Originally posted by ferneyhoughgeliebte
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Stanford's Piano Concerto No. 2: best British piano concerto of all?
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What a super thread,thanks Cal.
Time for a list,favourite 10 British Piano Concerto cds.
Bliss + Piano Sonata + Concerto for 2 Pianos.Donohoe,Roscoe Naxos.
Rawsthorne 1 & 2 + concerto for 2 Pianos.Tozer,Cisowski,Chandos.
Mackenzie + Tovey.Osborne,Hyperion.
Ireland + Walton Sinfonia Concertante,Bridge Phantasm.Stott,Conifer.
Parry + Stanford No 1 .Lane,Hyperion.
Stanford No 2 + Concert Variations.Fingerhut,Chandos.
Alwyn 1 & 2 + Sonata Alla Toccata.Donohoe,Naxos
RVW + Delius + Finzi Eclogue. Lane,CFP.
Howells 1 & 2 + Penguinski.Shelley,Chandos.
Arnell + Symphony No 2.Owen-Norris,Dutton
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Latest acquisitions -
Bowen PC 2 and 3 - underwhelmed on a first hearing
Ronald Stevenson: PC 1 and 2 - Very taken with it
Arnold: Fantasy on a theme of John Field - Most enjoyable
Bridge: Phantasm for Piano & Orchestra - Bridge can do no wrong in my books.
Marx: Romantisches Klavierkonzert - Jorge Bolet's favourite PC - mystified!
Didn't know the Stanford No. 2 PC - Loved it! - Thanks for mentioning it, Caliban!My life, each morning when I dress, is four and twenty hours less. (J Richardson)
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Originally posted by mrbouffant View PostHow about the Constant Lambert? Spiky.
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Originally posted by EdgeleyRob View PostWhat a super thread,thanks Cal.
Time for a list...
Yes the moggy and the pigeons have had a merry dance!
The fact is that in the orchestral vein, piano concertos are by far and away my favourite genre (other than symphonies themselves).... massively more than concertos for other solo instruments. Don't know if it's because there's more variety, complexity etc thanks to 10 fingers (or even 5*), or if it's because it's the instrument I play...
Anyway, some great avenues opened up - though I still like CVS#2 best
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*Mention of 5 fingers reminds me of a piece not I think yet mentioned in this thread: the other 'British piano concerto' I really love, more than his actual "Piano Concerto", is Britten's Diversions for piano (left hand) and orchestra. What a great piece, need to put that on in the car tomorrow as well as the CVS, for my journey south"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by ahinton View PostI imagine that quite a few others would recognise that a good choice if only they'd actually heard it; it's had few performances so far and it's been played by only a tiny handful of pianists including the composer who, as you'll know, premièred it.
Then there's Sorabji 5 (the only one so far to have been performed)...
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Originally posted by Caliban View Post
*Mention of 5 fingers reminds me of a piece not I think yet mentioned in this thread: the other 'British piano concerto' I really love, more than his actual "Piano Concerto", is Britten's Diversions for piano (left hand) and orchestra. What a great piece, need to put that on in the car tomorrow as well as the CVS, for my journey south
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Originally posted by Bryn View PostRolf Hind played the Bush concerto at the Maida Vale studios in December 2000. It is a recording of that broadcast by which I now this fine work. Sonething for Testament to consider getting their hands on for release?
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I don't think anyone has mentioned Foulds's Dynamic Triptych which for sheer entertainment value knocks many British piano concertos into a cocked hat. It seems to me very well written, too. Strict adherence to a seven note mode in the first movement, moments of quarter-tones in the second and a polyrhythmic toccata to finish. To taste the full flavour of its uninhibited virtuosity, sample Donohoe/Oramo. I very much admire Howard Shelley, but he and Handley are very tame indeed in this piece.
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Originally posted by rauschwerk View PostI don't think anyone has mentioned Foulds's Dynamic Triptych which for sheer entertainment value knocks many British piano concertos into a cocked hat. It seems to me very well written, too. Strict adherence to a seven note mode in the first movement, moments of quarter-tones in the second and a polyrhythmic toccata to finish. To taste the full flavour of its uninhibited virtuosity, sample Donohoe/Oramo. I very much admire Howard Shelley, but he and Handley are very tame indeed in this piece.Last edited by ahinton; 21-04-15, 11:03.
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