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String players may effectively use this, but pianos and other fixed tuned instruments can't.
Depending on the intonation system used music may sound very different - for notes related by simple frequency ratios the effects are often much more "tuneful".
I remember hearing a piece by Harry Partch for saxophones where they were all playing very carefully, and it lost much of the strident effects of more "normal" playing.
Yeah, I understand the concept - but I thought this (below) and other quotes attributed to the researcher were worthy of discussion herein:
However, let the reader be warned, much of modern harmony will be undone by this theory, and many musical instruments will be rendered useless when culture as a whole decides to embrace the infinite harmonies and beautiful musical purity made possible under the new regime
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