Simon Rattle and the new London concert hall...
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Originally posted by Dave2002 View PostThat makes more sense - though the possible cost overruns are enormous - as in Hamburg. Much though I, and I hope many here, like classical music, is it really justified to spend that much?
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Originally posted by David-G View Post£500 million is going to be spent on the new Chelsea stadium. It has cost well over £300 million to convert the Olympic Stadium for use by West Ham. Why should a similar amount not be spent on a much-needed concert hall if this is what it costs?
Interesting project, though. It looks from the info in the press, to be a startlingly impressive and attractive ( as these things go) and innovative solution to some really challenging architectural problems. But more than that, in comparison to the alterations at the olympic stadium, or the cost of the Arsenal stadium several years back, the £500m looks like ( relatively) rather good value.
Not sure what that proves, other than that perhaps biding ones time, as Chelsea have done, or had to, may pay dividends.Last edited by teamsaint; 13-01-17, 23:43.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by David-G View Post£500 million is going to be spent on the new Chelsea stadium. It has cost well over £300 million to convert the Olympic Stadium for use by West Ham. Why should a similar amount not be spent on a much-needed concert hall if this is what it costs?
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Originally posted by David-G View PostIt is needed and will transform musical life in London.
There are plenty of concert halls in London already
for one new one we could have many Saffron Halls
The nonsense and puff around this (have you READ the proposal?) are ridiculous
and it's simply an idiotic vanity project that won't transform anything apart from a few egos
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Originally posted by Barbirollians View PostBBM don't you have the Concert Hall in Brighton ? The Brighton philharmonic seem to be able to attract impressive soloists and the LPO are coming twice in the spring
The Congress Theatre in Eastbourne, too, is (or used to be) another "oasis" in that part of East Sussex (don't sit at the very back at the top, though - the tea ladies set out their stall during the finale of the Concerto, and they do like to natter and clatter!). No prizes for architectural eye-pleasing, but the acoustic is fine - again, the memories: LSO/Tilson-Thomas, LPO/Dorati. 'Twas there I heard my only Live Tchaikovsky "Winter Daydreams" (Philharmonia/Serebrier) - the hall was only a third full! Any concerns about New Music not reaching the larger concert-going public dissolved that night: if Tchaikovsky can't draw 'em in ....[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Brassbandmaestro View PostTrue enough but at times their programmes are to say the least conservative, imo. Including the LPO's.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by David-G View PostIt is needed and will transform orchestral musical life in London.
I'd love to see a resurgence well outside London, so that people elsewhere could enjoy culture without having to migrate to the south east which grabs so much of this country's wealth and resources.
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