Glazunov Symphonies

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  • ahinton
    Full Member
    • Nov 2010
    • 16122

    #46
    Originally posted by teamsaint View Post
    I was suggesting that Glazunov might have influenced Elgar,thinking along the lines only that Glazunov 8 was completed before the first two Elgar Syms.
    Indeed so; I don't know how well Elgar knew Glazunov's work, how often he might have had opportunities to hear performances of it or whether he wrote about it.

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    • teamsaint
      Full Member
      • Nov 2010
      • 25210

      #47
      Originally posted by ahinton View Post
      Indeed so; I don't know how well Elgar knew Glazunov's work, how often he might have had opportunities to hear performances of it or whether he wrote about it.
      There are some suggestions online, ( I think, not had time to look properly since I was listening to Glaz 8) that Elgar might have been well versed in G's works.
      I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

      I am not a number, I am a free man.

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      • ahinton
        Full Member
        • Nov 2010
        • 16122

        #48
        Originally posted by teamsaint View Post
        There are some suggestions online, ( I think, not had time to look properly since I was listening to Glaz 8) that Elgar might have been well versed in G's works.
        That's interesting!

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        • Dave2002
          Full Member
          • Dec 2010
          • 18021

          #49
          Originally posted by teamsaint View Post
          There are some suggestions online, ( I think, not had time to look properly since I was listening to Glaz 8) that Elgar might have been well versed in G's works.
          I couldn't find anything with a quick search, though I did find this rather curioius and opinionated article - http://www.wrightmusic.net/pdfs/alexander-glazunov.pdf - which discounts some of Glazunov's work with virtually no justification or explanation, yet praises some piano sonatas which I've not heard or been aware of. No mention of an Elgar connection in that article. I'll keep looking.

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          • teamsaint
            Full Member
            • Nov 2010
            • 25210

            #50
            Originally posted by Dave2002 View Post
            I couldn't find anything with a quick search, though I did find this rather curioius and opinionated article - http://www.wrightmusic.net/pdfs/alexander-glazunov.pdf - which discounts some of Glazunov's work with virtually no justification or explanation, yet praises some piano sonatas which I've not heard or been aware of. No mention of an Elgar connection in that article. I'll keep looking.
            I had a bit more of a look around, and what little I could find wasn't much more than conjecture.

            Looks like we'll have to resort to using our ears, Dave.
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

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            • ahinton
              Full Member
              • Nov 2010
              • 16122

              #51
              Originally posted by Dave2002 View Post
              I couldn't find anything with a quick search, though I did find this rather curioius and opinionated article - http://www.wrightmusic.net/pdfs/alexander-glazunov.pdf - which discounts some of Glazunov's work with virtually no justification or explanation, yet praises some piano sonatas which I've not heard or been aware of. No mention of an Elgar connection in that article. I'll keep looking.
              I'd give most of that person's writings a very wide berth if I were you; one reason Elgar's not mentioned in it is his pathological hatred of and contempt for Elgar. He can on occasion provide some interesting material but his prejudices are so marked that it's often hard to detect what, if anything, lies between them in his writings.

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              • teamsaint
                Full Member
                • Nov 2010
                • 25210

                #52
                I have found an article which links Glazunov 8 and Elgar 2.

                Over a lifetime that witnessed unprecedented musical and social upheaval in his homeland of Russia, Alexander Glazunov remained resolutely his own man.
                I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                I am not a number, I am a free man.

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                • Dave2002
                  Full Member
                  • Dec 2010
                  • 18021

                  #53
                  Originally posted by teamsaint View Post
                  I have found an article which links Glazunov 8 and Elgar 2.

                  https://www.limelightmagazine.com.au...nder-glazunov/
                  Indeed, but it's speculative - and there's only one line.

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                  • teamsaint
                    Full Member
                    • Nov 2010
                    • 25210

                    #54
                    I suppose the logical next step for anybody interested in this would be to have a listen and give an opinion....
                    I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                    I am not a number, I am a free man.

                    Comment

                    • Dave2002
                      Full Member
                      • Dec 2010
                      • 18021

                      #55
                      You can if you want. I'd say no right now, without actually bothering. I'm not sure if it's possible to access scores - probably not without some effort. I'd still say no. The Elgar work has much more vigour, while the Glazunov is "merely" rather agitated, with a rather miserable edge to it.
                      There's nothing as obvious as the links between Sibelius and Bax.

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                      • Braunschlag
                        Full Member
                        • Jul 2017
                        • 484

                        #56
                        Originally posted by ahinton View Post
                        I'd give most of that person's writings a very wide berth if I were you; one reason Elgar's not mentioned in it is his pathological hatred of and contempt for Elgar. He can on occasion provide some interesting material but his prejudices are so marked that it's often hard to detect what, if anything, lies between them in his writings.
                        I would wholeheartedly agree. For someone who is nebulously ‘thought to be related to Sir Ivor Atkins’ he seems to possess unimpeachable (but rarely supported) personal information on most composers he ‘writes’ about. Unreliable and, to use a fashionable term, toxic.

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                        • ahinton
                          Full Member
                          • Nov 2010
                          • 16122

                          #57
                          Originally posted by Braunschlag View Post
                          I would wholeheartedly agree. For someone who is nebulously ‘thought to be related to Sir Ivor Atkins’ he seems to possess unimpeachable (but rarely supported) personal information on most composers he ‘writes’ about. Unreliable and, to use a fashionable term, toxic.
                          Two wrongs DO make a Wright, as in...

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                          • gradus
                            Full Member
                            • Nov 2010
                            • 5609

                            #58
                            Originally posted by ahinton View Post
                            Two wrongs DO make a Wright, as in...
                            Mr Wright has certainly got the bit between his teeth for Elgar and Britten but his unrelenting style puts me off. He is not afraid of judgements presumably backed up by reliable evidence?
                            Last edited by gradus; 25-03-18, 16:39.

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                            • Stanfordian
                              Full Member
                              • Dec 2010
                              • 9314

                              #59
                              The Glazunov symphonies are lovely works undemanding and never less than agreeable. I feel they deserve to be heard in the concert hall far more than they are. I don't think I've even seen one of the symphonies programmed. His chamber music is damned fine too. I especially enjoy the String Quintet.

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                              • Dave2002
                                Full Member
                                • Dec 2010
                                • 18021

                                #60
                                They are hardly ever performed in the UK, though I think there was a performance of one of them a few years ago - perhaps it was with the RLPO. I'm not sure if they are performed anywhere else either - Russia perhaps. I have been suggesting that we should have performances for years, along with other lesser known composers such as Myaskovsky - who has very occasionally been given an outing by Jurowski, but I keep being told that the "bums on seats" arguments are what drive these things - or not. I recently went to hear a performance of Bartók's piano sonata which was poorly attended. There could have been a variety of reasons for the lack of support, but it was still suggested that the "we know what we like brigade" wouldn't go to a concert if it even included a mere 12-15 minutes of that outrageous composer!

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