A new 4-part documentary series on the LPO starts on 13 March, on Sky Arts (available on Freeview/Freesat without extra charge).
LPO on Sky Arts
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Originally posted by Nick Armstrong View PostA new 4-part documentary series on the LPO starts on 13 March, on Sky Arts (available on Freeview/Freesat without extra charge).
https://slippedisc.com/2024/02/londo...series-on-sky/
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Thanks.We don't often get a chance to see behind the scenes, and I suspect that many people who just listen to CDs have little idea of how much hard work there is in putting on orchestral music.
I had hoped it would cover the fascinating history of this orchestra, but as it is, it will be interesting.
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This will include the full performance of Mahler 2. Watch out for a guest appearance by Roddy Williams among the bass section of the LPC and a very moving performance of Urlicht by Beth Taylor - she has a stellar career ahead of her.
The LPO is getting better and better. The chemistry with Ed Gardner is palpable.
Watch out also for an electrifying Creation on March 13th.
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Originally posted by Nick Armstrong View PostA new 4-part documentary series on the LPO starts on 13 March, on Sky Arts (available on Freeview/Freesat without extra charge).
https://slippedisc.com/2024/02/londo...series-on-sky/
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Originally posted by LMcD View Post
I've just watched the first episode, which I found absolutely fascinating.
It’s recorded and I’m looking forward to watching.
Oddly, my ‘series record’ setting yielded two programmes yesterday - had to investigate before realising that an early-morning showing had been recorded as well as the evening transmission - both of episode 1 of 4."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Enjoyable programme, mercifully free of the inanities to which most programmes on classical music are prone. Longer musical extracts and intelligent remarks from the players were revealing along with the absolute dedication shown by the orchestral rank and file, many of whom literally gave up their jobs just to audition for the LPO. Ed Gardner, for all his boyish good looks is clearly a driven individual with little if any in the way of small talk. This makes it difficult to hang a storyline to the series but means that the programme makers, so far, have little choice but to focus on the music. Alison et al need not fear; the future of the LPO is in safe hands.
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I binged 3 episodes last night and I'm saving the 'performance' for later. Intelligent, articulate contributions from all the players they chose to feature (I wonder how they made the selections?) It's easy to confect, I suppose, but there did seem to be a general warmth and camaraderie among the players. I thought the new co-principal leader Alice Ivy-Pemberton was wonderful (probably for all the wrong reasons...)
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