I think we live in an age where the question of 'greatest' is largely irrelevant. By 'greatest' I would look for a composer whose latest work is awaited by the classical music world at large with eager expectation and performances lined up around the world and no-one is universally acknowledged in this way and probably hasn't been since the death of Shostakovich in 1975.
Of the recently departed I'd nominate Henze and, further back, Tippett as the closest we have come in the last 40 years.
Of the recently departed I'd nominate Henze and, further back, Tippett as the closest we have come in the last 40 years.
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