Originally posted by french frank
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The arrival of Adele suggested two things - 1. She isn't a lot like Amy Winehouse but she isn't a million miles removed from her and 2. Great - this seems to be the moment when the industry has chosen a new trend. It's back to a more conventional voice after nearly 20 years of Whitney and all the others with their "melisma" that can sound like hysteria.
There were three of them actually. The other one was (Aimee) Duffy although her voice seemed weaker than that of the other two. And there were different nuances. AW was in the direction of jazz; you are spot on with Adele as approximately the "soul" one; and Duffy was more indie pop leaning I guess. Any promise didn't last long. It quickly became apparent that rather than the key reference points being a vocal style of the 1960s/1970s, soul or jazz, what this actually involved was a return to the era of the early to mid 1980s. Then big solid careers were being built on music that wasn't awful but it could be anodyne while it was also ubiquitous. Phil Collins is an example. There are several others.
And at that time, there was a division two if you like of the ones who were "big news" but not quite in "super-space". Among them was Alison Moyet who must surely now be the key reference when it comes to Adele except this time the industry decided that "a Moyet" should become stratospheric. Well, it worked not least because of Winehouse's departure which watered down any accusations of copying and, I think, the emotions around that moment meant that many looked to Adele as their answer. It did help her record sales.
The difference between her and Moyet in my opinion is that Moyet also had something of a jazz voice. Why I think Winehouse stood out in the modern era is that there was among all of her very modern London tones a natural way with what I suppose could be called jazz inflection which she then worked on extensively. She really studied Holiday, Vaughan, Washington etc. Those were absorbed so she could bring bits and pieces of them out when personally "together" in interesting and unexpected ways. There was always the feeling that she was playing with it and indeed learning. It was the positive side of her unpredictability. She never could be packaged and there was a lot of scope for vocal development.
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