Originally posted by ahinton
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Well, that's not quite how I'd put it; I would say that it's a closely related key in the first example and a distantly related on in the latter.
Yes, the music itself - be it Bach's, Webern's, Liszt's, Schönberg's, Messiaen's or whoever else's - is what "tells" the ear how to perceive, or rather offers perceptions as to how it can (not should!) be heard, even though not all pairs of ears will be attached to brains with identical previous listening experiences.
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