Politics is defined as the exercise of power, surely? That encapsulates not mere election politics, a tiny part of a huge edifice, but office and family politics, and what feminists used (rightly) to call the politics of the personal. We can argue on what such power rests, but surely there's no arguing about the definition?
My feeling, though, is that the reluctance on here to consider what music actually has to do with politics is that oppressive political regimes have often insisted that music must have an explicitly political dimension, say, be on some overt political theme. And they would have good grounds - inasmuch as politics is often narrowly defined in such injunctions, as it is in those who here seek to define the political in music so as to deny it.
But since the much-vaunted idea of "choice" has been raised here, perhaps one should be certain when conditions are likely to arise which are propitious to its exercise. What is happening to Radio 3 musical broadcasting is germane here, I would think... and political, too!
My feeling, though, is that the reluctance on here to consider what music actually has to do with politics is that oppressive political regimes have often insisted that music must have an explicitly political dimension, say, be on some overt political theme. And they would have good grounds - inasmuch as politics is often narrowly defined in such injunctions, as it is in those who here seek to define the political in music so as to deny it.
But since the much-vaunted idea of "choice" has been raised here, perhaps one should be certain when conditions are likely to arise which are propitious to its exercise. What is happening to Radio 3 musical broadcasting is germane here, I would think... and political, too!
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