New design of piano?

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  • subcontrabass
    Full Member
    • Nov 2010
    • 2780

    New design of piano?

    Pianist and conductor Daniel Barenboim has unveiled a new type of piano, which he says is "radically different" to the standard concert grand.
  • vinteuil
    Full Member
    • Nov 2010
    • 12842

    #2
    ... a 'radical' piano in that it goes back to the roots : straight (parallel) strung rather than over (crossed) strung.

    But why not just replicate the earlier pianos - which Barenboim himself noted had qualities lacking in the modern version.

    There are now many good makers producing replicas of all sorts of pianos ; there are not a few decent original instruments too...

    Not quite sure what this 'new' piano will add - neither one thing nor the other?

    Comment

    • Tony Halstead
      Full Member
      • Nov 2010
      • 1717

      #3
      Why go to all that trouble (and expense) when he could just play a Graf or a Nanette Streicher?

      Comment

      • vinteuil
        Full Member
        • Nov 2010
        • 12842

        #4
        Originally posted by Tony View Post
        Why go to all that trouble (and expense) when he could just play a Graf or a Nanette Streicher?



        ... or an Erard - Pleyel - Broadwood - Franz Brodmann

        Comment

        • Flosshilde
          Full Member
          • Nov 2010
          • 7988

          #5
          Originally posted by vinteuil View Post
          But why not just replicate the earlier pianos
          Possibly because they don't have the "power, looks, evenness of touch, stability of tuning and other technical advantages of the modern piano." which Barenboim presumably wants?

          Comment

          • MrGongGong
            Full Member
            • Nov 2010
            • 18357

            #6
            Pianist Gwendolyn Mok, who plays an 1875 straight-strung Erard piano, has said that such instruments possess superior clarity.
            "If you look inside your own piano, you will notice that the strings are all crossing each other," she told the San Francisco Examiner in 2013.
            "With the straight strung piano you get distinct registral differences - almost like listening to a choir where you have the bass, tenor, alto, and soprano voices.
            "It is very clear and there is no blending or homogenizing of the sound. It therefore gives you huge opportunities in experimenting with colour."


            Said someone who hasn't looked inside a piano

            "the strings are all crossing each other" really ??? why not have a look and see if they are ALL crossing each other?

            Why are people who talk out of their arses allowed to have their pronouncements published?

            and WTF does this mean?

            "It is very clear and there is no blending or homogenizing of the sound"

            No it isn't 'very clear' at all

            (unlike the sky at the moment as I go over the Tay bridge)

            I'm sure this is a wonderful instrument and will be wonderfully played BUT why the guff?

            Comment

            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20570

              #7
              Originally posted by MrGongGong View Post


              Said someone who hasn't looked inside a piano

              "the strings are all crossing each other" really ??? why not have a look and see if they are ALL crossing each other?

              Why are people who talk out of their arses allowed to have their pronouncements published?

              and WTF does this mean?

              "It is very clear and there is no blending or homogenizing of the sound"

              No it isn't 'very clear' at all

              (unlike the sky at the moment as I go over the Tay bridge)

              I'm sure this is a wonderful instrument and will be wonderfully played BUT why the guff?
              MrGG, you know exactly what the writer is trying to say. Don't be mean.

              Comment

              • MrGongGong
                Full Member
                • Nov 2010
                • 18357

                #8
                Originally posted by Eine Alpensinfonie View Post
                MrGG, you know exactly what the writer is trying to say. Don't be mean.
                I'm not always the most articulate of men
                and, unlike some, can't afford an expensive piano
                BUT this is GUFF (politely)

                2:2 borderline fail IMV

                She said that the strings all cross each other
                they don't
                SOME do

                I wonder if she is a member of UKIP ?

                (the North East of Scotland is rather beautiful don't you think dram)

                Comment

                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20570

                  #9
                  Originally posted by Tony View Post
                  Why go to all that trouble (and expense) when he could just play a Graf or a Nanette Streicher?
                  Burn me at the stake, if you like, but I think listening to those early pianos is akin to being punished. This piano attempts to use some of the old methods with the huge benefit of modern developments.

                  Comment

                  • Eine Alpensinfonie
                    Host
                    • Nov 2010
                    • 20570

                    #10
                    "Pianist and conductor Daniel Barenboim has unveiled a new type of piano, which he says is "radically different" to the standard concert grand."

                    DIFFERENT FROM...

                    Comment

                    • MrGongGong
                      Full Member
                      • Nov 2010
                      • 18357

                      #11
                      Originally posted by Eine Alpensinfonie View Post
                      Burn me at the stake, if you like, but I think listening to those early pianos is akin to being punished. This piano attempts to use some of the old methods with the huge benefit of modern developments.
                      I think you should declare your interest



                      (I bet YOU don't have ALPIE in gold letters on yours )
                      Last edited by MrGongGong; 27-05-15, 09:00.

                      Comment

                      • David-G
                        Full Member
                        • Mar 2012
                        • 1216

                        #12
                        The web page of the designer Chris Maene on the new instrument: http://www.chrismaene.be/en/news/chr...ert_grand.aspx

                        Comment

                        • David-G
                          Full Member
                          • Mar 2012
                          • 1216

                          #13
                          Originally posted by MrGongGong View Post


                          Said someone who hasn't looked inside a piano

                          "the strings are all crossing each other" really ??? why not have a look and see if they are ALL crossing each other?

                          Why are people who talk out of their arses allowed to have their pronouncements published?

                          and WTF does this mean?

                          "It is very clear and there is no blending or homogenizing of the sound"

                          No it isn't 'very clear' at all

                          (unlike the sky at the moment as I go over the Tay bridge)

                          I'm sure this is a wonderful instrument and will be wonderfully played BUT why the guff?
                          Apart from her unfortunate choice of wording regarding the strings, Gwendolyn Mok is perfectly correct. I have a Broadwood square of 1804 and a Bluthner grand of 1881 (in which the bass is almost straight-strung), and so I know this from personal experience. The instruments are very clear, and Ms Mok's summary seems pretty clear too.

                          Comment

                          • vinteuil
                            Full Member
                            • Nov 2010
                            • 12842

                            #14
                            Originally posted by Eine Alpensinfonie View Post
                            "Pianist and conductor Daniel Barenboim has unveiled a new type of piano, which he says is "radically different" to the standard concert grand."

                            DIFFERENT FROM...
                            "That different can only be followed by from and not by to is a SUPERSTITION. Not only is to 'found in writers of all ages' (OED); the principle on which it is rejected involves a hasty and ill-defined generalization. ... The fact is that the objections to different to, like those to averse to, sympathy for, & compare to, are mere pedantries. This does not imply that different from is wrong; on the contrary, it is 'now usual' (OED); but it is only so owing to the dead set made against different to by mistaken critics."

                            Modern English Usage [1926]

                            Comment

                            • MrGongGong
                              Full Member
                              • Nov 2010
                              • 18357

                              #15
                              Originally posted by David-G View Post
                              Apart from her unfortunate choice of wording regarding the strings, Gwendolyn Mok is perfectly correct. I have a Broadwood square of 1804 and a Bluthner grand of 1881 (in which the bass is almost straight-strung), and so I know this from personal experience. The instruments are very clear, and Ms Mok's summary seems pretty clear too.
                              I don't think it's clear at all.
                              I know what she means but "very clear" is not a good description of acoustical phenomena.

                              Comment

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