'Why Music?' weekend

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  • Nick Armstrong
    Host
    • Nov 2010
    • 26601

    #61
    Originally posted by mercia View Post
    just coming to the end of Dr Kogan's talk - is he playing Rach 2 live against a recorded orchestral accompaniment ? - how do you do that and remain in-synch ?
    Yes! And in particular, how do you time the introductory solo piano chords so that you catch the first note of the orchestral accompaniment some bars later....??
    "...the isle is full of noises,
    Sounds and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears, and sometime voices..."

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    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20578

      #62
      Originally posted by Caliban View Post
      Yes! And in particular, how do you time the introductory solo piano chords so that you catch the first note of the orchestral accompaniment some bars later....??
      On Music Minus One CDs, any cadenza-like passage is always followed by a track change when the orchestra returns, so an assistant can ensure accurate co-ordination. The problem with any backing-track accompaniment is that the machine is inflexible.

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      • MrGongGong
        Full Member
        • Nov 2010
        • 18357

        #63
        Originally posted by Eine Alpensinfonie View Post
        The problem with any backing-track accompaniment is that the machine is inflexible.
        This used to be true but beat detection means that one can have a machine following played timings using the appropriate software.
        (This is also not a new thing http://www.lovely.com/albumnotes/notes1041.html )

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        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37998

          #64
          I think he knew when it was starting 'cos God told him.

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