Originally posted by ahinton
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I just don't like the noise it makes.... (those 'blind spot' pieces)
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Originally posted by cloughie View PostI didn't say all C20th VCs! I have no problem with a few on your list some others I admit I've not heard yet. I guess it's a case of one person's pleasant listening is another's earache!
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Originally posted by ahinton View PostNo, I know that you didn't - but "aural assault" and "a showing off of the violin in an unpleasant way" are not characteristics of many violin concertos that I can think of!
... and the thread's heading is... we all like different noises.
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Originally posted by ahinton View Post... "aural assault" and "a showing off of the violin in an unpleasant way" are not characteristics of many violin concertos that I can think of!
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Originally posted by Pabmusic View PostI'd agree. My feeling (note: this is not a cerebral thing at all) is that any concerto whose principal trait was simply "a showing off of the violin in an unpleasant way" would not last long enough in the repertoire. (Unless it was - say - a Dadaist or similar work that aimed to shock.)
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Originally posted by Pabmusic View PostI'd agree. My feeling (note: this is not a cerebral thing at all) is that any concerto whose principal trait was simply "a showing off of the violin in an unpleasant way" would not last long enough in the repertoire. (Unless it was - say - a Dadaist or similar work that aimed to shock.)
Schönberg (in)famously said of his concerto that he'd added another unplayable one to the repertoire (to which Sorabji's barbed response was that he had in fact subtracted one therefrom) but, although even Heifetz appears to have agreed with him, in this he was clearly wrong, for although it has never featured strongly in the repertoire, it has always had its advocates over the years and, in her already legendary recording, Hilary Hahn has silenced almost all doubters as to its place in the history of the violin concerto; fearsomely difficult as it is, I'm not sure that most would feel especially inclined to claim that it makes such a "showing off" of instrument or performer as those 19th century ones that I mention seem consciously to have done (or at least to have made no effort to avoid doing).
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Originally posted by ahinton View PostBut that's probably at least in part because the score omits a pair of gongs, surely?...
there are few pieces (maybe Three Clarinets, Cello and Piano?) that aren't considerably enhanced by the addition of a Tam Tam (or 6)
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Originally posted by MrGongGong View PostIn the same way that there a very few foods that aren't improved by the addition of some of all of the following....... Garlic, Smoked Paprika, Lime Zest, Anchovies, Olive oil
there are few pieces (maybe Three Clarinets, Cello and Piano?) that aren't considerably enhanced by the addition of a Tam Tam (or 6)
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Originally posted by Richard Barrett View PostDo you know any examples of Dadaist violin concertos???
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Originally posted by ahinton View PostWell, be that as it may (and I'm not about to list arguments against your food example!), I'm not going to be persuaded to revise me string quintet by adding any into its score, if it's all the same to you! Tam-tams in their place/s, say I (and there are undoubtedly plenty of those, as perhaps Messiaen understood as well as most)...
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