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You started a thread with the same title last year, visnick … did it ever pick up, or are we in terminal decline?
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
...and which of us would want to contribute posts to threads on this forum whil in mid-repast anyway? Worse than checking texts / messages or using the laptop while eating, I'd say...
I'd be all for a greater proportion of discussions of live concerts, though...
The days are all out of synch. I watched three apparently highly intelligent and well informed women eating a kipper for a very late breakfast last night.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
I'd be all for a greater proportion of discussions of live concerts, though...
The last live concert I went to was not one which was broadcast by the BBC, though I suspect a very similar one may have been broadcast recently or be about to be rebroadcast shortly. The performer was Kristian Bezuidenhout playing on a fortepiano at Hatchlands. He played the K332 Mozart sonata in F which I have murdered in the past - though I enjoyed doing so. I do have to say that even in a very small and contained environment, that the fortepiano does sound very quiet, and the sharp changes in dynamics barely work at all on an instrument like that. He played that work at the Wigmore Hall last Monday - 13th April - http://www.bbc.co.uk/programmes/b05qdw80 I haven't listened to that yet, and I don't know what instrument he used there. He may have used one of the Cobbe collection instruments at Hatchlands - though perhaps he travels with his own. I don't know.
At the Hatchlands concert he also played K333 in B flat. Not much point in worrying about pedalling in those works - the instrument used did not have any pedals as far as I could see, and I don't think there was any way of modifying the sound other than by adjusting how hard and rapidly the keys were depressed. He is a very accomplished (forte)pianist.
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