes, might be talking about.
I don't think she's thinking of the complexities of Indian music, say, so much as comparing Young Musician of the Year with something like Britain's Got Talent.
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