Originally posted by NatBalance
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Classical - (Jazz) - Pop
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NatBalance
I can't see that these reasons really get to the heart of the matter, which is the connection in the sound of the two musical genres
This is entirely IMV
I get an impression that behind or at the bottom of Nat’s endless argument (if you call it that) is that In His View, a lot of people (common listeners, that is) get into Jazz via pop music whereas not many do from classical music. Therefore, there must be some connection (sounds similar etc.) between Jazz and pop music, and therefore Jazz is closer to pop music than to classical music. How does this sound?
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Originally posted by NatBalance View PostWell sound is what music is about.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by ferneyhoughgeliebte View PostI think it would help me respond to Natty if he would give some indication of what criterion/criteria s/he is using in comments such as
ABBA and ELO (Electric Light Orchestra) are commercial, mass audience music? I think they are, and I would most definitely call their music art, even high art.or
and/or
I consider pop music just as good as classical
I don't know if I agree or disagree without such criteria, let alone how I could respond to what I think s/he's trying to say.
"Well, would you say ABBA and ELO (Electric Light Orchestra) are commercial, mass audience music? I think they are, and I would most definitely call their music art, even high art."
….. in response to your statement …..
"So, for me 'pop music' embraces all kinds of music which are commercial, mass audience industry: that isn't 'art music'. But other forms of 'popular' music may well be art music."
You may have missed it, I gave my view on musical criterion in the first post, notice GongGong "MY VIEW" (Why isn't there a funny face for blowing a damn good Harry Secombe raspberry? It would just fit perfect there)
Originally posted by NatBalance View PostTo my way of thinking there are basically two genres of music - Classical and Pop. There are many types of music that straddle those two forms, such as prog rock and modern jazz, but I think that on the whole most music can be placed in either one of these two genres.
Classical Music - this type of music originated from religious music and the first form of classical music was Gregorian Chant. It branched out from there to form many different types, such as romantic, baroque, renaissance, minimalist(?), one of which is actually called classical. In live performance such music is very rarely amplified, only when the venue is very big or outside will it be amplified. I have recently been told that the truer name for classical music is Art Music (don't know if that name describes it any better).
Pop Music - this type of music I think has originated from traditional folk music. It has of course also branched out and now encompasses a vast variety of styles such as country, blues, rock, house, heavy metal and again (like with classical), one of which is actually called pop. In live performance this music is virtually always amplified, no matter how small the venue.
And that's Wikipedia, so it MUST be true
Bye the way, I'm a fella. Well, with the name Richard I hope I am.
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Oh, I noticed the "this type of Music originated in religious Music" comment, alright - as well as the point that you didn't address whence this "religious Music" itself "originated", nor how the Musics of the Western Classical Traditions evolved from these origins (both of which points might have helped towards an understanding of why Jazz features on R3).
But I'm still unsure that you have provided the criteria you use to form your "opinion"/"view" that ABBA or ELO (as opposed to Chicory Tip or Brotherhood of Man, perhaps) can be called "High Art". What features of sound lead you to form such a "view"/"opinion"? Without knowing your criteria, I cannot understand whence your reasoning comes, nor (therefore) how to respond to it.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by NatBalance View Post
Bye the way, I'm a fella. Well, with the name Richard I hope I am.
(why are you adopting such a bizarre persona?)
Only the top two are quotes of mine.
I made the others up
It's easy to make grandiose unsupported statements isn't it?Last edited by MrGongGong; 22-10-15, 13:36.
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Originally posted by NatBalance View PostActually, I don't think I'm right in calling heavy metal serious music, it's aggressive music.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by ferneyhoughgeliebte View PostOh, I noticed the "this type of Music originated in religious Music" comment, alright - as well as the point that you didn't address whence this "religious Music" itself "originated"…
Originally posted by NatBalance View PostPlease bear in mind I am thinking out loud here, not sure my views are correct, I am posing these views with a hope to learn further and hopefully consolidate them.
Originally posted by ferneyhoughgeliebte View Post… nor how the Musics of the Western Classical Traditions evolved from these origins (both of which points might have helped towards an understanding of why Jazz features on R3).
Originally posted by ferneyhoughgeliebte View PostBut I'm still unsure that you have provided the criteria you use to form your "opinion"/"view" that ABBA or ELO (as opposed to Chicory Tip or Brotherhood of Man, perhaps) can be called "High Art". What features of sound lead you to form such a "view"/"opinion"? Without knowing your criteria, I cannot understand whence your reasoning comes, nor (therefore) how to respond to it.
I always love Chopin, the great pianist who loves and devotes himself to his country. However, most of his songs are too difficult to play. I'm glad that I c...
Anyway, when I've got time I'll try to explain why I think ABBA and ELO are high art.
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Originally posted by NatBalance View PostI'm not too hot on music theory so I'll have to have a go without that aid. I don't believe knowledge of music theory bares any relationship on your ability to judge good music from bad, or even create good music.
Who said anything about "Music THeory"?
Oh, wait a minute
YOU DID
Music is a subjective thing and music theory is not an exact science but it can help in explaining why you like certain music and it can certainly help if you are a composer.
You really are very confused (so I reckon you aren't RB who really does know his music theory)
A mate of mine (who happens to be a University Lecturer in music and aesthetics) once pointed out that (and it was after several pints so in pedant mode) "Music Theory" as it is widely known isn't a "Theory" at all. There is very little that is "Theoretical" as it's usually applied to areas of music that are about practical application rather than speculative ideas.
You also fail to mention the sheer brilliance of Chicory Tip who introduced the descending broken major chord arpeggio into popular music. (that IS "music theory" as the ABRSM would understand it)
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Originally posted by MrGongGong View PostWho said anything about "Music THeory"?
Oh, wait a minute
YOU DID
So as someone "not too hot" on it you seem to have formed a rather firm opinion (I'm the same about particle physics though, I know Jack about it but "I know what I like" ..... wardrobe or not)
You really are very confused (so I reckon you aren't RB who really does know his music theory)
A mate of mine (who happens to be a University Lecturer in music and aesthetics) once pointed out that (and it was after several pints so in pedant mode) "Music Theory" as it is widely known isn't a "Theory" at all. There is very little that is "Theoretical" as it's usually applied to areas of music that are about practical application rather than speculative ideas.
You also fail to mention the sheer brilliance of Chicory Tip who introduced the descending broken major chord arpeggio into popular music. (that IS "music theory" as the ABRSM would understand it)
I never knew that and it's genuinely fascinating.
Wiki says that "Son of My Father" was the first big pop hit to feature Moog. I beg to disagree. Surely it was "Popcorn" by Hot Butter and they ripped off Gershon Kingsley?
(Have just checked - "Son of My Father" was three months earlier but it was recorded later - pah)
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Originally posted by Lat-Literal View PostDid they?
I never knew that and it's genuinely fascinating.
Wiki says that "Son of My Father" was the first big pop hit to feature Moog. I beg to disagree. Surely it was "Popcorn" by Hot Butter and they ripped off Gershon Kingsley?
(Have just checked - "Son of My Father" was three months earlier but was recorded later - pah)
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.
Out of synch but at least it's not someone apparently playing chords on a monophonic synth
aaaah the days when instruments didn't need to be plugged in to work
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Originally posted by MrGongGong View PostI'll dig out my copy of this (highly recommended) and check
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.
Out of synch but at least it's not someone apparently playing chords on a monophonic synth
aaaah the days when instruments didn't need to be plugged in to work
But Chinn and Chapman and Mickie Most must have been there or thereabouts?
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Originally posted by Lat-Literal View PostAh yes, Giorgio Moroder so that makes sense.
But Chinn and Chapman and Mickie Most must have been there or thereabouts?
Or this?
https://www.youtube.com/watch?v=2SW6qVLSVzw
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