Originally posted by teamsaint
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Rant over. Regarding programmes, of course my favourite so far has been ferneyhoughgeliebte's , with the proviso that it shouldn't be performed in the aforementioned venue in its current form since that place is death to any kind of musical intricacy or subtlety. As it happens I did a few years ago suggest a Proms event to RW, it centre of gravity being Mahler 10 in a new version by myself. I haven't actually done this as yet, but the idea behind it would be not a "performing version of the sketches", or a conjectural completion in something like Mahler's late style, but a music which would depart further and further from that style as the sketch-material thins out, even adding electronic sounds to the orchestra. I have a pretty good idea how to do it and how it would sound, having been thinking about it off and on for 25 years or so, and I would have thought that it could create quite some interest... but needless to say I received no reply from Proms HQ about this.
I also like the Partch Delusion of the Fury idea. Some of you might know that a production of this work, with Partch-instruments constructed according to the original models and performed by MusikFabrik of Cologne in a staging by Heiner Goebbels, has been touring to various places around Europe, although (typically) the Edinburgh Festival is as close as it gets to London.
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