Originally posted by Oddball
View Post
Why do we hear so little music by women composers?
Collapse
X
-
amateur51
Originally posted by ferneyhoughgeliebte View Post- Exactly. As Alpie pointed out, there are many women who have written superb works (I would add Rebecca Saunders, Kaija Saariaho, Katherine Norman, Chaya Czernowin, Liza Lim. Joanna Baille, Olga Neuwirth, Tansy Davies, Iris ter Schiphorst, Hilda Parades, Natasha Barrett .... ) but they're rarely performed and even more rarely broadcast. And, because many of them write in an idiom that the "common or garden classical Music fan" doesn't much care for (if anything, is actively hostile to) , it is left to us "unorthodoxists" to promote their cause.
Yes - as simple as that.
Comment
-
Originally posted by jean View PostBut the point of the anecdote that began the talk was that a member of the listening public DID express a desire for a piece by a woman composer - it was the people at Classic FM who did not even notice, and played the much-better-known, similarly-titled work by a male composer instead.
(Wouldn't have happened at Radio 3...)
Comment
-
-
Richard Barrett
Returning to the OP, isn't it clear that systematic sexism infects almost every corner of cultural and intellectual life (to name only these) in our societies? What more needs to be said?
Comment
-
Actually this issue was raised on Radio 3 during its last season of programmes from The Sage, Gateshead. IIRC the Sound and Music Chief Exec, Susanna Eastman announced that she would be commissioning more works from women than before and that, she would need compelling reasons for not going with a female over a male composer.
One way of establishing whether women composers are underrepresented on Radio 3 would be to total up the number of compositions by female composers as a ratio vs male composers and then compare that with their representation on Radio 3.
Comment
-
-
Originally posted by Richard Barrett View PostReturning to the OP, isn't it clear that systematic sexism infects almost every corner of cultural and intellectual life (to name only these) in our societies? What more needs to be said?
Comment
-
-
Originally posted by Sir Velo View PostActually this issue was raised on Radio 3 during its last season of programmes from The Sage, Gateshead. IIRC the Sound and Music Chief Exec, Susanna Eastman announced that she would be commissioning more works from women than before and that, she would need compelling reasons for not going with a female over a male composer.
One way of establishing whether women composers are underrepresented on Radio 3 would be to total up the number of compositions by female composers as a ratio vs male composers and then compare that with their representation on Radio 3.
Comment
-
-
Originally posted by Richard Barrett View PostReturning to the OP, isn't it clear that systematic sexism infects almost every corner of cultural and intellectual life (to name only these) in our societies? What more needs to be said?
Comment
-
-
Originally posted by Sir Velo View PostOne way of establishing whether women composers are underrepresented on Radio 3 would be to total up the number of compositions by female composers as a ratio vs male composers and then compare that with their representation on Radio 3.
But I presume you weren't meaning the underrepresentation of women composers considered as a percentage of total classical output? One can't change the past, but one could establish a particular date after which the works by women composers should be better represented? I wonder what date that would be - when women at least began to be recognised as artistic equals ...It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
Comment
-
-
Originally posted by Dave2002 View PostSince women are, allegedly, able to multi-task very effectively, and since perhaps pre-20th cenury women also had this ability, surely they should have been able to compose and also bear and bring up children.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
Originally posted by french frank View PostI think the question of chronology would matter when it comes to classical music. There is no dispute that the enormous majority of classical composers whose works are now well-known/performed/broadcast are by men because of the centuries of social bias against women. In terms of women composers, now known and composing now, the balance is improving.
But I presume you weren't meaning the underrepresentation of women composers considered as a percentage of total classical output? One can't change the past, but one could establish a particular date after which the works by women composers should be better represented? I wonder what date that would be - when women at least began to be recognised as artistic equals ...
Comment
-
Comment