Originally posted by Bryn
Where is everyone?
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Richard Barrett
Originally posted by Dave2002 View Postthe fortepiano
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Originally posted by Richard Barrett View PostThis is the thing though - there isn't really such a thing as "the" fortepiano, given that it was under intensive development for a period of well over a century and there was no standardisation in design, or indeed design priorities, during that period. Plus, players tend to go easy on original instruments (as opposed to copies of them) in case they get damaged. Some of the earliest fortepianos in fact sound (to me anyway) more like modern pianos than like the typical Viennese instrument of Mozart's time. But considerably quieter of course!
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Richard Barrett
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Originally posted by Dave2002 View PostAt the Hatchlands concert he also played K333 in B flat. Not much point in worrying about pedalling in those works - the instrument used did not have any pedals as far as I could see, and I don't think there was any way of modifying the sound other than by adjusting how hard and rapidly the keys were depressed. He is a very accomplished (forte)pianist.
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Originally posted by vinteuil View Post... the instrument may well have had knee-levers - genouillères - which are not as visible to the audience.
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Richard Barrett
Originally posted by Beef Oven!Maybe they are all on other sites posting away, leaving this one politics-free.
My current favourite Mahler 9 recording is Abbado with the Lucerne Festival Orchestra - but Mahler is of course like Shakespeare, no single performance can capture all of it. So I wouldn't wish to ignore Maderna, Kubelík, Ančerl, Gielen, Barbirolli and numerous others...
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Originally posted by Richard Barrett View PostNothing is "politics-free", even or especially when it isn't mentioned explicitly.
My current favourite Mahler 9 recording is Abbado with the Lucerne Festival Orchestra - but Mahler is of course like Shakespeare, no single performance can capture all of it. So I wouldn't wish to ignore Maderna, Kubelík, Ančerl, Gielen, Barbirolli and numerous others...
Maderna's M9 was my favourite for a long while, but these days I'm finding Norrington an interesting take. Especially when one agrees that no single performance or indeed approach can capture it all.
I've been bloody baby sitting for the last 7 hours and I'm now free, so I'm off for a nice walk in the Istanbul late afternoon sunshine.
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Originally posted by Beef Oven! View PostWhat sets us apart from the rest of the animal kingdom is that we not only seek to control the external environment, but we seek to control each other. So to say everything is political is to say that all human behaviour is human behaviour. Which isn't saying much.
Originally posted by Beef Oven! View PostMaderna's M9 was my favourite for a long while, but these days I'm finding Norrington an interesting take. Especially when one agrees that no single performance or indeed approach can capture it all.
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Richard Barrett
Originally posted by Beef Oven! View PostWhat sets us apart from the rest of the animal kingdom is that we not only seek to control the external environment, but we seek to control each other.
I was forgetting Norrington; and Nott for that matter. And Sinopoli, and Boulez.
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Originally posted by Richard Barrett View PostIndeed. I would say that one reason why people might not be posting very much of late is that they're being discouraged from posting about the single most prominent news subject in the UK at the moment!
Personally, I would have kept the basement and let it go its own merry way. The infiltration of party politics into threads that have no connection with it is very wearing and I'm afraid needs stronger moderation.
Re-open the basement, start a thread called 'Election 2015' and leave the music and other threads to those who would rather discuss the subject to which they refer."The sound is the handwriting of the conductor" - Bernard Haitink
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