What Classical Music Are You listening to Now? IV

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  • Roger Webb
    Full Member
    • Feb 2024
    • 722

    Originally posted by Petrushka View Post
    For a significant birthday, I recently purchased a set of the complete Beethoven symphonies given live in Tokyo in April 1966 by the Berlin Philharmonic and Herbert von Karajan. They are stereo SACD Hybrid discs and sound absolutely fantastic, way, way better than any of Karajan's official recorded cycles. The orchestra is beautifully balanced between strings, woodwind, brass and timpani in a very clear acoustic (the Bunkakaikan, Tokyo).

    This is a complete revelation to anyone who knows only the officially recorded cycles and heads my list of Karajan/Beethoven recordings.

    I bought it from an eBay seller in Japan and while it wasn't cheap, it's worth every penny.

    If anyone is interested a quick Google search will find it.

    I've played symphonies 4, 5, 6 and 7 so far.
    Whilst browsing for your set, I found this which coincides with his second DG set which is probably my favourite set of Beethoven syms.... I wonder what this is like - you get two PCs as well, but no indication who the pianist was.

    Comment

    • Pulcinella
      Host
      • Feb 2014
      • 10250

      Originally posted by Roger Webb View Post

      Whilst browsing for your set, I found this which coincides with his second DG set which is probably my favourite set of Beethoven syms.... I wonder what this is like - you get two PCs as well, but no indication who the pianist was.

      https://www.ebay.co.uk/itm/315109035962
      Weissenberg?
      (Result of a bit of Googling: there are YouTube links to PC3 and PC5 1977 Karajan Tokyo.)

      ベートーヴェン: ピアノ協奏曲 第3番 ハ短調 Op.37 アレクシス・ワイセンベルク (ピアノ) ヘルベルト・フォン・カラヤン(指揮) ベルリン・フィルハーモニー管弦楽団 1977年11月14日、東京 普門館におけるライブ録音 Ludwig van Beethoven: Piano Concerto No.3 ...


      ベートーヴェン:ピアノ協奏曲 第5番 変ホ長調 Op.73「皇帝」アレクシス・ワイセンベルク (ピアノ)ヘルベルト・フォン・カラヤン(指揮)ベルリン・フィルハーモニー管弦楽団1977年11月17日、東京 普門館におけるライブ録音Ludwig van Beethoven: Piano Concerto No. 5...

      Comment

      • Roger Webb
        Full Member
        • Feb 2024
        • 722

        Originally posted by Pulcinella View Post

        Weissenberg?
        (Result of a bit of Googling: there are YouTube links to PC3 and PC5 1977 Karajan Tokyo.)

        ベートーヴェン: ピアノ協奏曲 第3番 ハ短調 Op.37 アレクシス・ワイセンベルク (ピアノ) ヘルベルト・フォン・カラヤン(指揮) ベルリン・フィルハーモニー管弦楽団 1977年11月14日、東京 普門館におけるライブ録音 Ludwig van Beethoven: Piano Concerto No.3 ...


        https://www.youtube.com/watch?v=4ZPTDHtMqlw
        Thanks Pulcinella, I'm wondering if these '77 and the '66 syms are taken from radio broadcasts...I can just see a Tokyo FM sticker on the '77 box. As for the '66 set I'm not sure Japan had stereo FM back then...we didn't. Interesting though.

        Comment

        • Petrushka
          Full Member
          • Nov 2010
          • 12012



          This is the one. I can't seem to find it on ebay anymore.

          I've also got the 1977 Tokyo cycle but the earlier one is much better. Both cost an arm and a leg (well an arm) but that doesn't matter to the geeky collector!
          "The sound is the handwriting of the conductor" - Bernard Haitink

          Comment

          • Roger Webb
            Full Member
            • Feb 2024
            • 722

            Originally posted by Petrushka View Post
            https://www.hraudio.net/showmusic.php?title=14220

            This is the one. I can't seem to find it on ebay anymore.

            I've also got the 1977 Tokyo cycle but the earlier one is much better. Both cost an arm and a leg (well an arm) but that doesn't matter to the geeky collector!
            Looks like radio broadcast doesn't it....and with Gundula Janowitz and Matti Talvela in the 9th.

            This is the one you have isn't it?

            Berliner Philharmoniker. Conductor: Herbert von Karajan. Overture to Collin's Coriolan in C Minor, Op. 62, 'Coriolan Overture'. Ludwig van Beethoven. Leonore Overture No. 3, Op. 72b. Disc 1 (1st night, April 12, 1966, Tokyo Bunka-Kaikan).


            Comment

            • Petrushka
              Full Member
              • Nov 2010
              • 12012

              Originally posted by Roger Webb View Post

              Looks like radio broadcast doesn't it....and with Gundula Janowitz and Matti Talvela in the 9th.

              This is the one you have isn't it?

              Berliner Philharmoniker. Conductor: Herbert von Karajan. Overture to Collin's Coriolan in C Minor, Op. 62, 'Coriolan Overture'. Ludwig van Beethoven. Leonore Overture No. 3, Op. 72b. Disc 1 (1st night, April 12, 1966, Tokyo Bunka-Kaikan).

              Yes, that's it. I couldn't find it on ebay for some reason.

              (And my 12,000th post too!!)
              "The sound is the handwriting of the conductor" - Bernard Haitink

              Comment

              • richardfinegold
                Full Member
                • Sep 2012
                • 7338

                Originally posted by Petrushka View Post
                For a significant birthday, I recently purchased a set of the complete Beethoven symphonies given live in Tokyo in April 1966 by the Berlin Philharmonic and Herbert von Karajan. They are stereo SACD Hybrid discs and sound absolutely fantastic, way, way better than any of Karajan's official recorded cycles. The orchestra is beautifully balanced between strings, woodwind, brass and timpani in a very clear acoustic (the Bunkakaikan, Tokyo).

                This is a complete revelation to anyone who knows only the officially recorded cycles and heads my list of Karajan/Beethoven recordings.

                I bought it from an eBay seller in Japan and while it wasn't cheap, it's worth every penny.

                If anyone is interested a quick Google search will find it.

                I've played symphonies 4, 5, 6 and 7 so far.
                I was unable to find this after a quick search. If someone could provide the actual link I would be grateful.
                The 63 set on Blu Ray has slowly become my go to set

                Comment

                • pastoralguy
                  Full Member
                  • Nov 2010
                  • 7622

                  Schubert. Piano Sonata in Bb D.960.

                  Clifford Curzon. DECCA. An original 1987 cd. Charity shop find.

                  Wonderful playing.

                  Comment

                  • silvestrione
                    Full Member
                    • Jan 2011
                    • 1628

                    Originally posted by Petrushka View Post
                    For a significant birthday, I recently purchased a set of the complete Beethoven symphonies given live in Tokyo in April 1966 by the Berlin Philharmonic and Herbert von Karajan. They are stereo SACD Hybrid discs and sound absolutely fantastic, way, way better than any of Karajan's official recorded cycles. The orchestra is beautifully balanced between strings, woodwind, brass and timpani in a very clear acoustic (the Bunkakaikan, Tokyo).

                    This is a complete revelation to anyone who knows only the officially recorded cycles and heads my list of Karajan/Beethoven recordings.

                    I bought it from an eBay seller in Japan and while it wasn't cheap, it's worth every penny.

                    If anyone is interested a quick Google search will find it.

                    I've played symphonies 4, 5, 6 and 7 so far.
                    Oh no, go away...How can I afford that? Sounds marvellous. (But so does the 2014 remastering of the 1963 studio set, though i am excited by your description of the balance in the Japan set)

                    Comment

                    • Roger Webb
                      Full Member
                      • Feb 2024
                      • 722

                      Originally posted by richardfinegold View Post

                      I was unable to find this after a quick search. If someone could provide the actual link I would be grateful.
                      The 63 set on Blu Ray has slowly become my go to set
                      Have a look at #185.... But here's it again....

                      Berliner Philharmoniker. Conductor: Herbert von Karajan. Overture to Collin's Coriolan in C Minor, Op. 62, 'Coriolan Overture'. Ludwig van Beethoven. Leonore Overture No. 3, Op. 72b. Disc 1 (1st night, April 12, 1966, Tokyo Bunka-Kaikan).


                      Or this.....

                      Find many great new & used options and get the best deals for Karajan Berliner Philharmoniker tour in Japan 1966 Beethoven Symphonies 5CD F/S at the best online prices at eBay! Free delivery for many products.

                      Comment

                      • richardfinegold
                        Full Member
                        • Sep 2012
                        • 7338

                        Originally posted by Roger Webb View Post

                        Thanks Pulcinella, I'm wondering if these '77 and the '66 syms are taken from radio broadcasts...I can just see a Tokyo FM sticker on the '77 box. As for the '66 set I'm not sure Japan had stereo FM back then...we didn't. Interesting though.
                        Thanks for the link and yes I am also concerned about the issue of stereo in 1966 in Japan. Perhaps Petrushka can help here?

                        Comment

                        • richardfinegold
                          Full Member
                          • Sep 2012
                          • 7338

                          This might be a good place to discuss the merits of the Karajan sixties vs seventies cycle. I remember the critical response to the later set was somewhat mixed. There was a lot of “why did he bother “ “he sounds on autopilot “ written. I eventually got around to exploring and admiring the earlier set.
                          I picked up a second hand CD of 5/6 from the seventies set and was hugely impressed. The orchestra sounds just that much more potent and it strike me as mannered in the least. I also streamed the 9th from the seventies and was similarly impressed.
                          The live Karajan recordings that I have obtained from St. Laurent studio, all dating from seventies FM broadcasts, have all impressed me for the energy that live performances have vs the studio performances. They are valuable supplements to the studio versions. So I might purchase the less costly seventies version on offer here.

                          Comment

                          • Petrushka
                            Full Member
                            • Nov 2010
                            • 12012

                            Originally posted by richardfinegold View Post

                            Thanks for the link and yes I am also concerned about the issue of stereo in 1966 in Japan. Perhaps Petrushka can help here?
                            Provenance is a vexed question when buying 'unofficial' recordings and I understand that.

                            To take the two sets in reverse, the 1977 Tokyo discs were recorded by Tokyo FM and, good as it is, does sound like a radio recording. It clearly sounds typical of the BPO of that time.

                            The 1966 set is issued by King International but, alas, the booklet is entirely in Japanese and there is no information as to exactly what these are. However, having said that, from the evidence of the performances themselves this is without doubt the Berlin Philharmonic. By 1966 the orchestra hadn't been fully 'Karajanised' with the rich, full string tone that became their hallmark. The woodwind, nicely balanced, are absolutely the BPO, especially oboe and flute. Also typical of the BPO is the crisp timpani attack. Comparison with the Cluytens cycle will show what I mean. Also notable are the absence of repeats which is usual for Karajan and familiar from his official cycles.

                            In sum, what I think we have in the 1966 set is a live recording of the concerts but not a radio broadcast. The sound is just too good to be derived from radio and would explain why they are in stereo. Is anyone with knowledge of Japanese practice able to confirm if this is the likely case? Whatever, it is a revelation.
                            Last edited by Petrushka; 18-06-24, 13:54.
                            "The sound is the handwriting of the conductor" - Bernard Haitink

                            Comment

                            • smittims
                              Full Member
                              • Aug 2022
                              • 3340

                              Othmar Schoeck, Cello Concerto.

                              Schoeck was a Swiss composer, early 20th cent. romantic. His music has a gently-sighing melancholy , stemming from his personality, which involved him in unsatisfying love affairs. This concerto is a long-time favourite of mine. There's also a violin concerto and some songs.

                              Comment

                              • richardfinegold
                                Full Member
                                • Sep 2012
                                • 7338

                                Originally posted by Petrushka View Post

                                Provenance is a vexed question when buying 'unofficial' recordings and I understand that.

                                To take the two sets in reverse, the 1977 Tokyo discs were recorded by Tokyo FM and, good as it is, does sound like a radio recording. It clearly sounds typical of the BPO of that time.

                                The 1966 set is issued by King International but, alas, the booklet is entirely in Japanese and there is no information as to exactly what these are. However, having said that, from the evidence of the performances themselves this is without doubt the Berlin Philharmonic. By 1966 the orchestra hadn't been fully 'Karajanised' with the rich, full string tone that became their hallmark. The woodwind, nicely balanced, are absolutely the BPO, especially oboe and flute. Also typical of the BPO is the crisp timpani attack. Comparison with the Cluytens cycle will show what I mean. Also notable are the absence of repeats which is usual for Karajan and familiar from his official cycles.

                                In sum, what I think we have in the 1966 set is a live recording of the concerts but not a radio broadcast. The sound is just too good to be derived from radio and would explain why they are in stereo. Is anyone with knowledge of Japanese practice able to confirm if this is the likely case? Whatever, it is a revelation.
                                That’s helpful, but it is very unusual to have live stereo recordings from that era

                                Comment

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