No, I'm not talking about Death in Paradise (an astonishing 100 episodes of which recently having been celebrated by the commissioner getting shot!), but have been prompted by comments on the Ozawa thread, specifically about Britten's Diversions, commissioned by Paul Wittgenstein.
He famously reserved performing rights (and refused to play at least one piece, which remained unheard until after his death, I think), and I wonder if that has contributed to a certain lower awareness/popularity of some of the works (Ravel's LH concerto being a notable exception).
Have other commissions been similarly affected by the person who commissioned the work not releasing it to other performers?
He famously reserved performing rights (and refused to play at least one piece, which remained unheard until after his death, I think), and I wonder if that has contributed to a certain lower awareness/popularity of some of the works (Ravel's LH concerto being a notable exception).
Have other commissions been similarly affected by the person who commissioned the work not releasing it to other performers?
Comment