Modern recorders

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20575

    Modern recorders

    The recorder is a remarkable instrument in that it can produce a two octave chromatic scale with no keywork on most models. In order to achieve this, the instrument has a bore that is considerably wider near the top than it is at the bottom. A downside of this is the relative weakness of the lowest notes.

    Attempts have been made in recent years to increase strength of these bottom notes.

    The Mollenhauer Alto in F (treble recorder) succeeds in boosting the strength of the low notes without impairing the traditional recorder sound. There's a price to pay, of course and the rosewood model costs a hefty £837. Two keys replace the traditional right hand double hole.
    Mollenhauer also produces the Edoly - a pearwood version of the Modern Alto with an electric pickup for amplification.

    Going further along the redesigning path, the Eagle Alto recorder has a considerably wider bore, boosting the sound of the low notes (and higher ones) still further. There's a catch though. It sounds much more like a flute than a recorder, and costs around £1,900, which could buy you several flutes. Now here is the bit I don't like. The Eagle is made in two versions: the Solar (play with a good embouchure and posture) and the Lunar (play with all the errors commonly attributed to struggling beginners).

    Traditionally designed recorders are still vastly more popular than the modern variants, but in view of the fact that the Mollenhauer Alto still sounds like a recorder, I would suggest this might be a better way to go.
  • Richard Barrett

    #2
    Originally posted by Eine Alpensinfonie View Post
    with an electric pickup for amplification
    Interesting... though this somewhat lessens the need for redesigning the bore to give a stronger low register, doesn't it?

    I've written quite a lot for recorders of various shapes and sizes in various (amplified) ensemble settings. It puts me in touch with my enthusiasm for baroque and earlier music (without ending up sounding anything like either of course!). Also it's possible to try out all "extended techniques" (for example multiphonics, which are very easy to produce on recorders) oneself, and get a precise feeling for how they're produced and how they can be further extended.

    Comment

    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20575

      #3
      Originally posted by Richard Barrett View Post
      Interesting... though this somewhat lessens the need for redesigning the bore to give a stronger low register, doesn't it?

      I've written quite a lot for recorders of various shapes and sizes in various (amplified) ensemble settings. It puts me in touch with my enthusiasm for baroque and earlier music (without ending up sounding anything like either of course!). Also it's possible to try out all "extended techniques" (for example multiphonics, which are very easy to produce on recorders) oneself, and get a precise feeling for how they're produced and how they can be further extended.

      Comment

      • Richard Barrett

        #4
        Thanks for the link.

        "an innovative, cool design..."? I think not!

        Comment

        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20575

          #5
          Originally posted by Richard Barrett View Post
          Thanks for the link.

          "an innovative, cool design..."? I think not!
          I have to agree with you.

          Comment

          • Eine Alpensinfonie
            Host
            • Nov 2010
            • 20575

            #6
            Try this link for the Eagle.

            Comment

            • Richard Barrett

              #8
              Originally posted by Eine Alpensinfonie View Post
              But I absolutely love the Mollenhauer alto.
              Yes, I've heard those, they sound wonderful. (Better than anything I have at home for sure!) I see the designer is one Paetzold - I wonder if that's the same Paetzold who created the (extremely expensive!) square-cross-section bass, great bass, contrabass, sub-great bass and subcontrabass recorders bearing that name. These are beautiful-sounding instruments too although for somewhat specialised applications of course...

              Comment

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