Pappano's Classical Voices
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Originally posted by aeolium View PostThere is something about the bass voice which has an effect on the listener more powerful than any other type of voice, not only because of the qualities which Pappano described, but also because it seems to come from some primeval, subterranean origin.
Terrific
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Originally posted by Barbirollians View PostI agree with your analysis of the programme which was excellent but this is very contentious ! I have never heard a bass whose voice affects me like Ferrier, Callas , Gobbi or Gigli for example . Magnificent as many are .
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Originally posted by aeolium View PostThere is something about the bass voice which has an effect on this listener more powerful than any other type of voice, not only because of the qualities which Pappano described, but also because it seems to come from some primeval, subterranean origin.
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Richard Tarleton
Another terrific programme. I've particularly enjoyed the last two.
I was grateful for that early film of DFD singing Der Erlkönig so subtly, and for AP's analysis - it's a song that can easily descend into bathos in the hands of a lesser artist, i.e. just about anybody else.
I liked the description of Bastianini's acting as "traditional" - what a voice.
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I found this programme rather hard going, presumably because of my lack of real interest in baritones or, especially, basses. I think Pappano gave me a clue to my dislike when he described Bastianini as an 'alpha male'. I prefer something a bit more subtle
I do admire John Tomlinson, and the Russian oktavists were new to me. I was surprised to find myself admiring DFD's Erlkönig. I often find his singing over-studied, almost pedantic, but it seemed to work in this terrifying song.
Paul Robeson I remember from 78s, which I think belonged to my grandfather, though it might have been my mother. She liked bass voices. He is the sound of my childhood, along with Ferrier, Isobel Baillie and (of course) Ernest Lough singing 'O for the wings of a dove'.
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Richard Tarleton
Originally posted by Mary Chambers View PostI found this programme rather hard going, presumably because of my lack of real interest in baritones or, especially, basses. I think Pappano gave me a clue to my dislike when he described Bastianini as an 'alpha male'. I prefer something a bit more subtle
I do admire John Tomlinson, and the Russian oktavists were new to me. I was surprised to find myself admiring DFD's Erlkönig. I often find his singing over-studied, almost pedantic, but it seemed to work in this terrifying song.
Paul Robeson I remember from 78s, which I think belonged to my grandfather, though it might have been my mother. She liked bass voices. He is the sound of my childhood, along with Ferrier, Isobel Baillie and (of course) Ernest Lough singing 'O for the wings of a dove'.
Those were the sounds of my childhood too. We had a 45 of Paul Robeson singing Deep River/Lazybones, various Ferrier, John McCormack, and E Lough a regular on Your 100 Best Tunes which was my mother's favourite prog.
For bathos in Erlkonig, try Terfel on his first [only?] Schubert CD, with Malcolm Martineau.
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It wasn't a Prom looked more like the stage of the RFH - that led me to proms archive and I was astonished to see that Sea Pictures was absent from 1959 when Norma Proctor sang three songs until 1978 Janet Baker did not not sing them there until 1982 and then sang them again with Pritchard in 1984 on the First Night which I think I vaguely remember
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Originally posted by Richard Tarleton View PostI liked the description of Bastianini's acting as "traditional" - what a voice.
Try this, from Vienna. Nemico della patria from Andrea Chenier.
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Originally posted by aeolium View PostThe piece on the Russian orthodox tradition was fascinating too, with the voice of the rare octavists.
(I note also that costs seem to have been kept down by recording Vladimir Miller whilst on a visit to London.)
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Originally posted by subcontrabass View PostIt seems hard to credit that there are currently only three in the whole of Russia. I have met and heard the other one from St Peterburg. He and Vladimir Miller have in common that they are very tall, and that most of the extra height is in the body rather than in the legs. This gives them a larger than usual chest cavity to act as a resonator.
Kaigal-ool Khovalyg from Huun Huur Tu is a very small man indeed and can sing lower than anyone I've ever met
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Originally posted by Mary Chambers View Post. . . I was surprised to find myself admiring DFD's Erlkönig. I often find his singing over-studied, almost pedantic, but it seemed to work in this terrifying song. . .My life, each morning when I dress, is four and twenty hours less. (J Richardson)
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Originally posted by Pianorak View PostSame here. - Wouldn't Paul Robeson perhaps made an oktavist?
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