we were told that 'Sleep' broke two Guinness-verified records - something like ... longest single piece ever broadcast and longest single piece ever broadcast live [though I'm not suggesting that was the point of the exercise]
'Why Music?' weekend
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COriginally posted by Caliban View Post
These issues came into my mind when watching Question Time this week. Anyone else see it? After months of petty tedium, it was the best for ages, I thought - enlivened chiefly by Yanis Varoufakis, Professor of Economic Theory (who was also Finance Minister of Greece for the first seven months of 2015 ).
Putting aside various characteristics by which one can either be repelled or dazzled (e.g. that he is clearly a charismatic media performer, that he describes himself as an 'erratic Marxist', that his political CV isn't the strongest , that he appeared to tower intellectually above other panellists ("like having Einstein on Blankety Blank" was one description I read in a review ), and that he did so using his second language), much of what he said gave me pause for thought.
In particular, this final answer at the end of the programme, in relation to the health service: but if one substitutes "BBC" for "NHS" and "Universities", it's just as valid, it seems to me:
"Allow me to look at this issue from the outside, being an outsider. This country has produced precious institutions - the NHS is one, the great Universities another. Somewhere along the line, you folks lost your nerve, and you started questioning your own achievements. And this market fetishism entered realms it was never meant to be good at, like for instance the NHS or the Universities, and you started trying to introduce market solutions where they would never work - they resemble more like Soviet planning, with these ‘market indicators’ and trying to quantify the unquantifiable - the result of which, of course, is the loss of quality, both in the Universities and in the hospitals. I think you should go back to the great tradition of public service and public services provided by means of hierarchical institutions in which good people dedicated to the task do good stuff without having constantly to tot up and quantify everything they are doing, with the managers in the end taking a large part of the cut away from the doctors and the nurses.”
(I transcribed that from my recording of the programme. I corrected one solitary grammar error - he said 'tot down' rather than 'tot up')
The programme is here for anyone with a spare hour. There's some good knockabout stuff with Ken Clarke, some woman from UKIP, etc, for those with a taste for Punch and Judy shows too!
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Originally posted by antongould View PostThanks for that Rumpole I shall watch but to me at least there is a very scary amount of sense in that quote ....
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Frances_iom View Postmy own impression is that the little I listened to would if more tautly edited make excellent concert interval talks
Listening to a whole weekend of programmes is, for me, impossible. (In fact, listening to anything last weekend was not possible at all.) Did anyone manage the marathon? Perhaps this is supposed to be an iPlayer affair.
Caliban, thanks for your suggestion of The Psychiatrist at the Keyboard. I'll start there.
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Originally posted by teamsaint View Posthierarchical
Originally posted by PJPJ View PostCaliban, thanks for your suggestion of The Psychiatrist at the Keyboard. I'll start there."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by mercia View Postwe were told that 'Sleep' broke two Guinness-verified records - something like ... longest single piece ever broadcast and longest single piece ever broadcast live [though I'm not suggesting that was the point of the exercise]
http://www.læyf.com
and i'm sure La Monte Young might have something to say (which could be how wonderful it was)
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[QUOTE=Caliban;510934]Yes that was the word I didn't follow/buy. I put it down as some sort of 'erratic Marxist' term of art that I didn't understand, and moved on!
Well following your excellent example I "moved on" too, to the Prof at the keyboard fellow, and very good it was too.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostWell following your excellent example I "moved on" too, to the Prof at the keyboard fellow, and very good it was too."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by mercia View Postwe were told that 'Sleep' broke two Guinness-verified records - something like ... longest single piece ever broadcast and longest single piece ever broadcast live [though I'm not suggesting that was the point of the exercise]
I don't think that anyone has yet questioned how much Mr Richter will get from PRS for this exercise but the answer might be quite interesting...
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Originally posted by teamsaint View Posthave hierarchical public institutions been swept away without me noticing then?
anybody got a link?It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostDid he mean institutions where each level gets on with what it's employed to do, without the interference of top-down corporate directives on how they should be doing it"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by mercia View Postjust coming to the end of Dr Kogan's talk - is he playing Rach 2 live against a recorded orchestral accompaniment ? - how do you do that and remain in-synch ?
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