Riccardo Chailly to step down at Leipzig

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  • Stanfordian
    Full Member
    • Dec 2010
    • 9315

    Riccardo Chailly to step down at Leipzig

    Accounced this morning:

    Riccardo Chailly, the kapellmeister for the past ten years, will end his work with the orchestra in the 2015/2016 season.

    Here is the text of this morning's press release:

    The End of an Era

    Riccardo Chailly, the Gewandhauskapellmeister for the past ten years, will end his
    work with the orchestra in the 2015/2016 season. He will direct his last concerts as
    the Gewandhauskapellmeister in mid June 2016.

    In recognition of the exceptional accomplishments of Riccardo Chailly in furthering the
    artistic and international reputation of the Gewandhausorchester, Leipzig's Mayor
    Burkhard Jung has conceded to the wish of the Gewandhauskapellmeister to end his
    obligation to the orchestra in June 2016.

    Burkhard Jung, Mayor of the City of Leipzig: “The enormous international appeal
    Riccardo Chailly has developed with the Gewandhausorchester is precious and
    priceless for the city of Leipzig. I thank Riccardo Chailly for his musical passion he
    harnessed to lift the orchestra to astounding heights of artistic accomplishment, which
    has made him an exceptional ambassador for the city of Leipzig.”

    During his era, Riccardo Chailly devoted himself to the core repertoire of the
    Gewandhausorchester and brought the orchestra to new interpretations garnering
    world-wide attention. In this context he gave the symphonies of Gustav Mahler a
    special place again in the repertoire of the Gewandhausorchester. Above all, his
    meticulous study of the sources brought forth interesting new discoveries even with
    seemingly well-known compositions. Above and beyond this, he led premiere
    performances of important commissioned compositions for the Gewandhausorchester.
    The symphony cycles of Beethoven, Schumann, Brahms, and Mahler as well as the
    three great oratorios of Johann Sebastian Bach were performed in Germany and
    abroad and met with great success; these were also released as CD and DVD editions
    which captured numerous international prizes.

    “Riccardo Chailly is always primarily concerned with paying tribute to the thoughts and
    feelings of the composer and thereby making these accessible for us today. We treasure
    his exemplary seriousness in the formulation, in the precision of the shape and form,
    and in his unmistakable intuition for the deeper relationships in the music,” as Tobias
    Haupt, Chair of the Orchestra Board, states.

    During Chailly's tenure, cooperative ventures in guest performances were founded with
    the Vienna Musikverein, the Barbican Centre London, and the Cité de la musique Paris
    (Philharmonie or Salle Pleyel); these performances present music cycles comprising
    several days of concerts in these three cities.

    Gewandhausdirektor Professor Andreas Schulz: “Last but not least, we are indebted to
    the ten year era of the Gewandhauskapellmeister Riccardo Chailly for confirming and
    solidifying the Gewandhausorchester's top ranking among the world-class orchestras,
    for impressively expanding the orchestra's international reputation, and for regaining
    the orchestra's reputation as an ensemble for world premiere performances. I am very
    thankful for these ten years of intensive artistic cooperation.”
    Last edited by Stanfordian; 03-09-15, 12:25.
  • bluestateprommer
    Full Member
    • Nov 2010
    • 3010

    #2
    This is definitely a shock, given the quality of their artistic relationship. The article in the Leipziger Volkszeitung simply cites "persönliche Gründe" (personal reasons) for leaving:



    As a bit of a side bar, it says something that this story is part of the hero banner of headline stories at the top of the LVZ's homepage (http://www.lvz.de/), as of the time of this posting.

    Hopefully Chailly will continue with them as a guest conductor, but given the abruptness of this announcement, one has to wonder. Granted, after he stepped down from Amsterdam, he didn't return to the KCO for something like 6-7 years.

    In the Gramophone article on the announcement, Martin Cullingford says that it's not apparently because of any dissatisfaction on the LGO's part, or at least I hope not:



    "What prompted the change of plan is not clear, though a statement issued by the orchestra implies it didn’t want him to leave."
    Maybe Chailly feels overcommitted, with La Scala and his work starting next summer in Lucerne. Granted, RC's musical leadership of La Scala is a huge challenge, but he surely could have managed a transition away from Leipzig a lot more smoothly and with less disruption to all parties.

    Comment

    • Stanfordian
      Full Member
      • Dec 2010
      • 9315

      #3
      I felt the Gewandhaus Leipzig and Maestro Chailly were a marvellous team, so it's sad news for me. I greatly admire their Beethoven and Brahms cycles of symphonies, the Brahms Serenades and the Schumann symphonies in the Mahler edition. I guess he is concentrating on his new job as principal conductor/music director of La Scala, Milan. Of course he is also now music director of the Lucerne Festival. I was fortunate to have interviewed him last year in his Leipzig hotel. The previous day I had reported from a concert that his visiting Gewandhaus Orchestra of Leipzig had given in Dresden; quite superb it was too. Maybe it was just his own preference but I did think it somewhat curious that when in Leipzig he was still living in a hotel rather than putting roots down with his own place in the city. A few years earlier he had resigned as general music director of the Oper Leipzig.
      Last edited by Stanfordian; 03-09-15, 20:06. Reason: Forgot to mention his Lucerne job ; as reminded by Barbirollians

      Comment

      • richardfinegold
        Full Member
        • Sep 2012
        • 7673

        #4
        Maybe the Leipzig Town Council was trying to get him to accept the same salary offer that J.S. Bach used to complain about

        Comment

        • Roehre

          #5
          To me it seems Chailly prefers to leave posts after a couple of years anyway, even after some 17 years at the helm in Amsterdam (as Haitink's immediate successor).
          His merits there as well as in Dresden and Leipzig are many - but La Scala is an attractive position....

          Comment

          • Barbirollians
            Full Member
            • Nov 2010
            • 11709

            #6
            Lucerne also is quite a commitment nowadays I imagine

            Comment

            • Il Grande Inquisitor
              Full Member
              • Mar 2007
              • 961

              #7
              No great surprise at all, but a sad decision nonetheless. When I was in Leipzig in 2014, questions were already being asked as to how Chailly could divide his time between Leipzig and Milan. Taking on the role of La Scala's Music Director in 2017 (he is currently Principal Conductor until Barenboim leaves the post of MD) would only increase his time away from the Gewandhaus. The announcement that Chailly had been appointed the Lucerne Festival Orchestra’s next music director, effective from the start of the 2016 festival, meant that the writing was on the Gewandhaus wall. He's done excellent work there and in our poll of critics today (which Chailly topped as Best Conductor), the Gewandhaus ranked as the 4th Best Orchestra in the World (up from 17th when Gramophone ran a similar poll in 2008) - a significant marker as to how far the Leipzig Gewandhaus' star has risen.

              Which are the greatest orchestras and conductors according to the professional critics? Bachtrack presents the top ten orchestras in the world.
              Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

              Comment

              • verismissimo
                Full Member
                • Nov 2010
                • 2957

                #8
                Originally posted by Stanfordian View Post
                I felt the Gewandhaus Leipzig and Maestro Chailly were a marvellous team, so it's sad news for me. I greatly admire their Beethoven and Brahms cycles of symphonies, the Brahms Serenades and the Schumann symphonies in the Mahler edition.
                Top of the list, for me, his Mendelssohn... Leipzig legacy...

                Comment

                • gurnemanz
                  Full Member
                  • Nov 2010
                  • 7391

                  #9
                  Odd that a couple of years ago he committed to 2020. Giving them only a year to find a replacement is surely not helpful with potential candidates most likely to be unable to commit in time - Alan Gilbert, Andris Nelsons, Gustavo Dudamel have been mentioned maybe with with Herbert Blomstedt (88 years old) doing a stand-in stint.

                  Comment

                  • Il Grande Inquisitor
                    Full Member
                    • Mar 2007
                    • 961

                    #10
                    Originally posted by gurnemanz View Post
                    Odd that a couple of years ago he committed to 2020. Giving them only a year to find a replacement is surely not helpful with potential candidates most likely to be unable to commit in time
                    I believe the Gewandhaus is announcing Chailly's successor on Wednesday. None of your Berlin Phil smoke and mirrors for Leipzig...
                    Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

                    Comment

                    • bluestateprommer
                      Full Member
                      • Nov 2010
                      • 3010

                      #11
                      Originally posted by gurnemanz View Post
                      Odd that a couple of years ago he committed to 2020. Giving them only a year to find a replacement is surely not helpful with potential candidates most likely to be unable to commit in time - Alan Gilbert, Andris Nelsons, Gustavo Dudamel have been mentioned maybe with with Herbert Blomstedt (88 years old) doing a stand-in stint.
                      From looking at the LGO's concert calendar for this coming season, the two "big names" that stand out are ones where I would be thrilled if the orchestra chooses one (Semyon Bychkov), and where I would be very worried about the other (Alan Gilbert). Ulf Schirmer is music director of Leipzig Opera, where the LGO is the pit band, so I don't know if he would be a consideration. Of course, any orchestra needs to search for its next boss when they've hired the last one, i.e. they always need to be in perpetual search mode for just such bombshells as this one from Chailly. With the New York Phil, the LGO now shoots to the top of the list as probably the biggest prize now open in the conducting world (no disrespect to the CBSO, of course).

                      For IGI's comment, where did you hear that about an announcement this week? (Unless it was meant as snark....)

                      Comment

                      • Demetrius
                        Full Member
                        • Sep 2011
                        • 276

                        #12
                        Originally posted by bluestateprommer View Post
                        From looking at the LGO's concert calendar for this coming season, the two "big names" that stand out are ones where I would be thrilled if the orchestra chooses one (Semyon Bychkov), and where I would be very worried about the other (Alan Gilbert). Ulf Schirmer is music director of Leipzig Opera, where the LGO is the pit band, so I don't know if he would be a consideration. Of course, any orchestra needs to search for its next boss when they've hired the last one, i.e. they always need to be in perpetual search mode for just such bombshells as this one from Chailly. With the New York Phil, the LGO now shoots to the top of the list as probably the biggest prize now open in the conducting world (no disrespect to the CBSO, of course).

                        For IGI's comment, where did you hear that about an announcement this week? (Unless it was meant as snark....)
                        When Chailly had to be replaced due to injury, Alan Gilbert got the nod for several concerts, so that might be an indication.

                        Comment

                        • Darkbloom
                          Full Member
                          • Feb 2015
                          • 706

                          #13
                          Originally posted by Demetrius View Post
                          When Chailly had to be replaced due to injury, Alan Gilbert got the nod for several concerts, so that might be an indication.
                          Let's hope not. A fine orchestra like that deserves more than a lifeless routinier. His Beethoven 9 last year was singularly uninspiring, but some people find that sort of thing agreeable. Especially people who are in charge of appointments and naturally gravitate towards smiley mediocrities who don't rock the boat.

                          Comment

                          • Sir Stanford

                            #14
                            Originally posted by Darkbloom View Post
                            Let's hope not. A fine orchestra like that deserves more than a lifeless routinier. His Beethoven 9 last year was singularly uninspiring, but some people find that sort of thing agreeable. Especially people who are in charge of appointments and naturally gravitate towards smiley mediocrities who don't rock the boat.
                            Hiya Darkbloom,

                            A couple of seasons ago I attended a concert given the visiting NYPO in Munich and Alan Gilbert conducted a most lacklustre performance of the Beethoven 'Eroica' Symphony.

                            Comment

                            • Demetrius
                              Full Member
                              • Sep 2011
                              • 276

                              #15
                              The choice will likely be a relatively conservative in regard to his/her preferred repertoire, Gilbert would fit in that regard, too.



                              "Am nächsten Mittwoch schon soll der 20. Gewandhauskapellmeister verkündet werden." Next Wednesday, so tomorrow. The article suggests that Chailly did not step down before the next candidate was found and confirmed. The article also suggests Nelsons, which would be brilliant, but I don't think that will happen (and the article suggests more arguments against than for that event as well).

                              Other candidates mentioned: Christoph Eschenbach, Semyon Bychkov, Vladimir Jurowski and Gilbert.

                              Like the BPO, the Gewandhaus has a tradition of relatively long reigns; possibly, they would rather go for a younger option than Bychkov, though of course a conductor in his early 60s could still fill the post for 10 years or more.
                              Last edited by Demetrius; 08-09-15, 17:18.

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