Originally posted by MrGongGong
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I just don't like the noise it makes.... (those 'blind spot' pieces)
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Ariosto
Originally posted by MrGongGong View PostBetter not say anything at all apart from "ooooooooo, how lovely"
and
"aaaaaaaah what a wonderful piece"
Are you auditioning for "Radio Mogadon" ? (you know, CFM "Relaxing Classics" ..................mmmmmmmmmmmmm niiiiiice)
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Originally posted by Sir Velo View PostPersonally, I find the Requiem a work of colossal imagination. Ok, it makes certain demands on a 21st century listener which would have been less of a difficulty for 19th century parisians immersed in catholic doctrine. One has to enter the mindset of a good catholic believing wholeheartedly in the day of judgement, realising that the whole fate of one's soul rests on the outcome of the dies irae. Who can fail to be overwhelmed by the great flood of sound as the great day of wrath, summoned by the four brass ensembles as if from the four corners of the world, submerges all the writhing, damned and saved humanity? If ever a work could convert me, this is it. Every time I hear it I have to scrape myself, shattered, off the floor.
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Originally posted by EdgeleyRob View PostMahler 8.
A lot of Nielsen.
Most of Verdi.
All of Faure.
Sibeius I've mentioned many times,but with him I know I'm missing something and I'm sure it's going to click one day.
I suppose I tend not to think in composers but rather in pieces, though if I had to be picky, Bruckner (sorry!) would loom large. So would Webern and Varese. I just can't succeed with them.
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Originally posted by Pabmusic View PostI hope it does, but there's no particular reason why it should. There is so very much music available that everyone's almost bount to have blind spots.
I suppose I tend not to think in composers but rather in pieces, though if I had to be picky, Bruckner (sorry!) would loom large. So would Webern and Varese. I just can't succeed with them.
I tend to think that particular music or a particular piece is not for me now, but may be one day.. Some things of course we used to love, (which was great) but now we can live without.
In 10 years time I may finally come to see the light re the Tchaik VC, the Locatelli Violin Concertos,and Kate Bush. I look forward to that time.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Sir Velo View PostFabulous piece. Liszt's favourite Schubert.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by EdgeleyRob View PostSibeius I've mentioned many times,but with him I know I'm missing something and I'm sure it's going to click one day.
Try Sibelius 1, 2 & 5 before tackling the others and see if it 'clicks' then."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by EdgeleyRob View PostMahler 8.
A lot of Nielsen.
Most of Verdi.
All of Faure.
Sibeius I've mentioned many times,but with him I know I'm missing something and I'm sure it's going to click one day.
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Roehre
Originally posted by Pabmusic View PostI hope it does, but there's no particular reason why it should. There is so very much music available that everyone's almost bount to have blind spots......
Perhaps it has got to do with my personal approach: get yourself acquainted with a composer and his age, reading about background to music helps its appreciation. Putting things in context enriches one's listening experience. Just being nosy, interested etc widens your horizon incredibly.
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