Originally posted by EdgeleyRob
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Talking about string quartets
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Richard Barrett
Originally posted by ferneyhoughgeliebte View Post... and Dillon, Schönberg and Schubert.
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Originally posted by ahinton View PostGood question - and I'm so pleased that you've mentioned Mendelssohn Op. 80 because although his earlier five quarets are nothing if not attractive anc craftsmanlike this final one, notwithstanding its rather obvious debt to Beethoven Op. 95, is truly stunning.
Of all those mentioned who have well over a dozen quartets to each of their respective names, Weinberg rises to the top of those examples that have only relatively recently begun to draw the appreciation that they so richly deserve.
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Originally posted by Richard Barrett View PostBut is the medium the "heart and soul" of their music as EdgeleyRob said about Beethoven? In Schoenberg's case maybe. In the cases of Dillon, Schubert, Zemlinsky, Harvey, Holliger, Kagel, Ligeti, Finnissy, Feldman, Tippett, Radulescu surely not to the same extent though all of them wrote at least one standout piece in the genre. (I don't mention Carter because, well, I'm sure his quartets are very good but I really can't stand the sound of them. )
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Originally posted by Richard Barrett View PostBut is the medium the "heart and soul" of their music as EdgeleyRob said about Beethoven? In Schoenberg's case maybe. In the cases of Dillon, Schubert, Zemlinsky, Harvey, Holliger, Kagel, Ligeti, Finnissy, Feldman, Tippett, Radulescu surely not to the same extent though all of them wrote at least one standout piece in the genre. (I don't mention Carter because, well, I'm sure his quartets are very good but I really can't stand the sound of them. )[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Postthink that Schubert's last Quartets are as essential to an understanding of this composer as the last Piano Sonatas or the Winterreise (and more so than the last C major Symphony).
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hedgehog
Berg's Lyric Suite is pretty special too. ( On the same subject of "Intimate Letters", so too Janacek!)
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Originally posted by ferneyhoughgeliebte View PostWell, I would say that Dillon's six (so far) 4tets
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Originally posted by Pianoman View PostFor anyone interested, according to the latest HCMF brochure, the Ardittis are playing all 7 of Dillon's quartets in 2 sessions, Sunday 30 - there will, of course, be an interval (and one ticket covers both sessions...)
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Schumann 3 is the quartet that I listen to most often. I keep the Zehetmair recording of 1 and 3 in the car as they most often reflect/complement how I feel. Occasionally Beethoven too but rarely Mozart but I am susceptible to chamber music and listen to anything by anyone that happens to be broadcast.
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Originally posted by EdgeleyRob View PostSo many string quartets,so little time.
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Although a lot of great quartets were written between Beethoven Op 135 and the great cycles of the 20th century, is it fair to say none of these reached the same great heights,except for maybe Schubert D887 and Mendelssohn Op 80 ?
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Originally posted by Richard Barrett View PostBut is the medium the "heart and soul" of their music as EdgeleyRob said about Beethoven?...
In the case of Mozart, it's his piano concertos and operas
... Schubert, it's his songs
... Janacek, it's his operas
And I'm equally unsure that SQs are the "heart and soul" of Berg, Mendelssohn, Schoenberg,...
I might however nominate Webern.
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[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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