Christopher Hogwood has died

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  • verismissimo
    Full Member
    • Nov 2010
    • 2957

    #16
    Originally posted by Tony View Post
    Christopher Hogwood was an enormously inspirational conductor. Restrained in gesture and economical with words, nevertheless his performances and recordings always felt instinctively 'right' and deeply-felt musically. I had the honour and privilege of playing for him in The Academy of Ancient Music from 1983 to 2009, some of the most enjoyable music-making of my life.
    He wore his immense scholarship lightly, and his concerts and rehearsals were always musically enlightening and 'fun'. There was no sense of personal 'ego' with Chris and although he had a lovely, dignified authority it never ever became authoritarian.
    The musical world will be a much poorer place without Christopher Hogwood.
    R.I.P.
    As Caliban says - perfect tribute, Tony. Thanks.
    I particularly love those revelatory Mozart symphony recordings.

    Comment

    • Roehre

      #17
      A lovely personality, and a great researcher and interpretor - Mozart symphonies never can be played anymore the way they were player before his late1970s/early 1980s pionering recordings (with Neil Zaslaw at his side for the in-debt-research).
      Decca is now for ever to blame for curtailing the Haydn series, based on the same scholarly points of departure as the Mozart series.
      But I love his Stravinsky just as much
      The world is a poorer place without him indeed.

      Met him and his partner a couple of times- Mrs R and I will miss him terribly.

      RIP

      Comment

      • Barbirollians
        Full Member
        • Nov 2010
        • 11400

        #18
        Very sad news indeed . Time for that Coronation Mass . RIP

        Comment

        • EdgeleyRob
          Guest
          • Nov 2010
          • 12180

          #19
          Such a sad loss.
          Mozart Great C Minor Mass here.
          RIP.

          Comment

          • kea
            Full Member
            • Dec 2013
            • 749

            #20
            I've always enjoyed the AAM sound, and consider myself fortunate to have his sadly incomplete Haydn series.

            Now playing some of Martinů's complete music for violin and orchestra—I'd forgotten that he conducted so much 20th century music as well.

            Comment

            • richardfinegold
              Full Member
              • Sep 2012
              • 7339

              #21
              He was one of my favorite Conductors, H.I.P. Or otherwise. I was listening to his Beethoven Symphony cycle just last week. I saw him lead the AAM on tour years ago in Boston. A great loss.

              Comment

              • MickyD
                Full Member
                • Nov 2010
                • 4644

                #22
                This is dreadful news. I count myself as one of his greatest fans, going to concerts throughout the halycon days of the AAM, and being very proud to have helped organise the AAM's Friends Society back in the 80s and writing their newsletter.

                Christopher's scholarliness was matched by his boundless enthusiasm - history truly came alive in his performances and writings.

                As someone has already said, it is unthinkable that we will have no more of his discs - and the non-completion of that fine Haydn cycle is now even more tragic.

                Comment

                • ardcarp
                  Late member
                  • Nov 2010
                  • 11102

                  #23
                  Very, very sad. And may I add my own thanks for all his work in the early days of Early Music Consort with David Munrow, Olly Brooks and James Bowman. I saw them regularly and they were a huge influence on me and countless others in the way Medieval and Renaissance music could be brought to life.
                  Last edited by ardcarp; 25-09-14, 10:12.

                  Comment

                  • Dave2002
                    Full Member
                    • Dec 2010
                    • 17867

                    #24
                    Very sad to hear this news yesterday. I never did get to see/hear him, but I have many of his recordings. I particularly like the Beethoven set, but I also have other sets, such as the Haydn symphonies, which I've not managed to listen right through yet. His recordings include more 20th century works than one might imagine, and he also recorded some Swiss organ concertos, and Niels Gade's symphonies. A great and early loss. RIP.

                    Comment

                    • HighlandDougie
                      Full Member
                      • Nov 2010
                      • 3010

                      #25
                      Very sad news indeed. His LP recordings of the Queen Anne Birthday Ode/Anthem for the Foundling Hospital and of Purcell Theatre Music were my introduction to baroque music proper - and I love them to this day. The recent Oiseau Lyre 'The Baroque Era' box has been a wonderful opportunity for reacquaintance and discovery, mostly due to CH's enterprise. More personally, years ago in Edinburgh during the Festival, he was in a group of musicians/music-lovers who somehow ended up in my flat. The poor man had had no chance to eat supper and was starving. So I cooked spaghetti alla carbonara for him, which seemed the very least one could do for someone who had provided so much musical pleasure over the years. He was very kind about my cooking (he was very hungry) and then didn't mind being bombarded with all sorts of questions about harpsichords, performance practice in 18th century London/Naples/Mannheim, Emma Kirkby and so on. A delightful end to an evening with an immensely nice man.

                      Comment

                      • richardfinegold
                        Full Member
                        • Sep 2012
                        • 7339

                        #26
                        Originally posted by HighlandDougie View Post
                        Very sad news indeed. His LP recordings of the Queen Anne Birthday Ode/Anthem for the Foundling Hospital and of Purcell Theatre Music were my introduction to baroque music proper - and I love them to this day. The recent Oiseau Lyre 'The Baroque Era' box has been a wonderful opportunity for reacquaintance and discovery, mostly due to CH's enterprise. More personally, years ago in Edinburgh during the Festival, he was in a group of musicians/music-lovers who somehow ended up in my flat. The poor man had had no chance to eat supper and was starving. So I cooked spaghetti alla carbonara for him, which seemed the very least one could do for someone who had provided so much musical pleasure over the years. He was very kind about my cooking (he was very hungry) and then didn't mind being bombarded with all sorts of questions about harpsichords, performance practice in 18th century London/Naples/Mannheim, Emma Kirkby and so on. A delightful end to an evening with an immensely nice man.
                        Nice story.

                        Comment

                        • Bryn
                          Banned
                          • Mar 2007
                          • 24688

                          #27
                          Originally posted by Dave2002 View Post
                          Very sad to hear this news yesterday. I never did get to see/hear him, but I have many of his recordings. I particularly like the Beethoven set, but I also have other sets, such as the Haydn symphonies, which I've not managed to listen right through yet. His recordings include more 20th century works than one might imagine, and he also recorded some Swiss organ concertos, and Niels Gade's symphonies. A great and early loss. RIP.
                          Agreed. I have not by any means yet listened to all the Haydn symphonies he recorded. I note that the Decca set has more than doubled in price at amazon.co.uk since I bought it in March. His Stravinsky, Martinu, etc., are well worth hearing. He will be much missed.

                          Comment

                          • Krystal

                            #28
                            Originally posted by Tony View Post
                            Christopher Hogwood was an enormously inspirational conductor. Restrained in gesture and economical with words, nevertheless his performances and recordings always felt instinctively 'right' and deeply-felt musically. I had the honour and privilege of playing for him in The Academy of Ancient Music from 1983 to 2009, some of the most enjoyable music-making of my life.
                            He wore his immense scholarship lightly, and his concerts and rehearsals were always musically enlightening and 'fun'. There was no sense of personal 'ego' with Chris and although he had a lovely, dignified authority it never ever became authoritarian.
                            The musical world will be a much poorer place without Christopher Hogwood.
                            R.I.P.
                            This is a beautiful tribute to Christopher Hogwood and thank you for it. He was indeed a pioneer and a gentle, classy and passionate musician.

                            He'll be much missed. I'm thinking of Keats:

                            "Heard melodies are sweet, but those unheard are sweeter;
                            Therefore, ye soft pipes, play on.."

                            Comment

                            • Alain Maréchal
                              Full Member
                              • Dec 2010
                              • 1283

                              #29
                              France Musique broadcast a tribute last Friday, including recordings of performances with the Orchestre Philharmonique de Radio France. The programme is available for the next four weeks.

                              Last edited by Alain Maréchal; 05-10-14, 13:40.

                              Comment

                              • Nick Armstrong
                                Host
                                • Nov 2010
                                • 26344

                                #30
                                Originally posted by Alain Maréchal View Post
                                France Musique broadcast a tribute last Friday, including recordings of performances with the Orchestre Philharmonique de Radio France. The programme is available for the next four weeks.

                                http://www.francemusique.fr/emission...-03-2014-13-33
                                How interesting you mention that, Alain - I've just returned from a road trip and used the journeys to catch up with some France Musique podcasts of La Tribune des Critiques... including the one on Dido & Aeneas. The selected version that (anonymously) gained the critics approval throughout the various extracts played turned out to be the Hogwood recording (I think the programme was transmitted before the recent sad news).

                                In particular, our dear Forumista Catherine Bott was a stunning Dido - her performance of When I am laid in earth absolutely wonderful - havent heard it before, nearly had to pull over and stop the car!!
                                "...the isle is full of noises,
                                Sounds and sweet airs, that give delight and hurt not.
                                Sometimes a thousand twangling instruments
                                Will hum about mine ears, and sometime voices..."

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