Lady Macbeth of Mtsensk

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  • mahlerei
    Full Member
    • Jun 2015
    • 357

    Lady Macbeth of Mtsensk

    I've long admired the Rostropovich/Vishnevskaya recording of this masterpiece but now feel like hearing sn alternative. What do boarders think of Chung, Metzmacher et al? Incidentally, Mark Wigglesworth is conducting it at ENO next month; that could be rather special.
  • BBMmk2
    Late Member
    • Nov 2010
    • 20908

    #2
    This is something that I do not know yet. Hasn't Gergiev recorded, Kirov, possibly?
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

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    • mahlerei
      Full Member
      • Jun 2015
      • 357

      #3
      Originally posted by Brassbandmaestro View Post
      This is something that I do not know yet. Hasn't Gergiev recorded, Kirov, possibly?
      Hi BBM

      Don't think so. He has done a terrific recording of The Nose, though.

      Comment

      • BBMmk2
        Late Member
        • Nov 2010
        • 20908

        #4
        Originally posted by mahlerei View Post
        Hi BBM

        Don't think so. He has done a terrific recording of The Nose, though.
        That5's probably what I am thinking. Must investigate! :)

        Any other takers?
        Don’t cry for me
        I go where music was born

        J S Bach 1685-1750

        Comment

        • Petrushka
          Full Member
          • Nov 2010
          • 12263

          #5
          I'm ashamed to say that the Rostropovich/Vishnevskaya recording has been sitting totally unplayed on my shelves since I had it in 2003. Perhaps it's the thought of trying to follow two and a half hours of Russian libretto that is putting me off.

          It's probably the most central opus in Shostakovich's output given the consequences for the rest of his work so I feel doubly ashamed.
          "The sound is the handwriting of the conductor" - Bernard Haitink

          Comment

          • Anna

            #6
            The 2004 Richard Jones production, ROH, Pappano with Katarina Dalayman was on R3 wasn't it? I thought that a terrific one (I've a copy, probably illegal!) I also have the Rostroprovich and another ROH Pappano with Eva-Maria Westbrook. It's one of the few operas I actually like. You should give it a whirl BBM - and dust off your copy Petrushka.
            Edit: If it's the EMI Classics edition Pet then the libretto is in English/French/German in the accompanying book.
            Last edited by Guest; 16-08-15, 09:38. Reason: just looked at libretto

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            • ferneyhoughgeliebte
              Gone fishin'
              • Sep 2011
              • 30163

              #7
              Originally posted by Anna View Post
              You should give it a whirl BBM - and dust off your copy Petrushka.
              - and so should I: it's been yonks since I last listened to it. I don't generally like Chung's work, so have avoided his recording; I do, however, greatly admire Metzmacher, and didn't know he'd recorded the opera: shall investigate - Slava and Galina are at the top of their game, but it's a work that's bigger than any individual performance.

              I saw the ENO production in the early '80s - and I have a (probably unplayable now) videotape of the television broadcast of that somewhere. Superb work.
              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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              • rauschwerk
                Full Member
                • Nov 2010
                • 1481

                #8
                Originally posted by Petrushka View Post
                I'm ashamed to say that the Rostropovich/Vishnevskaya recording has been sitting totally unplayed on my shelves since I had it in 2003. Perhaps it's the thought of trying to follow two and a half hours of Russian libretto that is putting me off.

                It's probably the most central opus in Shostakovich's output given the consequences for the rest of his work so I feel doubly ashamed.
                I saw the ENO production and admired it a great deal. I owned CDs of the Chung version and after hearing it a few times got rid of it. I didn't feel ashamed in the least.

                Comment

                • umslopogaas
                  Full Member
                  • Nov 2010
                  • 1977

                  #9
                  My 2010 Penguin Guide praises the Opus Arte DVD version conducted by Mariss Jansons, as well as the Rostropovich recording.

                  I have the Rostropovich recording on LP, worth owning just for the cover photo of Galina Vishnevskaya sitting next to a samovar with a look in her eye that suggests more than a cup of tea. I also have an LP of Katerina Ismailova, the composer's 1963 revision of the score, according to the booklet. The conductor is Gennady Provatorov. I dont know if it ever made it to CD.

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                  • ferneyhoughgeliebte
                    Gone fishin'
                    • Sep 2011
                    • 30163

                    #10
                    Originally posted by umslopogaas View Post
                    Katerina Ismailova, the composer's 1963 revision of the score, according to the booklet. The conductor is Gennady Provatorov. I dont know if it ever made it to CD.
                    I don't know if that particular version ever reached CD, but there are two (?at least?) other versions of the revision around:



                    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                    • Richard Tarleton

                      #11
                      Originally posted by Brassbandmaestro View Post
                      This is something that I do not know yet. Hasn't Gergiev recorded, Kirov, possibly?
                      They did a terrific concert performance during their June 1999 Barbican season.

                      Comment

                      • mahlerei
                        Full Member
                        • Jun 2015
                        • 357

                        #12
                        Originally posted by Richard Tarleton View Post
                        They did a terrific concert performance during their June 1999 Barbican season.
                        Richard

                        Thanks for that. I imagine a Gergiev/Mariinsky recording will follow at some point.

                        Petrushka

                        The ENO libretto should be more comfortable to read. Not only is the EMI CD libretto beyond me now it's also come away from the spine.

                        Comment

                        • Petrushka
                          Full Member
                          • Nov 2010
                          • 12263

                          #13
                          Originally posted by mahlerei View Post
                          The ENO libretto should be more comfortable to read. Not only is the EMI CD libretto beyond me now it's also come away from the spine.
                          Thanks for the steer towards the ENO libretto.

                          Anna, yes it is the EMI Classics version I have and I've just taken another look at the booklet. The print is probably a tad too small to cope with nowadays with any comfort so will investigate the ENO book and finally give the set a long overdue airing.
                          "The sound is the handwriting of the conductor" - Bernard Haitink

                          Comment

                          • Stanley Stewart
                            Late Member
                            • Nov 2010
                            • 1071

                            #14
                            I am fortunate in having three productions of Lady M of Mtsensk on DVD which also have the advantage of subtitles:Netherlands Opera (2006) with the Concertgebouw/ Mariss Jansons and the ROH production, Antonio Pappano, in the same year, both productions have the bonus of Eva Maria Westbroek as Katerina Ismailova.

                            Must now rummage for my off-air video/now DVD, of the ENO 1987 production staged by the Power House management with David Pountney's flair for inventiveness and expressionism matched by the energy of Mark Elder in the orchestra pit. Josephine Barstow tackled Katerina, singing the role with power, conveying every facet of the character, hateful yet tragic. I still recall the high voltage of her performance at the Coliseum which I classify as that 'little something extra'. However, a search must be postponed until my bungalow renovations have been completed - a state of chassis here! - but I've enjoyed the diversion of a taster of Elaine Padmore's ROH production.

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                            • Pulcinella
                              Host
                              • Feb 2014
                              • 10976

                              #15
                              Have got tickets for the Saturday 17 October (early start) performance, so need to do my homework by listening to my recording (EMI) and reading the libretto (in translation!).

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