Originally posted by jayne lee wilson
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Franck and fashion
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I do have a soft spot for Cesar Franck's Symphony, but prefer his chamber works, especially the String Quartet. Mind you if Cesar's symphony is neglected in the concert hall spare a thought for the symphonies of his namesake Eduard Franck, I wonder when they were last featured in a concert, both works have some merit and fortunately have been recorded.
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Originally posted by jayne lee wilson View PostFollowing up post 24 and combing through the Gramophone archive, it seems no-one had a serious problem with the DG ONF Bernstein. EG's review of the LP in 12/82 had minor reservations but was still very positive; comparing LP to CD, Sounds in Retrospect for 6/83 noted the improvement in definition and stronger bass on the CD. JS in 10/95 had only praise for the DG Masters Roussel 3 coupling I mentioned above, commenting that the ONF Franck was "much more alluringly recorded" than the 1959 NY account...
Finally JS - one of the master reviewers of Franch rep - did the Collection article on the Franck D Minor in 3/99. He said he'd "give Monteux his five cents", but had high praise for Paray, Dutoit, and yes, Karajan. He delighted greatly in his new discovery of the RCOA/Van Otterloo one too, with its vintage Amsterdam sound...
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Don Petter
Originally posted by Barbirollians View PostBeecham's recording has always sounded harsh and raucous to me - for such a great conductor of French music I have always wondered whether the recording is to blame .
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Stokowski - http://open.spotify.com/track/2fqsDNQ4FztVJLMC4BM6nN
Celibidache - http://open.spotify.com/track/1QdVJKDRaLxwnvw2youX0z
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Originally posted by teamsaint View PostI am amazed that you have never managed to hear a Borodin 2 live. And what a shame. My one live experience of it was a student performance by the orchestra at my sons 6 th form college, and very good live it was.
I was going to say what a great proms work it would be, and then discovered it was performed last year, after a 40 year gap since the last performance.
Edit: I think I may have misread your post, re never having heard Borodin 2.
Friday afternoon....
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Originally posted by jayne lee wilson View PostNew recording from OPR de Liege/Christian Arming (Fuga Libera) came out last year, very positively reviewed by Duncan Druce in Gramophone for 5/2013...
Always had a soft spot for this piece.. best - Paray, Van Otterloo, Dutoit.... even HvK in a (very) different way... Langree, c/w excellent Chausson in 2004...
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Originally posted by Eine Alpensinfonie View PostThe very first CD version, 1983.
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I've just checked my score, which confirms what I thought (having not heard the piece for a long time) - there is no exposition repeat!
I've heard it live once - Hallé/Skrowacewski in the Free Trade Hall approx 1994, although as a youngster I played the first mt with my youth orchestra. Actually, I think I've heard another youth orchestra play it within the last ten years, so it still has a life! It's a piece I always start to listen to with great pleasure but I find the return of the lovely cor anglais theme from mt 2 in the Finale roared out by everyone fff a bit hard to take.
Does anyone know Peter Warlock's take on it? It's the second of his Two Cod-Pieces for piano duet (or at least that's the form they've been published). The first is a Beethoven 5 remix called 'Beethoven's Binge'; the Franck one is called 'The Old codger'.
My absolute favourite Franck piece is his 'Psyché' for chorus and orchestra. Matthias Bamert conducted a performance broadcast maybe 10 years ago - the best I've heard.
Borodin 2 - Mark Elder did it with the Hallé two years ago. And I played that with my youth orchestra too. I have never got on quite so well with that piece; I seem to remember enjoying the inner movements more than the outer ones.
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I quite liked the Franck symphony for a few years, Jesus Lopez-Cobos's recording being one of my first acquisitions (shortly followed by a Dover miniature score of the same). Though like many of the recordings I got to know circa age 10, I haven't listened to it in a very long time now.
Apparently it was a very popular work in those music appreciation courses that used to exist in universities/colleges, but when those disappeared, it sort of did as well.
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Ignore just a second or two of poor intonation, and the last movement at least under Charles Munch with the BSO blazes away -
César Franck, Boston Symphony Orchestra, Charles Münch · Charles Munch Conducts... Boston Symphony Orchestra · Song · 2014
Now on to Paul Paray. Here he is - http://open.spotify.com/track/1Y5CPJWfjqz61QD0tVwTvw
Haven't got to the end of that yet - much sweeter sound in this representation. Very tidy orchestral playing from the Detroit SO.
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Old record catalogues reveal a number of conductors who recorded it first on 78s and then again on LP: ie: Munch, Beecham, Stokowski, Monteux and Ormandy. Beecham recorded it three times (LPO 1940; Orchestre Nationale 1957 in mono; and again in 1959 in stereo) as did Stokowski (Philadelphia in 1927 and 1936; Hilversum Radio Philharmonic in 1970). In LP days many other conductors seemed to want a version of their own in the catalogue, including Abravanel, Ansermet, Barbirolli, Barenboim, Bernstein, Boult, Guilini, Furtwangler, Golschmann, Karajan, Klemperer, Otterloo, Maazel, Muti, Paray, and Sanderling. Incidentally, I too was puzzled by the question as to how many performances "include the Expo repeat" as (a) there are no repeat marks in the score and (b) the repeat is fully written out in a different key anyway. Therefore, not to include it would be a nonsense!
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Originally posted by Roslynmuse View PostI've just checked my score, which confirms what I thought (having not heard the piece for a long time) - there is no exposition repeat!
I've heard it live once - Hallé/Skrowacewski in the Free Trade Hall approx 1994, although as a youngster I played the first mt with my youth orchestra. Actually, I think I've heard another youth orchestra play it within the last ten years, so it still has a life! It's a piece I always start to listen to with great pleasure but I find the return of the lovely cor anglais theme from mt 2 in the Finale roared out by everyone fff a bit hard to take.
Does anyone know Peter Warlock's take on it? It's the second of his Two Cod-Pieces for piano duet (or at least that's the form they've been published). The first is a Beethoven 5 remix called 'Beethoven's Binge'; the Franck one is called 'The Old codger'.
My absolute favourite Franck piece is his 'Psyché' for chorus and orchestra. Matthias Bamert conducted a performance broadcast maybe 10 years ago - the best I've heard.
Borodin 2 - Mark Elder did it with the Hallé two years ago. And I played that with my youth orchestra too. I have never got on quite so well with that piece; I seem to remember enjoying the inner movements more than the outer ones.
The first movement of Cesar Franck's Symphony in d minor as realized by Dimitri Mitropoulos and the Minneapolis Symphony Orchestra in 1945.Score included in ...
And here is some interesting stuff, unfortunately missing some of the illustrations, including a short description of the exposition repeat at P72
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
Don't know if anybody linked this by Tom Service, but it looks an excellent guide through the work.
Last edited by teamsaint; 12-07-14, 08:55.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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