Someone will be telling me that there is a lengthy violin solo in this piece next and that Ida Haendel will be playing it .
Elgar's The Last Judgement.
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Originally posted by Roehre View PostGreat news indeed. Looking forward to it (though I must admit that for me Elgar's oratorios are a bit too much of the good thing - and I cannot really stand Gerontius)
If it's a job in the same category as the 3rd symphony we might be in for some nice surprises....
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Originally posted by Eine Alpensinfonie View PostMuch of the thematic material confirms Elgar's continued us of motivic material used in The Apostles and The Kingdom. It has been known for some time that the prelude was used by the composer for the opening of his 3rd symphony.
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Roehre
Originally posted by ahinton View PostThe Kingdom and The Apostles are to me uneven works each of which have most inspired moments; I have to disagree with your take on Gerontius, which I think is utterly wonderful...
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Originally posted by Roehre View PostI am just waiting for the 3rd symphony should not be called Elgar's third symphony brigade
That said, what exactly are you waiting for this alleged "brigade" to do?
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Roehre
Originally posted by ahinton View Post"....
That said, what exactly are you waiting for this alleged "brigade" to do?
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Originally posted by AjAjAjH View PostHow typical.
Great news spoiled by stupid posts.
I am so pleased to hear this news. For me Elgar's oratorios are a delight - 'The Apostles' in particular and I shall look forward to Anthony Payne's realisation.
That's one heck of a straight face, AjAjAjH !!
Actually, reading on, they're all at it, Alpie!
Originally posted by Eine Alpensinfonie View PostI give up."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostActually, reading on, they're all at it, Alpie![FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostWhat I'm waiting for is a real barny (handbags at ten paces) between Forumistas with vastly different opinions about Elgar's last oratorios - all based on a reconstruction (that hasn't been done) of a work that doesn't exist!
This bit about the Third Symphony is true.
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Originally posted by ferneyhoughgeliebte View PostWhat I'm waiting for is a real barny (handbags at ten paces) between Forumistas with vastly different opinions about Elgar's last oratorios - all based on a reconstruction (that hasn't been done) of a work that doesn't exist!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Roehre View PostStopping performances of Elgar 3, Mahler's orchestrated 10, Mozart's completed Requiem, Schubert's completed unfinished, Beethoven 10, Bruckner's finished 9 etc etc etc etc
It's all as inconsistent as it's daft, of course. In years gone by, one usually only ever heard the first movement of Mahler 10, although even this has been subject to a little subsequent tweaking but, if the rule must be "only what the composer wrote", then why not perform the rest of the symphony as Mahler left it, without the orchestral cloak with which various people have subsequently clothed it (most effectively the final efforts of the Cooke/Matthews×2/Goldschmidt team)? The Schubert and Beethoven examples are indeed questionable, I think, yet in Elgar 3 there was almost sufficient material for a symphony in its 120+ pages of notes and sketches. B ruckner 9 is perhaps an even more complex case inpoint; it was long thought that hardly any of its finale existed in the composer's hand but it has subsequently been discovered that he actually wrote quite a lot of it and it is still suspected by some that not all of what he did write has yet surfaced. And then there's the revision situation; should we only ever be allowed to listen to Rachmaninov's revisions of his first and fourth piano concertos and second piano sonata, or Sibelius's of his fifth symphony (which is almost a new piece altogether)? And what of Bartók's viola concerto and Busoni's final opera Doktor Faust?; should they be banned from the concert and operatic stage respectively and from the recording studio because their respective composers didn't quite manage to get to their final double barlines?
Clearly, this "brigade" of which you write must have materialised from the mind-numbingly gross incompetence of UK armed forces procurement and should accordingly be forced to the front of the queue for defence "rationalisations" (i.e. cutbacks)
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